timespace coordinates: (retrofuturistic) Victorian London >Lisbon >Alexandria >Paris
Poor Things is a 2023 film directed by Yorgos Lanthimos and written by Tony McNamara. It stars Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, and Jerrod Carmichael. Based on the 1992 novel by Alasdair Gray, (wiki)
imdb // rt // brain transplant
spacetime coordinates: 2020’s Majorca
The Unbearable Weight of Massive Talent is a 2022 American action comedy film directed by Tom Gormican, who co-wrote the screenplay with Kevin Etten. The film stars Nicolas Cage as a fictionalised version of himself, along with a supporting cast that includes Pedro Pascal, Sharon Horgan, Ike Barinholtz, Alessandra Mastronardi, Jacob Scipio, Neil Patrick Harris, and Tiffany Haddish. (wiki)
timespace coordinates: 2010’s South Sudan > outskirts of London
His House is a 2020 horror thriller film written and directed by Remi Weekes from a story by Felicity Evans and Toby Venables. It stars Wunmi Mosaku, Sope Dirisu and Matt Smith. The film tells the story of a refugee couple from South Sudan, struggling to adjust to their new life in an English town that has an evil lurking beneath the surface. (wiki)
“The main source of information on witchcraft of the Dinka people comes from British anthropologist Godfrey Lienhardt, who devoted his studies to the Dinka religion. His article written in 1951 for the International African Institute, “Some Notions of Witchcraft Among the Dinka”, sheds light on the apeth and helps to enrich the folkloric vocabulary of His House. According to Lienhardt, night witches work their supernatural misfortunes in the darkness, an element incorporated in the film when Bol turns on the lights to make the ghosts go away. They can also make their presence known through footprints and place curses on their victims through the staring “evil eye,” a concept that says as much about Bol and Rial’s suspiciously xenophobic neighbors as it does their haunting.
Night witches are the most malicious wielders of magic since their main intentions are always to harm others without receiving anything as a trade-off. Thieves like the one in Rial’s story may be creating hardship for those they steal from, but their deeds are motivated by the goal of gaining benefits for themselves. The apeth, on the other hand, lives only to “eat,” a distinction made to describe the fact that the witch consumes the good fortune of its victims, leaving nothing but misery in its wake. Lienhardt talks about this idea in the context of the community or family unit, a thematic connection to His House.” (read more: His House: Dinka Mythology Explained by andrew housman / His House: The Ending, Monster & Final Scene Explained by hannah shaw-williams)
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