In our race towards modernity, amidst all the technological innovation and the rapid growth of our cities, silence is now quickly passing into legend. Beginning with an ode to John Cage‘s seminal silent composition 4’33“, the sights and sounds of this film delicately interweave with silence to create a contemplative and cinematic experience that works its way through frantic minds and into the quiet spaces of hearts. As much a work of devotion as it is a documentary, IN PURSUIT OF SILENCE is a meditative exploration of our relationship with silence, with sound, and the impact of noise on our lives. (rottentomatoes)
“The etymological roots of the word silence
are somewhat contested. There are two words
in particular that people go back to. There’s the Gothic term ana-silan, and then</i> desinere. One of them has to do with
the wind dying down and the other has to do with
a kind of stopping of motion. They’re both to do with an
interruption, not just of sound, but the roots of silence
are also to do with the interruption of our own… The imposition of our own egos
on the world.” GEORGE PROCHNIK
Johnny Depp’s make-up and costume were inspired by artist Kirby Sattler’s painting “I am Crow.”
The film was originally supposed to have a plot focusing more on supernatural elements and Native American mysticism. This mainly would’ve taken the form of werewolves, which would’ve explained the silver bullets. However, this draft was supposedly part of the initial 250 million dollar proposal that Disney quickly cancelled after John Carter (2012) underperformed. When the project was revamped to meet Disney’s approval, it came more in line with the current script. (read more: Trivia)
Crysis 3 is a first-person shooter video game developed by Crytek and published by Electronic Arts for Microsoft Windows, PlayStation 3, and Xbox 360. Officially announced 16 April 2012, it is the third main installment of the Crysis series, a sequel to the 2011 video game Crysis 2.
Set in the year 2047, the game takes place in New York City, which has been encased in a giant Nanodome created by the corrupt CELL corporation, and turned into a veritable urban rainforest. Crysis 3‘s story revolves around Prophet, a Nanosuit holder who is on a quest to take revenge on the Alpha Ceph, the leader of the Ceph alien race, with the help of Prophet’s former comrade, Psycho. The game’s story serves as the end of the Crysis trilogy. Gameplay revolves around the use of the Nanosuit, which grants players a variety of abilities such as being invisible. New features introduced in Crysis 3 include a new Nanosuit ability called “Rip & Throw”, a new compound bow and the “hacking” feature, which allows players to hack into enemies’ equipment, drones, and automated security defenses.
The game is set in a post-apocalyptic New York City, in an effort to combine the urban landscape of Crysis 2 and the forest setting of the original Crysis. The game introduces the “Seven Wonders”, with each wonder having its own unique landscape and tactical layout. Due to complaints about Crysis 2‘s linearity, the game’s levels were opened up so as to grant players more freedom. The development team also put efforts into creating a more emotional story, and the story’s protagonist was inspired by the lead character of District 9. The game was developed by a team of 100 people during its 23-month development cycle. (wiki)
minimum system requirements: CPU: Intel Core2 Duo 2.4 Ghz (E6600) / AMD Athlon64 X2 2.7 Ghz (5200+) // RAM: 2GB Memory (3GB on Vista) // GPU: DirectX 11 graphics card with 1Gb Video RAM Nvidia GTS 450 / AMD Radeon HD5770 // DX: Directx 11 // OS: Windows Vista, Windows 7 or Windows 8 // Store: At least 17 GB of free space
Speaking of the political and social commentary the film encouraged, director Krasinskisaid, “The best compliment you can get on any movie is that it starts a conversation. The fact that people are leaving and talking about anything is really fun—but certainly about deep stuff like that, is awesome.”Krasinski, who did not grow up with horror films, said that prior films of the genre such as Don’t Breathe (2016) and Get Out (2017) that had societal commentary were part of his research. In addition to considering his film a metaphor for parenthood, he compared the premise to US politics in 2018, “I think in our political situation, that’s what’s going on now: You can close your eyes and stick your head in the sand, or you can try to participate in whatever’s going on.” He cited Jaws (1975) as an influence, with how the protagonist police officer moved from New York to an island to avoid frightening situations, and was forced to encounter one in his new location with shark attacks.
Matthew Monagle of Film School Rejects said A Quiet Place seemed to be “the early frontrunner for the sparsely intellectual horror movie of the year”, like previous films The Babadook (2014) and The Witch (2015). Monagle said Krasinski, who had directed two previous films, was “making an unusual pivot into a genre typically reserved for newcomers”, and considered it to be part of a movement toward horror films layered “in storytelling, [with] character beats not typically found in a horror movie”. Tatiana Tenreyro, writing for Bustle, said while A Quiet Place was not a silent film, “It is the first of its kind within the modern horror genre for how little spoken dialogue it actually has.” She said the rare moments of spoken dialogue “give depth to this horror movie, showing how the narrative defies the genre’s traditional films even further”.
Bishop Robert Barron was surprised by strikingly religious themes in the film. He likened the family’s primitive, agrarian life of silence to monasticism, and commends their self-giving love. Barron noted the pervasivepro-life themes, especially in the choices of the parents, as Mrs. Abbott risks everything to give birth to a child, and her husband lays down his own life so that the children can live: what Barron sees as the ultimate expression of parental love. Sonny Bunch of the Washington Post also commented and expanded on a pro-life message.
Krasinski, who had recently become a new father, said in a conference interview “I was already in a state of terror about whether or not I was a good enough father,” and added that the meaning of parenthood had been elevated for him by imagining being a father in a nightmare world, struggling to simply keep his children alive. Jonathan Hetterly, writing in Shrinktank, saw the film’s whole premise as a commentary on modern American paranoid parenting, saying that Krasinski “viewed the premise as a metaphor for a parent’s worst fears”.
Krasinski himself has told CBS News “The scares were secondary to how powerful this could be as an allegory or metaphor for parenthood. For me, this is all about parenthood.” (wiki)
TimeSpace Warps 