spacetime coordinates: November 1958. small-town Cayuga, New Mexico
The Vast of Night is a 2019 American science fiction film directed by Andrew Patterson, and starring Sierra McCormick and Jake Horowitz. The film is written by Andrew Patterson under the pseudonym of James Montague, and Craig W. Sanger. It premiered at the 2019 Slamdance Film Festival in January 2019. Amazon Studios acquired distribution rights to the film and released it on May 29, 2020, including drive-in theaters in the United States and via video-on-demand on Prime Video. The film’s plot is said to be loosely based on the Kecksburg UFO incident and Foss Lake Disappearances.
The film takes place over a night, with the story framed as an episode of Paradox Theatre, a Twilight Zone-style anthology television series.
Patterson financed the film himself with earnings from his work producing commercials and shorts for the Oklahoma City Thunder and others. It was filmed in three to four weeks at a cost of $700,000. (wiki)
imdb / rt
A crew digs up all of the old Atari 2600 game cartridges of “E.T. the Extra-Terrestrial” that were tossed into a landfill in the 1980s. (imdb)
Atari: Game Over is a 2014 documentary film directed by Zak Penn about the North American video game crash of 1983, using the Atari video game burial excavation as a starting point. Eurogamer called it “one of the best films about gaming this year and should be seen by anyone with an interest in the medium’s early wild west years.” (wiki)
timespace coordinates: 2010’s Washington wildernes / New Mexico
Captain Fantastic is a 2016 American comedy-drama film written and directed by Matt Ross and starring Viggo Mortensen. The story centers on a family that is forced by circumstances to reintegrate into society after living in isolation for a decade.
[plot] Ben Cash and his wife Leslie and their six children live in the Washington wilderness. Ben and Leslie are former anarchist activists disillusioned with capitalism and American life, and chose to instill survivalist skills, left wing politics, and philosophy in their children – educating them to think critically, training them to be self-reliant, physically fit and athletic, guiding them without technology, demonstrating the beauty of coexisting with nature and celebrating Noam Chomsky‘s birthday instead of Christmas… (read more – wiki)
Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)
Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)
imdb / on YouTube