0447 – Journey to the Center of the Earth (2008)

spacetime coordinates: 2000s Iceland

Journey to the Center of the Earth  is a 2008 American 3D science fantasy adventure film directed by Eric Brevig. It is not considered a sequel or a remake of the 1959 film  Journey to the Center of the Earth.

The film was the introduction for the special “4D” motion effects cinema in Seoul, South Korea, which feature tilting seats to convey motion, wind, sprays of water and sharp air, probe lights to mimic lightning, fog, scents, and other theatrical special effects. This format is known as 4DX.

http://www.imdb.com/title/tt0373051/

430 – The Swapper (2013 video game)

spacetime coordinates: abandoned space station Theseus  – remote outpost on uninhabitable desert planet Chori V

The Swapper is a puzzle-platform video game for Microsoft Windows, Mac OS X and Linux. It was developed and published by Facepalm Games, a small independent company based in Helsinki, Finland.

The Swapper was a project made by two University of Helsinki students Otto Hantula and Olli Harjola in their spare time – backed by the Indie Fund, the 6th indie game title the fund has supported. Rather than digital textures, the game features handcrafted art assets and clay which forms the various game levels.

SYSTEM REQUIREMENTS: OS:Windows XP SP3 or later, 64/32bit // Processor:Dual Core CPU (2.2+ GHz Dual Core CPU or better) // Memory:1 GB RAM // Graphics:GeForce® 8800 or Radeon® HD4800 series, 512 MB of memory, OpenGL 3.0 support required // Hard Drive:1 GB HD space

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http://store.steampowered.com/app/231160/The_Swapper/

https://en.wikipedia.org/wiki/The_Swapper

The Swapper OST ♬ Complete Original Soundtrack

0429 – The Navigator: A Medieval Odyssey (1988)

spacetime coordinates: remote Cumbrian mountain village 1348 >> 1980s New Zealand

The Navigator: A Medieval Odyssey is a 1988 feature film, an official Australian-New Zealand co-production, directed by Vincent Ward.

Ward and his production team based the look of the film on extensive research into the Middle Ages, particularly the mining industry, although this was then rendered imaginatively.  The colours of the film are based on medieval art and, in particular, medieval and renaissance artists’ ideas about heaven and hell. The blues in many of the modern-day sequences are based on the inks in the Très Riches Heures du Duc de Berry, while the reds and oranges of the motorway lights and furnace fires evoke images of hell in the works of Hieronymous Bosch, Pieter Bruegel and Matthias Grünewald.  Ward later said he had not achieved what he wanted to with the colour of the modern-day scenes due to the film’s short shooting schedule. Ironically, the colour in the medieval scenes, which were turned into black and white, was far better than that in the 20th century scenes. Some of the mining scenes were inspired by engravings from the German mining manual De re metallica, although it dates from two centuries after the time of those scenes. The angel of death seen flying across the moon at one point is based on a medieval engraving in Paris’ Père Lachaise Cemetery.

See also: Middle Ages in film

http://www.imdb.com/title/tt0095709/

0379 – Ghosts of the Abyss (2003)

spacetime coordinates: 2001 > 1912 North Atlantic

http://www.imdb.com/title/tt0297144/

363

We slip into Tientai caves,
Home is a hole,
And a hole’s where nothing is.
We visit people unseen —
Chewing magic mushrooms,
Underneath tall pines.
We talk about the past and present,
And sigh at the world gone mad.

Shih Te (9th century)

0298 – Valerian and the City of a Thousand Planets (2017)

spacetime coordinates:  28th century.  former International Space Station now “Alpha”, a space-traveling city where millions of creatures from different planets live peacefully and exchange their knowledge and cultures.

Valerian and the City of a Thousand Planets (French: Valérian et la Cité des mille planètes) is a 2017 English-language French 3D science fiction adventure film written and directed by Luc Besson, and co-produced by Besson and his wife, Virginie Besson-Silla. The film is based on the French science fiction comics series Valérian and Laureline, written by Pierre Christin and illustrated by Jean-Claude Mézières. It stars Dane DeHaan as Valerian and Cara Delevingne as Laureline, with Clive Owen, Rihanna, Ethan Hawke, Herbie Hancock, Kris Wu and Rutger Hauer in supporting roles. Besson independently crowd-sourced and personally funded Valerian and, with a production budget of around $180 million, it is both the most expensive European and independent film ever made.

http://www.imdb.com/title/tt2239822/

0138 – The Time Machine (2002)

spacetime coordinates: New York City 1899 – 2030 – 2037 – 802,701 – 635,427,810

The Time Machine is a 2002 American science fiction film loosely adapted from the 1895 novel of the same name by H. G. Wells and the screenplay of the 1960 film of the same name by David Duncan. Arnold Leibovit served as executive producer and Simon Wells served as director, the great-grandson of the original author. The film stars Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba, Mark Addy, Sienna Guillory and Phyllida Law, and includes a cameo by Alan Young, who also appeared in the 1960 film adaptation. The film is set in New York City instead of London, and contains new story elements not present in the original novel, including a romantic backstory, a new scenario about how civilization was destroyed, and several new characters, such as an artificially intelligent hologram played by Orlando Jones, and a Morlock leader played by Jeremy Irons. The film’s recreation of New York at the turn of the century won it some praise.

Many of the time traveling scenes were entirely computer generated, including a 33-second shot in the workshop where the time machine is located. The camera pulls out, traveling through New York City and then into space, past the ISS, and ends with a space plane landing at the moon to reveal earth’s future lunar colonies. Plants and buildings are shown springing up and then being replaced by new growth in a constant cycle. In later shots, the effects team used an erosion algorithm to digitally simulate the Earth’s landscape changing through the centuries.

imdb   wikipedia