The Man Who Killed Don Quixote is a 2018 adventure–comedy film starring Adam Driver, directed by Terry Gilliam and written by Gilliam and Tony Grisoni, loosely based on the novel Don Quixote by Miguel de Cervantes. Gilliam unsuccessfully attempted to make the film many times over the span of twenty-nine years, which made it an infamous example of development hell.
The film premiered on 19 May 2018, simultaneously acting as the closing film at the 2018 Cannes Film Festival and being released in French theaters. Gilliam has struggled to release The Man Who Killed Don Quixote worldwide since then, partially due to a lengthy legal dispute with former producer Paulo Branco, and the film was only released in a few other countries. On 17 December 2018, the film was confirmed for a US release in March 2019. (wiki)
“Toby, a disillusioned advertising executive, becomes pulled into a world of time jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.” (imdb)
Tag: trash
868 – William T. Vollmann
The Most Honest Book About Climate Change Yet
“Vollmann’s undertaking is in the vanguard of the coming second wave of climate literature, books written not to diagnose or solve the problem, but to grapple with its moral consequences.”
No Immediate Danger: Volume One of Carbon Ideologies
No Good Alternative: Volume Two of Carbon Ideologies: 2
William_T._Vollmann
William T. Vollmann | Carbon Ideologies
|YouTube
0864 – BioShock 2 (2010 Video game)
timespace coordinates: city of Rapture 1968
BioShock 2 is a first-person shooter video game developed by 2K Marin and published by 2K Games. A part of the Bioshock series, it is the sequel to the 2007 video game BioShock and was released worldwide for Microsoft Windows, the PlayStation 3, and the Xbox 360 on February 9, 2010. Feral Interactive released an OS X version of the game on March 30, 2012. A remastered version of the game was released on Microsoft Windows, PlayStation 4 and Xbox One on September 13, 2016, as part of BioShock: The Collection.
Set in the fictional underwater dystopian city of Rapture, the game’s story takes place eight years after BioShock. Assuming control of Subject Delta, a hulking Big Daddy, players are tasked with fighting through “splicers”, the psychotic human population of the city, using weapons and an array of genetic modifications. The game also introduces a story-driven multiplayer mode called Fall of Rapture, which takes place during Rapture’s 1959 civil war, before the events of the first game.
SONY DSC
(Themes) In contrast to the first BioShock‘s focus on libertarianism and Ayn Rand’s philosophies, BioShock 2 focuses on collectivist ideals. Lamb’s philosophy of altruism is based on that of Karl Marx and John Stuart Mill. “Her motto is ‘Make the world your family’ meaning force your mind into becoming loyal to the world in a way usually reserved for your child, and that’s intellectually daunting,” said Thomas. In comparison to the first game’s questions of free will and destiny, Thomas said that the player character is “almost the ultimate individual” whom Lamb goads to fulfill her goals.
Professor Ryan Lizardi draws parallels between BioShock 2‘s themes of community versus the individual and the issues of McCarthyism and the hippie movement that occurred around the time period of the game’s setting. “As this sequel is an extension of the first game’s storylines and characters, there are direct contrasts between the extreme politics of Andrew Ryan’s objectivism and the extreme religion/politics of Lamb’s collectivism,” he writes. “Bioshock 2 specifically asks players to question all sides of debates when extreme stances are taken, and asks players to weigh their decisions in an alternate and complex history. ” (wiki)
steam // www.bioshock2game.com
SYSTEM REQUIREMENTS (remastered version) MINIMUM:
Requires a 64-bit processor and operating system/ OS: Windows 7 Service Pack 1 64-bit. Platform Update for Windows 7 SP1 and Windows Server 2008 R2 SP1/ Processor: Intel E6750 Core 2 Duo 2.66 GHz / AMD Athlon X2 2.7 GHZ / Memory: 4 GB RAM / Graphics: 2GB AMD Radeon HD 7770 / 2GB NVIDIA GeForce GTX 670 / DirectX: Version 11 / Storage: 25 GB available space / Sound Card: DirectX Compatible Sound Device
853 – 9 (2009)
9 is a 2009 American computer-animated post-apocalyptic science fiction film directed by Shane Acker and written by Pamela Pettler. The film is based on Acker’s Academy Award-nominated 2005 short film/student project of the same name, created at the UCLA Animation Workshop.
9 final movie poster Shane Acker
0848 – New Dark Age: Technology and the End of the Future by James Bridle (2018 book)
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
James Bridle on New Dark Age: Technology and the End of the Future
man always makes it clear to himself: “You are using things which have the intention of not being penetrable.” 1180
813 – American Pop (1981)
timespace coordinates: 1890s – 1970’s New York City – Kansas – California
American Pop is a 1981 American adult animated musical drama film starring Ron Thompson and produced and directed by Ralph Bakshi. It was the fourth animated feature film to be presented in Dolby sound. The film tells the story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music in the 20th century.
The majority of the film’s animation was completed through rotoscoping, a process in which live actors are filmed and the subsequent footage is used for animators to draw over. However, the film also uses a variety of other mixed media including water colors, computer graphics, live-action shots, and archival footage. (wiki)
810
Cloud rap aka trillwave / based music
Overview
The production of cloud rap music has been described as “hazy”, often including “ethereal vocal samples” and the “aesthetics of bedroom electronic producers”. In a 2010 article, Walker Chambliss presumed that the term was invented by music writer Noz while interviewing rapper Lil B, but the interview in question did not actually include the phrase. Cloud rap artists have been noted to employ “chant-like” vocal samples, as to create a “surreal” effect. According to Nico Amarca of Highsnobiety, the genre was initially defined by the use of “nonsensical catchphrases and Twitter baits”, as to parody and embrace internet culture, from which it was created. Amarca also believed Yung Lean to have changed cloud rap through his “melancholic, dreamy rapping”. According to FACT, the genre describes “pretty much any lo-fi, hazy rap that makes its way to the net” (read more: wiki)
TimeSpace Warps 