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timespace coordinates: world under attack by creatures who hunt by sound
The Silence is a 2019 film starring Kiernan Shipka and Stanley Tucci. It is directed by John R. Leonetti based on a screenplay by Carey Van Dyke and Shane Van Dyke that adapts the 2015 horror novel of the same name by Tim Lebbon. (wiki)
rt / imdb / 670 / 902 / deaf culture
timespace coordinates: 1986 London / Halley’s Comet
Lifeforce is a 1985 British science fiction horror film directed by Tobe Hooper, written by Dan O’Bannon and Don Jakoby, and starring Steve Railsback, Peter Firth, Frank Finlay, Mathilda May, and Patrick Stewart. Based on Colin Wilson‘s 1976 novel The Space Vampires, the film portrays the events that unfold after a trio of humanoids in a state of suspended animation are brought to Earth after being discovered in the hold of an alien space ship by the crew of a European space shuttle.
Horror and comic book writer C. J. Henderson praised the film: “Lifeforce is an incredible film, and may by be the most intelligent vampire movie ever made … [The ideas presented in Lifeforce] are beyond [others vampire movies] beyond all of them, light-years beyond … the story is what makes this movie hum…. Lifeforce is a true, thinking sci-fi fan’s film”. Andrew Migliore and John Strysik in their Lurker in the Lobby explain that Colin Wilson wrote The Space Vampires as a consequence of H.P. Lovecraft‘s publisher August Derleth challenging Wilson (who was critical of Lovecraft’s writing) to write a Lovecraftian novel himself (a challenge that resulted in three such novels, The Mind Parasites, The Space Vampires, and The Philosopher’s Stone), and they continue, “[Lifeforce] is big, splashy, and … the scenes of an apocalyptic London are not to be missed. And the film, an obvious tribute to Nigel Kneale‘s Quatermass, has deep roots in Lovecraft’s mythos”. (wiki)
timespace coordinates: (84% terraformed) MARS, 2176 A.D.
Ghosts of Mars is a 2001 American science fiction action horror film written, directed and scored by John Carpenter. The film stars Natasha Henstridge, Ice Cube, Jason Statham, Pam Grier, Clea DuVall, and Joanna Cassidy.
Responding to the criticism towards the film in his autobiography, Carpenter stated he was intentionally trying to make Ghosts Of Mars as over-the-top and tongue-in-cheek as possible. He claimed he was trying to make a mindless and silly, yet highly entertaining and thrilling, action flick where “the universe allows its characters and plot points to be silly without becoming full-fledged comedies”, akin to 80’s movies like Commando, Rambo: First Blood Part 2, and Predator. Looking back on the film and its criticism, he stated he was frustrated that most people thought the film was meant to be a serious horror movie, and feels that he should’ve made the film more openly comedic and “in on the joke”, saying “I have no power over what critics say, but when people complained about the movie being campy and not scary…the name of the movie is Ghosts Of Mars, I figured the campiness would be self-explanatory.” (wiki)
The Predator is a 2018 American science fiction action comedy film directed by Shane Black and written by Black and Fred Dekker. It is the fourth installment in the Predator film series, a sequel to Predator (1987), Predator 2 (1990) and Predators (2010). Black had a supporting role in the original film, while John Davis returns as producer from the first three installments.
The film stars Boyd Holbrook, Trevante Rhodes, Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Thomas Jane, Alfie Allen, and Sterling K. Brown and follows a group of PTSD-afflicted soldiers who must fight off an invading pair of Predators.
Atypical for a movie written by Shane Black, the film does not take place during Christmas but during Halloween.
Professor Richard Fortey journeys high in the Rocky Mountains to explore a 520-million-year-old fossilised seabed containing bizarre and experimental lifeforms that have revolutionised our understanding about the beginnings of complex life. Among the amazing finds he uncovers are marine creatures with five eyes and a proboscis; filter-feeders shaped like tulips; worm-like scavengers covered in spikes but with no identifiable head or anus; and a metre-long predator resembling a giant shrimp.
Professor Richard Fortey travels to northeastern China to see a fossil site known as the ‘Dinosaur Pompeii’ – a place that has yielded spectacular remains of feathered dinosaurs and rewritten the story of the origins of birds. Among the amazing finds he investigates are the feathered cousin of T-rex, a feathered dinosaur with strong parallels to living pandas and some of the most remarkable flying animals that have ever lived.
Professor Richard Fortey investigates the remains of ancient volcanic lake in Germany (Messel pit) where stunningly well-preserved fossils of early mammals, giant insects and even perhaps our oldest known ancestor have been found. Among the amazing finds are bats as advanced and sophisticated as anything living today, more than 50-million-years-later; dog-sized ‘Dawn’ horses, the ancestor of the modern horse; and giant ants as large as a hummingbird.
timespace coordinates: near future Mariana Trench, the Pacific Ocean/ Hainan, China, Thailand, Japan
The Meg is a 2018 US–Chinese science fiction action thriller film directed by Jon Turteltaub, loosely based on the 1997 book Meg: A Novel of Deep Terror by Steve Alten. The film stars Jason Statham, Li Bingbing, Rainn Wilson, Ruby Rose, Winston Chao, and Cliff Curtis. the film follows a group of scientists who encounter a 75-foot-long (23 m) megalodon shark while on a rescue mission at the floor of the Pacific Ocean. (wiki)
Pulp-horror, archaic science fiction and the darker aspects of folklore share a preoccupation with exhumation of or confrontation with ancient super-weapons categorised as Inorganic Demons or xenolithic artifacts. These relics or artifacts are generally depicted in the shape of objects made of inorganic materials (stone, metal, bones, souls, ashes, etc.). Autonomous, sentient and independent of human will, their existence is characterised by their forsaken status, their immemorial slumber and their provocatively exquisite forms. […] Inorganic demons are parasitic by nature, they […] generate their effects out of the human host, whether as an individual, an ethnicity, a society or an entire civilisation.
— REZA NEGARESTANI, Cyclonopedia: Complicity with Anonymous Materials
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