The film’s main concept centers on the mysterious murder of a college student linked to the man who helped create a high-tech surrogate phenomenon that allows people to purchase remote-controlled humanoid robots through which they interact with society. These fit, attractive, remotely controlled robots ultimately assume their life roles, enabling people to experience life vicariously from the comfort and safety of their own homes. (wiki)
The player is free to explore their environment while completing main and side missions at their leisure. The game incorporates elements from science fiction video games and films, and continues the series’ reputation for over-the-top parody. It was released in August 2013 for Microsoft Windows, PlayStation 3, and Xbox 360, and was later ported to PlayStation 4, Xbox One, and Linux in 2015.
The game is set in a nearly identical simulation ofSteelport, the fictional city setting from Saints Row: The Third, though individual story missions have new, custom-designed levels.
Saints Row IV‘s story parodies science fiction video games, especially Mass Effect 2, as well as films like The Matrix and Zero Dark Thirty, and other “nerd culture”. Some story missions are propelled by individual characters’ existential crises, as each Saint character is stuck in a personal simulation of their own hell, and must be rescued by the player. Other elements borrowed from video game culture include BioWare-style character romances games and a Metal Gear-style mission with an unhelpful partner.
Saints Row IV received several limited and summative edition releases, and was briefly banned in Australia.
System Requirements (Minimum) CPU: Intel Core 2 Quad Q6600 | AMD Athlon II x3. / OS: Windows Vista (x86 or x64) / VIDEO CARD: NVIDIA GTX 260 | AMD Radeon HD 5800 series. / FREE DISK SPACE: 10 GB. / DEDICATED VIDEO RAM: 896 MB.
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
Virtuosity is a 1995 American science fiction action film directed by Brett Leonard. Denzel Washington stars an imprisoned policeman whom is released to hunt down a virtual reality serial killer (Russell Crowe) whom escaped from cyberspace into the real world when he is uploaded into the body of a cyborg.
As LAPD officers gather evidence at the grisly crime scene, you can only ask yourselves: what kind of lunatic would commit such unthinkable crimes? The three adjectives which best describe this killer are sadistic, intelligent, and dangerous. (Acid Killer – Infected Mushroom)
“Hardware and software is culturally biased. Robotic epistemologies are caught in a 500-year bubble, a particular way of looking at the world,” Lewis says. “It gave us some good things, but it also gave us colonialism, slavery, and sustained environmental degradation. Do we really want those biases trained into future technologies and A.I.?”
Philip K. Dick’s Electric Dreams, or simply Electric Dreams, is a British anthology television series based on various writings from author Philip K. Dick, each of the 10 stand-alone episodes are set in a different and unique world — some that lay in the far reaches of the universe and others that are much closer to home. While the stories may be worlds apart, central to each is the exploration of the importance and significance of humanity. (rt)
Saints Row IV is an 
TimeSpace Warps 