“During the Great Patriotic War (World War II), two Soviet partisans, Sotnikov (Boris Plotnikov) and Rybak (Vladimir Gostyukhin) go to a Belarusian village in search of food. After taking a farm animal from the collaborationist headman (Sergei Yakovlev), they head back to their unit, but are spotted by a German patrol. After a protracted gunfight in the snow in which one of the Germans is killed, the two men get away, but Sotnikov is shot in the leg. Rybak has to take him to the nearest shelter, the home of Demchikha (Lyudmila Polyakova), the mother of three young children. However, they are discovered and captured.” (wiki)
“Larisa Shepitko’s emotionally overwhelming final film [completed two years before her untimely death at 41 in a car crash] won the Golden Bear at the 1977 Berlin Film Festival and has been hailed around the world as the finest Soviet film of its decade. Set during World War II’s darkest days, The Ascent follows the path of two peasant soldiers, cut off from their troop, who trudge through the snowy backwoods of Belarus seeking refuge among villagers. Their harrowing trek leads them on a journey of betrayal, heroism, and ultimate transcendence.” —Janus Films
“An impoverished preacher who brings hope to the Miami projects is offered cash to save his family from eviction. He has no idea his sponsor works for the FBI who plan to turn him into a criminal by fueling his madcap revolutionary dreams.”(IMDB)
Altough it may appear completely preposterous this shows another facet of the FBI. Conspirative thought is the bread and butter of the Alphabet agencies (CIA, FBI, NSA to just name the most famous). Obsessing over anarchist conspiracy or internationalist anti-colonial revolutionary networks characterized the work of the British or French secret service very early on. Digital theoretician Alexander Galloway classified “conspiracy is a kind of network thinking, appropriate for a networked world.” – in this sense, the FBI is either a purveyor of conspiracies or – if need be a fabricator. We should also not consider the agencies as all-powerful, the bigger they are the bigger their footprint (not only carbon) the larger their propensity to fail miserably. One of the effects of the War on Terror has meant that a lot of vulnerable and poor racially discriminated communities practically got entrapped into playing the role of the terrorist and the baddie – and this movie pokes fun at this situation. The demography of the US is changing in universities (as the current protests demonstrated) and this is one of the lynchpins of the right manifested as ‘replacement’ bogus fears. What is being replaced is their sense of entitlement and laissez-faire that made sure inequality followed racial and heteronormative lines. In a sense, it speaks both of the ways these agencies work against the very citizens they aim to protect and of the way capitalism always finds a fall guy in those who are already in a sense marginal and powerless while protecting the brazen and unaccountable.
In the case of the Liberty City Seven – seven black construction workers and members of a small Miami, Florida-based religious group who called themselves the Universal Divine Saviors got baited by the FBI. I guess here is the agency of the almost all-powerful hegemonic US – representing the NSS as something more akin to a horrible farce (on those who had to pay with their lives or with prison). Russiagate, Epstein, Pizzagate, now TikTok CEO hearings or the president signing a bill that could ban Tiktok, seems to be all about the Paranoid Style in American Politics, an essay penned by US historian Hofstadter but also about the shadow of McCarthyism coming to haunt today’s geopolitical strains.
As Jameson put it in The Geopolitical Aesthetic, quoted by Galloway, the conspiracy means “a potentially infinite network, along with a plausible explanation of its invisibility.” The cabal must be massive and interconnected, yet despite everything the plots remain somehow veiled, just beyond one’s grasp.” In the end, this movie is about systemic racism and economic relations in today’s world and the richest and most powerful nation on earth, and how easy it is to fabricate subversive groups while the biggest subversion (the subversion of Democracy with the help of techno-capitalism) remains in plain sight for all to see. The TW below has everything wrong in the title (Balaji never mentioned that he wanted to ethnically cleanse SF – but the more important takeaway is the way techno-libertarians right wants to appear endangered and under threat by ‘woke’ assimilation).
🧵To understand what's happening in San Francisco today, you must examine the extremist politics of the "Network State" cult. For the @NewRepublic, I wrote about Balaji Srinivasan, an influential tech baron seeking to “ethnically cleanse” SF. Read➡️ https://t.co/SMTd4Mo441 ⬅️ pic.twitter.com/1uoZOjjcO3
TimeSpace Warps 