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timespace coordinates: 2000’s Hong Kong
Push is a 2009 American superhero film directed by Paul McGuigan and written by David Bourla. Starring Chris Evans, Dakota Fanning, Camilla Belle, and Djimon Hounsou, the film centers on a group of people born with various superhuman abilities who band together in order to take down a government agency that is using a dangerous drug to enhance their powers in hopes of creating an army of super soldiers.
I Think We’re Alone Now is a 2018 American science fiction drama film, directed by Reed Morano and written by Mike Makowsky. It stars Peter Dinklage and Elle Fanning as two survivors of a worldwide epidemic that wipes out earth’s population. (wiki)
Ambient 4: On Land is the eighth solo studio album by British ambient musician Brian Eno. It was the final edition in Eno’s ambient series, which began in 1978 with Music for Airports.
On Land is a mixture of synthesizer-based notes, nature/animal recordings, and a complex array of other sounds, most of which were unused, collected recordings from previous albums and the sessions that created them. As Eno explained, “… the making of records such as On Land involved feeding unheard tape into the mix, constant feeding and remixing, subtracting and “composting”. (…) “instrumentation shifted gradually through electro-mechanical and acoustic instruments towards non-instruments like pieces of chain and sticks and stones … I included not only recordings of rooks, frogs and insects, but also the complete body of my own earlier work”.
Despite the music’s dark leanings, it is in a sense still highly “ambient” in that the tracks tend to blend into each other and thus fulfill all of Eno’s original expectations of what the term means. Nevertheless, there is still room for the occasional surprise, such as Jon Hassell‘s recognisable effect-laden trumpet in “Shadow“. Eno, cognizant of the deeper aural qualities, said, “On the whole, On Land is quite a disturbed landscape: some of the undertones deliberately threaten the overtones, so you get the pastoral prettiness on top, but underneath there’s a dissonance that’s like an impending earthquake”.
The album makes reference to definite geographical places, such as “Lizard Point“, named after the exposed, southernmost tip of mainland Britain, close to Land’s End in South-West England.
“Tal Coat” refers to Pierre Louis Jacob (1905–1985), aka Pierre Tal-Coat, a proponent of the French form of abstract expressionism, Tachisme. This interest in painting is reflected in his statement that the album was “… an attempt to transpose into music something that you can do in painting: creating a figurative environment. At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art because it was abstract, not figurative. In contrast, my intention in On Land was to make music that was like figurative painting, but without referring to the history of music – more to a “history of listening””
“Lantern Marsh” was a place in East Anglia where he grew up. He remarks, “My experience of it derives not from having visited it (although I almost certainly did) but from having subsequently seen it on a map and imagining where and what it might be”.
“Leeks Hills“, Eno explains, “is a little wood (much smaller now than when I was young, and this not merely the effect of age and memory) which stands between Woodbridge and Melton. There isn’t a whole lot left of it now, but it used to be quite extensive. To find it you travel down the main road connecting Woodbridge and it lies to your left as you go down the hill”.
“Dunwich Beach, Autumn, 1960” is named after the once prosperous seaport of Dunwich, England, which eroded into the sea over a period of three hundred years. (wiki <3)
timespace coordinates: Earth orbit, mission STS-157 to service the Hubble Space Telescope in the not too distant past
Gravity is a 2013 science fiction thriller film directed, co-written, co-edited, and produced by Alfonso Cuarón. It stars Sandra Bullock and George Clooney as American astronauts who are stranded in space after the mid-orbit destruction of their space shuttle, and their subsequent attempt to return to Earth.
Visual effects company Framestore spent more than three years creating most of the film’s visual effects, which make up over 80 of its 91 minutes. (wiki)
Although Gravity is often referred to in the media as a science fiction film, Cuarón told BBC that he sees the film rather as “a drama of a woman in space”. According to him, the main theme of the film was “adversity” and he uses the debris as a metaphor for this. Despite being set in space, the film uses motifs from shipwreck and wilderness survival stories about psychological change and resilience in the aftermath of a catastrophe. (read more: Themes)
For billions of years our planet was devoid of life, but something transformed it into a vibrant, living planet. That something was soil.
It’s a much-misunderstood substance, often dismissed as ‘dirt’,something to be avoided. Yet the crops we eat, the animals we rely on, the very oxygen we breathe, all depend on the existence of the plant life that bursts from the soil every year.
In this film, gardening expert Chris Beardshaw explores where soil comes from, what it’s made of and what makes it so essential to life. Using specialist microphotography, he reveals it as we’ve never seen it before – an intricate microscopic landscape, teeming with strange and wonderful life forms.
It’s a world where the chaos of life meets the permanence of rock, the two interacting with each other to make a living system of staggering complexity that sustains all life on Earth.
Chris explores how man is challenging this most precious resource on our planet and how new science is seeking to preserve it. (bbc)
timespace coordinates: 1990’s Tokyo
Cure (キュア Kyua) is a 1997 Japanese psychological horror-thriller film written and directed by Kiyoshi Kurosawa, starring Kōji Yakusho, Masato Hagiwara, Tsuyoshi Ujiki and Anna Nakagawa. The film was released to strong critical acclaim in both the East and the West, with critics praising Kurosawa’s direction as well as the visuals and atmosphere. In 2012, South Korean film director Bong Joon-ho listed the film as one of the greatest films of all time. (wiki)
TimeSpace Warps 