Home is a 2009 French documentary film by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet. The English version was read by Glenn Close.The film was financed by Kering, a French multinational holding company specializing in retail shops and luxury brands, as part of their public relations strategy. (wiki)Yann Arthus-Bertrand said in a TED talk that the movie has no copyright.
timespace coordinates: 2000’s Netherlands / United States / Belgium / China / SpainThe Forgotten Space (Allan Sekula & Noël Burch, 2010) follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete.
A range of materials is used: descriptive documentary, interviews, archive stills and footage, clips from old movies. The result is an essayistic, visual documentary about one of the most important processes that affects us today. The Forgotten Space is based on Sekula’s Fish Story, seeking to understand and describe the contemporary maritime world in relation to the complex symbolic legacy of the sea.
The sea is forgotten until disaster strikes. But perhaps the biggest seagoing disaster is the global supply chain, which – maybe in a more fundamental way than financial speculation – leads the world economy to the abyss. (http://www.theforgottenspace.net/)
spacetime coordinates: 1650s – 1670s Dutch Empire – British EmpireMichiel de Ruyter (Dutch pronunciation: [miˈxil də ˈrœy̯tər]) is a 2015 epic Dutch film about the 17th-century admiral Michiel de Ruyter directed by Roel Reiné. Paintings from the 17th century served as an inspiration for the design. In the beginning of the movie, when Klaartje the family maid pours milk, it is almost an exact replica of the famous painting ‘The Milkmaid’ by Johannes Vermeer.
Prior to its release, several protest groups had accused the film of glorifying the colonial history of the Netherlands. References to colonialism in the film are however almost absent. The film makes a minor reference to the Dutch East India Company, which contributed highly to the welfare in the 17th century in the low countries, and to the trading vessels which were protected by the navy under Michiel de Ruyter. The film’s main subjects — apart from Michiel de Ruyter himself — are the internal politics of the country, including the brutal murder of Johan de Witt and the complicated relationship with England, up to the engagement of the Dutch prince of Orange with Mary II. (wiki)