animation, series

1149 – LOVE DEATH + ROBOTS (TV series 2019– )

Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix.  The 18-episode first season was released on March 15, 2019. The series is produced by Joshua DonenDavid Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal. 

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The cast includes Mary Elizabeth WinsteadTopher GraceGary ColeSamira Wiley and Stefan Kapičić, with Grace and Winstead appearing in live-action roles, rather than animated.

In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users.  (*four unique episode orders, released to users at random.) (wiki)

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movies, Uncategorized

1134 – Mr. Nobody (2009)

timespace coordinates: 2092 > 1983, 1989, 2008, England / Canada

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Mr. Nobody is a 2009 science fiction drama film written and directed by Jaco Van Dormael and starring Jared LetoSarah PolleyDiane KrugerLinh Dan PhamRhys IfansNatasha LittleToby Regbo and Juno Temple. The film tells the life story of Nemo Nobody, a 118-year-old man who is the last mortal on Earth after the human race has achieved quasi-immortality. Nemo, memory fading, refers to his three main loves and to his parents’ divorce and subsequent hardships endured at three critical junctions in his life: at age nine, fifteen, and thirty-four. Alternate life paths branching out from each of those critical junctions are examined. The speculative narrative often changes course with the flick of a different possible decision at each of those ages. The film uses nonlinear narrative and the multiverse hypothesis style.

The film was mostly funded through European financiers and was released in Belgium on 13 January 2010. Since its original release, Mr. Nobody has become a cult film, noted for its philosophy and cinematography, personal characters and Pierre Van Dormael‘s soundtrack. (wiki)

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themes   /   chaos theorystring theorybutterfly effect   /   Eternalism (philosophy of time)   /  Big Crunch

series

1125 – future man (season 2 – 2019)

timespace coordinates: 2162 Lost Angeles / the NAG > 3491 AD, Damnation Island

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Season two picks up in 2162, and Josh, Wolf, and Tiger learn that their season one mission to stop the cure from getting out didn’t work. In this timeline, Stu Camillo is now in power, having created the cure, and launched a plan to relocate humanity to Mars. A shadowy organization called the Pointed Circle seeks to recruit Josh to take Stu down — but are they the good guys, or is Stu? As Wolf quickly acclimates to the strange customs of this time, Tiger struggles with her Biotic identity and searches for an escape. Josh unites the team in an epic plan to save the world, but their time-traveling catches up to them, and they must reckon with their choices and what to do next. (rottentomatoes)

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movies, Uncategorized

1123 – Twelve Monkeys (1995)

timespace coordinates:  2035,  subterranean compound / ruins of Philadelphia (after a deadly virus released in 1996 wipes out almost all of humanity, forcing survivors to live underground) > 1990 / 1996  Baltimore + battlefield during ww1

15065_12-MONKEYSVHSCover12 Monkeys, also known as Twelve Monkeys, is a 1995 American neo-noir science fiction film directed by Terry Gilliam, inspired by Chris Marker‘s 1962 short film La Jetée, and starring Bruce WillisMadeleine Stowe, and Brad Pitt, with Christopher Plummer and David Morse in supporting roles.

References to time, time travel, and monkeys are scattered throughout the film, including the Woody Woodpecker cartoon “Time Tunnel” playing on the TV in a hotel room, the Marx Brothers film Monkey Business (1931) on TV in the asylum, and the subplots involving monkeys (drug testing, news stories and animal rights). The film is also intended to be a study of people’s declining ability to communicate in modern civilization due to the interference of technology. (Memory,_time,_and_technology)

12 Monkeys is inspired by the French short film La Jetée (1962); as in La Jetée, characters are haunted by the images of their own deaths. Like La Jetée12 Monkeys contains references to Alfred Hitchcock‘s Vertigo (1958). Toward the end of the film, Cole and Railly hide in a theater showing a 24-hour Hitchcock marathon and watch a scene from Vertigo. Railly then transforms herself with a blonde wig, as Judy (Kim Novak) transforms herself into blonde Madeleine in Vertigo; Cole sees her emerge within a red light, as Scottie (James Stewart) saw Judy emerge within a green light. Brief notes of Bernard Herrmann‘s film score can also be heard. Railly also wears the same coat Novak wore in the first part of Vertigo. The scene at Muir Woods National Monument, where Judy (as Madeleine) looks at the growth rings of a felled redwood and traces back events in her past life, resonates with larger themes in 12 Monkeys. Cole and Railly later have a similar conversation while the same music from Vertigo is repeated. The Muir Woods scene in Vertigo is also reenacted in La Jetée. In a previous scene in the film, Cole wakes up in a hospital bed with the scientists talking to him in chorus. This is a direct homage to the “Dry Bones” scene in Dennis Potter‘s The Singing DetectiveJames Cole is a notable Christ figure in film. The film is significant in the genre of science-fiction film noir, and it alludes to various “canonical noir” films.

12-Monkeys-Movie-1995-Tech-Noir-PosterAfter the release of The Zero Theorem in 2013, claims were made that Gilliam had meant it as part of a trilogy. A 2013 review for The Guardian newspaper said, “Calling it [The Zero Theorem] the third part of a trilogy formed by earlier dystopian satires Brazil and Twelve Monkeys [sic]”; but in an interview with Alex Suskind for Indiewire in late 2014, Gilliam said, “Well, it’s funny, this trilogy was never something I ever said, but it’s been repeated so often it’s clearly true [laughs]. I don’t know who started it but once it started it never stopped”(wiki)

imdb   /  12 Monkeys (TV series)

movies

1099 – Déjà Vu (2006)

timespace coordinates: New Orleans after Hurricane Katrina

Déjà Vu (stylized onscreen as Deja Vu without accents) is a 2006 American science fiction action film directed by Tony Scott, written by Bill Marsilii and Terry Rossio. The film stars Denzel WashingtonPaula PattonJim CaviezelVal KilmerAdam Goldberg and Bruce Greenwood. It involves an ATF agent who travels back in time in attempts to prevent a domestic terrorist attack. (wiki)

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movies

1088 – Mega Time Squad (2018)

timespace coordinates: 2010’s New Zealand

“This is Parawai Terry, not America, we’re not made-a guns.”

MV5BMjMzMzE4MjI0OF5BMl5BanBnXkFtZTgwOTExNDAwNjM@._V1_A low-level criminal steals an ancient Chinese time-travel device, but he may not survive the demonic consequences of tampering with time.

MEGA TIME SQUAD is a wildly entertaining time travel/sci-fi comedy out of New Zealand. A fan favorite on the festival circuit, the film stars Jonny Brugh (What We Do In The Shadows) and was praised by Variety as “fast-paced, determinedly silly, with sharp slangy dialogue,”the film blasted out of the gate at this year’s Fantasia and is destined to become a cult favorite. (rottentomatoes) Directed by Tim van Dammen

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movies

1065 – The Kid Who Would Be King (2019)

timespace coordinates: 2010’s Cornwall / London / Wiltshire

The Kid Who Would Be King is a 2019 fantasy adventure film written and directed by Joe Cornish. A British-American venture, the film stars Louis Ashbourne SerkisTom TaylorRebecca Ferguson, and Patrick Stewart. The plot follows a young boy who finds King Arthur‘s legendary sword Excalibur, and must then use it to stop an ancient enchantress from destroying the world.

According to review aggregator Rotten Tomatoes, 90% of critics have given the film a positive review based on 153 reviews, and an average rating of 7.8/10. The website’s critical consensus reads, “The Kid Who Would Be King recalls classic all-ages adventures — and repurposes a timeless legend — for a thoroughly enjoyable new addition to the family movie canon.”

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