Do psychedelics give access to a universal, mystical experience of reality, or is that just a culture-bound illusion?
“Silicon Valley billionaires are putting their blockchain millions into funding psychedelics research, and corporates are preparing for a juicy new market. The counterculture has gone mainstream. Turn on, tune in, sell out. ”
“Perennialists tend to rank religions and mystical experiences hierarchically. All religions are one, but some are more one than others. Unitive non-dual experiences are more true, while dualist experiences (ie, personal encounters with God or a spirit) are less true. Accordingly, Buddhism, Hindu mysticism and Taoism are more true, while Christianity, Judaism, Islam and Shamanism are less true. The psychedelic research at Johns Hopkins follows this theological ranking. It uses the Hood Mysticism Scale to rate people’s psychedelic experiences – unitive experiences are scored as higher and more ‘complete’ than dualist experiences.”
“Western spiritual tourists can have a culturally naive idea that their experience of ayahuasca is the same as indigenous people’s experience, that everyone goes to the same Magic Kingdom where we all meet the same entity: Mama Ayahuasca.”
spacetime coordinates: Wild West in the 1870sBlueberry (French: Blueberry: L’expérience secrète) is a 2004 French acid western directed by Jan Kounen. It is an adaptation of the Franco-Belgian comic book series Blueberry, illustrated by Jean Giraud (better known as Moebius) and scripted by Jean-Michel Charlier. However, the film has little in common with the source material. The film starred Vincent Cassel as the title character along with Michael Madsen and Juliette Lewis. Although the film is a French production, the film is in English to match the story’s setting in America’s Wild West in the 1870s.
Jean Giraud, the illustrator of the original Blueberry comics, appears in a cameo role in the film, while Geoffrey Lewis, who had appeared in several spaghetti Westerns and his daughter Juliette Lewis play a father and daughter in the movie.The movie features several elaborate psychedelic 3D computer graphics sequences as a means of portraying Blueberry’s shamanic experiences from his point of view. Jan Kounen, the director of the film, drew upon his extensive first hand knowledge of ayahuasca rituals in order to design the visuals for these sequences, Kounen having undergone the ceremony at least a hundred times with Shipibo language speakers in Peru. An authentic Shipibo ayahuasca guide appears in the film and performs a sacred chant.
The film has managed to build a reputation as a cult success and as a trip film. Tetsuo Nagata‘s cinematography is also referred to as ‘sublime’. Tripzine noted the film has “the best, most accurate, most lovingly crafted shamanic rituals and psychedelic visuals ever created for home viewing”, and praised Blueberry’s uniqueness among westerns for having a climax that revolved around shamanic ritual rather than a gun battle. (wiki)
spacetime coordinate: 1980s China
Les filles du botaniste (Chinese: 植物园, Botanic Garden) is a dramatic and delicate story of two star-crossed lovers set against the fantastic lush of Chinese gardens.
based on a true story
The story starts when Min, a botanist who spent her childhood as an orphan, comes to intern at the botanical gardens under her new instructor, Chen. It is there that she meets An, Chen’s daughter, and finds herself falling in love in a time and place where same-sex relationships are an unforgivable crime.
Since it delves into a topic considered taboo in China, the government refused to allow for the film to be shot or even shown in the country (it was ultimately filmed in Vietnam)
Dai Sijie (director) “I felt that the deep love that brought these two young women together was extremely romantic. In my mind, these women weren’t so much ‘lesbian’ – since they didn’t really possess a recognition of knowledge of themselves as such – but rather they just were determined to love each other dearly. That unwavering surety of pure love just tears at the heart. Also, what really got to me was the fact that these were women denied their freedom. They were justified in their love and there should be no reason why they shouldn’t be able to continue in it–so one has to wonder, why do they not have that right? Since I have experienced losing the right to my own expression, I know what it feels like to not be able to be who you are in your own country. I felt close to both of them, because to me it seemed like we were all outsiders.”
The Chinese Botanist’s Daughters Interview with Dai Sijie in Tokyo Wrestling
spacetime coordinate: 1909 / 1940 the amazon rainforest
Embrace of the Serpent is a 2015 internationally co-produced adventure drama film directed by Ciro Guerra and shot in black-and-white.
The film tells two stories thirty years apart, both featuring Karamakate, an Amazonian shaman and last survivor of his tribe. He travels with two scientists, firstly with German Theo von Martius in 1909 and American named Evan in 1940, to look for the rare yakruna, a (fictional) sacred plant.
Evan: It’s a lot of money. Chullachaqui: Ants like money. I Do not. The taste is bad.