timespace coordinates: December 2004, small village in the Alaska wilderness (Keelut)
‘Green Room’ filmmaker Jeremy Saulnier’s art-horror adaptation of Arctic Noir novel is bloody, brutal, bleak and Freudian as hell” (rollingstone review)
There is also a one-shot comic book, published by Dark Horse Comics, titled Van Helsing: From Beneath the Rue Morgue, that follows Van Helsing on a self-contained adventure that occurs during the events of the film, just after the death of Jekyll/Hyde in Paris but before Van Helsing returned to Rome. In the adventure, Van Helsing deals with Doctor Moreau and his hybrid mutants.
In May 2012, Universal Pictures announced that they would be rebooting the film with Alex Kurtzman and Roberto Orci as a two-year deal to produce a modern reimagining and Tom Cruise to star as the title character and also produce the film.Rupert Sanders is in talks to direct the film. Orci spoken to IGN that he has hinted that both The Mummy and Van Helsing reboots will have a shared universe. On November 11, 2015, Variety reports that Jon Spaihts and Eric Heisserer will write the reboot, but Cruise left the film. However, in 2016, Cruise signed back on to star in Kurtzman’s The Mummy, which was released in theaters on June 9, 2017. (wiki)
November is a 2017 Estonian fantasy drama film directed by Rainer Sarnet, based on Andrus Kivirähk‘s novel Rehepapp ehk November (Old Barny aka November).
“Sarnet’s earthbound fairy tale occupies a dreamscape somewhere between the teeming canvases of Brueghel and the existential agonies of Bela Tarr‘s films.” Sheri Linden
spacetime coordinates: >> 2010’s Wellington New Zealand
What We Do in the Shadows is a 2014 New Zealand mockumentaryhorror comedy film about a group of vampires who live together in Wellington, that is written, directed by, and starring Jemaine Clement and Taika Waititi.
Europa (known as Zentropa in North America) is a 1991 Danish art drama film directed by Lars von Trier. It is von Trier’s third theatrical feature film and the final film in his Europa trilogy following The Element of Crime (1984) and Epidemic (1987). Europa was influenced by Franz Kafka‘s Amerika, and the title was chosen “as an echo” of that novel.
A young, idealistic American hopes to “show some kindness” to the German people soon after the end of World War II. In US-occupied Germany, he takes on work as a sleeping car conductor for the Zentropa railway network, falls in love with a femme fatale, and becomes embroiled in a pro-Naziterrorist conspiracy.
Europa employs an experimental style of cinema, combining largely black and white visuals with occasional intrusions of colour having actors interact with rear-projected footage, and layering different images over one another to surreal effect. The voice-over narration uses an unconventional second-person narrative imitative of a hypnotist
The film’s characters, music, dialogue, and plot are self-consciously melodramatic and ironically imitative of film noir conventions.