2277 – The Mysterious Secrets Of Uncle Bertie’s Botanarium (podcast 2016 series)

spacetime coordinates: an alternate imaginary British Empire – called “The Gravy Islands” and an Imaginary Indo-Pacific called “Boiling Ocean”

LISTEN HERE to the whole 1st season for free (but make it quick cose Sticher is going to scrap all content in August!)

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Offical

So happy friend/audio Jedi master Felix Petrescu (from famous electronica unboxed duo Makunouchi Bento) made me aware that this fabulous podcast by the likes of NZ The Flight of Conchords exists online for free (not for long though if I get it right). Jemaine Clement was the Vladislav to Taika Waititi’s Viago in that amazing vampire movie that all of you must have seen. This podcast made in 2016 is an incredibly funny silly madcap no-limits comedy piece. It is incredibly produced, sound designed, and written. It comes closest to the DE Hörspiel format I am familiar with and I rarely find it in French or EN. That said, please listen to The Mysterious Secrets of Uncle Bertie’s Botanarium with an open ear and an open heart. It is definitely my favorite and one of the best EN podcasts I have ever had the pleasure to listen to.

Why? Primarily because it is utterly delightful and full of botanical and natural history nonsense, yet a contemporary bastard of those very real colonial histories – when the search for the so-called ‘green capital’ by botanists and botanical hunters established the fortunes of Britain and ensured that the first pots made it to wet humid interiors of the Imperial Botanical Gardens of Kew. As Londa Schiebinger showed a while ago in the Carribean slave women brewed the ‘peacock flower’ into an abortifacient to ensure that no future children were born into slavery and exploitation. Such local herbal ethnobotanical lore was actively suppressed when the plants themselves got collected and traveled along the Middle Passage into Europe’s nurseries and botanical gardens. They arrived in our garden pots or plots as simple curiosities & ornamentals. That also speaks about why biological capital is still being extracted and privatized as we speak and speculated upon by biotechnological companies under capitalist regimes that grew out of the Ecological Imperialism of previous epochs.

The podcast is basically the quest of  Lord Joseph Banks played by Jemaine Clement (based on the famous naturalist Sir Joseph Banks 1743-1820) and his manservant Solander (Lawrence Arabia aka James Milne who also provides the musical soundtrack) in a quest for the infamous Heaven’s Clover (a pun on Heaven’s Tree??). I´t satirizes the way early naturalists sexualized nature and genderized botanical science according to their mores, biases and values.

Botanical science was one of the few places where women were welcomed (but also only according to the Burkean binary beauty/sublime gendering of aesthetics, where women were supposed to be feminine, delicate and interested in delicate, fragile things). Botany was a harbor or research and scientific opportunity for women in a world that was as much patriarchal as it was elitist and classist. A bizarre example of applying sexual categories to classifying and identifying plants is the graphic sexual taxonomy developed by Carl von Linne in the 18th century (the inventor of the binomial classification system of species that is still in use today). Linne basically imagined that plants have penises and vaginas, and was very literal about it. He also used on purpose highly eroticized scientific language in order to recruit a wide net of botanical collectors. Others within the Calvinist redoubts of Edinborough tried to combat such  “disgusting strokes of obscenity” (as Martin Kemp writes in a delightful article – Sex and Science in Robert Thornton’s Temple of Flora) in response to the perceived Linnean risky taxonomy. Robert Thornton had tried for example to de-sexualize plants and emphasize the logical and mathematical character of taxonomy that would thus regain the lost innocence of plants and allow women to pursue botany without embarrassment. And this is not a fiction.

Illustration showing “Cupid Inspiring Plants with Love”, in this case the Strelitzia reginae, or “queen plant”, a plate from Robert Thornton’s Temple of Flora (1807) 

Suffice to say the podcast The Mysterious Secrets Of Uncle Bertie’s Botanarium is suffused with such botanical conundrums, unwittingly political, theological and erotic plants, butterfly-insect collecting naturalist manias, picaresque travels and Victorian battles. Railing against hedonistic dangerous pleasures and ‘immoral’ botanical heretics (such as those exhibited Uncle Bertie) is a constant feature of them. They are mad in the best of ways – being a full-range attack on British aristocracy and privilege, its conservative values, its totally ridiculous prejudice, homophobia, misogyny, xenophobia, classism, and racism. They are at the same time poking fun at everything – including scientific rigor – fully indulging in exhibiting an almost Swiftean dimension of describing the habits and orthodoxy of these alternate English snobs – such as milking (back tits of a cat!) cats. There huge amounts of Orientalism – with the visit to Batavia (a pun on actually existing Batavia in the former Dutch East Indies) actually producing a breaking down of crew morale and much botanical perversity. The Anderlugians are the sworn enemies of the Gravy Islanders (both a mixture of Spaniards and Germans? but also some sort of weirdo Communists or Socialists as well).

These podcasts offer something refreshing and cheeky in terms of historical accuracy or literary solemnity. They are both trashy and highly sophisticated, more akin to the exuberance of Douglas Adam’s Hitchkickers Guide Through the Galaxy (or Oceans in this case), completely different from the usual histories and at its best described as a deeply humourous take on the excesses of naturalism and natural history. There is also a lot of speculative botany at work and speculative ethnobotany involved as with a lot of the species collected since the times of Buffon that got endowed with very (Western!) human virtues or vices, serving at times as symbols of modernist artificiality, social decay and bio-matter for theories of degeneration. Even today with the recent legalization battles around Hemp, THC, and CBD health fads we are still in the middle of such fervent and frequent botanical reshuffling.

Thoroughly and utterly delightful!

2175 – Wild Wild Country (TV Mini Series 2018)

spacetime coordinates: 1968 India  > 1981 – 1985 Antelope, Oregon / Rajneesh

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Wild Wild Country is a Netflix documentary series about the controversial Indian guru Bhagwan Shree Rajneesh (Osho), his one-time personal assistant Ma Anand Sheela, and their community of followers in the Rajneeshpuram community located in Wasco CountyOregon, US. (wiki)

imdb   /   rottentomatoes   /  1916 – Curing the Human Condition: On ‘Wild Wild Country’ (podcast 2021)

2077 – Titane (movie 2021)

I don’t care who you are. You’re my son. You’ll always be my son. Whoever you are.

Titane (2021) dir Julia Ducournau

“Following a series of unexplained crimes, a father is reunited with the son who has been missing for 10 years. Titane: A metal highly resistant to heat and corrosion, with high tensile strength alloys.” (imdb)

Director: Julia Ducournau

Music by: Jim Williams

Titane will still be probably my favorite movie of both 2021 and 2022. I know I am taking big risks here. Still, I consider J. Ducournau one of the best directors around and one of the few ones that is taking the French extreme cinema (also known as New French Extremism) farther afield. It comes as no surprise that it is produced by NEON. She is inheriting an unflinching, uncompromising Franco-Belge horror cinematography, yet I think she is unique altogether for her forays into what someone in a recent article aptly called “Being a Women is Full of Horror”. There is also a hint of J G Ballard out there (CRASH and Atrocity Exhibition) and Cronenbergian New Flesh.

There is nothing out there even closely comparable to this movie. Got first hint of Ducournau during her previous success – a cannibalism coming of age horror drama RAW (2016), while Titane is the final proof she will always have an ace up her sleeve.

Do not want to give any spoilers so I am going to restrict just to try and detail the way utter brutality is undermined – and imploded by some of the most tender and delicate scenes and enduring relations I have ever encountered on screen. Everything seems or feels impossible or made up – and somehow it appears strangely plausible. To me it brought back an incredible documentary mockumentary – The Imposter from a few years ago in this gender fluid way it approached family relations or inserting into a family or tacitly substituting for a disappeared son and it all makes perfect sense. There’s no judgment no condemnation here.

Fucking a car or getting pregnant with a car baby is after all not a far-fetched thing in a world of Holy Motors. There are scenes of absolute elation – ecstatic dancing and incredible fireman partie full of homoerotic charge. There are scenes that would put most slasher movies to shame. The imagery is super slick – almost videoclip (music video) like and this adds an entirely new quality to just having a plot. Its imagery and iconography seems entirely coherent inspired by a whole world burning – from California’s fiery hell to Australia’s unstoppable bushfires.

It’s hard to ignore that we seem yo be moving backwards – since the decoupling from Russian Oil dependence (politically justified) means another coupling and extractivism madness further afield. Beyond SAVE DIESEL bumper stickers (seen a few of those with my own eyes) or the all-powerful car industry lobby in Germany, there is an incredibly destructive death drive present, animated by a machinistic fetish car crash eroticism (one found in car advertising all over the world) one that has been rarely touched upon since cars became the skeleton in the closet. When we think of 1988 Akira anime we think of atomic energy – yet what is missing is that atomic energy rebranded as green – os supposed to make up for those fossil million year old sources under dictatorial control. Energy vampirism goes hand in hand with a pact with the devil and nobody seems to acknowledge this. A Kardashev level 1 civilization is being grilled, charred away – because what we have is self-combustion dependency, burn-out as a source of constant energy. Peak libido is following the price of oil while the West still cannot believe it depends on Russia or Saudi Arabia for running its motors (including war machines that are supposed to backup those oil reserves). The high-octane heroine Titane – survives a car crash, she’s the first plated cyborg that matches the exhaust pipes of our times. She is no inocent, she’s a killer, transformative and shape-shifting – yet protecting her machinic progeny (not clear if it’s real or just an effect of hallucinations caused by her prosthetics. Reducing with cars literally? No, it’s not a metaphor.

We love and live in a time when car manufacturers race to fake their own emissions and build artificially-sensitive systems that can distinguish btw the simulation and the real world conditions and avoid supervision and regulation and sell more (no matter what costs). Car manufacturers are primary authors of petrofictional cleanliness and carbon neutrality no?

They’re writing the end chapter of this petrofictional 21st c era that seems to want to circumvent any leftover human agency and decide in spite of government regulation, treaties, UN horror reports, climatologists consensus on climate crisis forums. YES (they seem to say) emperatures have to rise and Earth has to be transformed into a dessicated husk. I think one cannot embody or be attuned to these burning reality without such movies as Titane coming out of this bonfire.

imdb

1718 – Favolacce / Bad Tales (2020 movie)

time-space coordinates: present day Italy. The sweltering summer heat beats down on a sterile residential estate in the suburbs of Rome. Many a family lives here that no longer belongs anywhere.

A dark fairytale set in a southern suburb of Rome, where a small community of families live with their adolescent children. (Cineuropa)

Directors & Writers: Fratelli D’Innocenzo

imdb

1704 – It’s Coming! (2020 documentary)

Warning: Adult material

It’s Coming! from Jessica Kingdon on Vimeo.

The future is here! Well, sort of.

Directed & Shot by
Jessica Kingdon & Nathan Truesdell

Produced and Edited by
Willy Berliner, Jessica Kingdon & Nathan Truesdell

Associate Producer
Vivian Qin

Color by
Cédric von Niederhäusern

Sound Design & Mix
Allison Wilson

Translated by
Vivian Qin
Beatrix Chu

via Felix Petrescu

1693 – סטאלגים Stalags: Holocaust and Pornography in Israel (2008 documentary)

2008 documentary film produced by Barak Heymann and directed by Ari Libsker.

Stalag (Hebrew: סטאלג‎) was a short-lived genre of Nazi exploitation Holocaust pornography in Israel that flourished in the 1950s and early 1960s, and stopped after the time of the Eichmann Trial, because of a ban by the Israeli government.[1] These books did not include Jews to avoid taboos. They are no longer available for a reading today in terms of traditional publication, although the advent of the Internet has allowed for peer-to-peer file sharing.

The books emerged from the culture of silence that surrounded the Holocaust, especially in Israel, until the Eichmann trial. Many young people lived in the shadow of these events, but could find no answers to their inevitable questions, whether from their parents or their teachers. For most of adolescents, the only[dubious – discuss] answers they could find were in the book House of Dolls (1955) a novella by K. Tzetnik, a then-anonymous survivor of Auschwitz who wrote about women prisoners forced into prostitution by the Nazi guards. Although published as fiction, the book has been considered a partially truthful account based upon the experiences of the author’s sister. (Wikipedia entry on Stalags)

In 2003, the genre re-entered public debate in Israel with the research of popular culture analyst Eli Eshed

Thanks to Robert Schilling for recommending.