Turbo Kid is a 2015 post-apocalyptic action-adventure comedy superhero film written and directed by François Simard, Anouk Whissell, and Yoann-Karl Whissell. The film stars Munro Chambers, Laurence Leboeuf, Michael Ironside, Edwin Wright, Aaron Jeffery, and Romano Orzari. The film follows the adventures of The Kid, a teenage boy turned superhero in the “Wastelands”, an alternate 1997 Earth where water is scarce. He teams up with a mysterious girl named Apple and an arm-wrestling cowboy named Frederic to stop the tyrannical warlord Zeus.
On September 28, 2016, a sequel to the film was officially announced. One day before the announcement, Le Matos released the official music video for their track “No Tomorrow”, which serves as a prequel to the original film:
as a director Hawley wanted the series to be highly stylized, describing his vision for it as “a 1964 Terence Stamp movie”. It was not feasible to literally translate Bill Sienkiewicz‘s iconic artwork of the character to the screen, and Hawley wanted the series to have “its own visual aesthetic to it, and part of that is being a story kind of out of time and out of place”. He stated that “the design of a show has to have its own internal logic”, and compared this sensibility to the series Hannibal, which he said was “a great example of something that had this almost fetishistic beauty to everything that you saw, whether it was food or violence.” Hawley elaborated that the design choice of 60s British films came about because “this whole show is not the world, it’s David’s experience of the world. He’s piecing his world together from nostalgia and memory and the world becomes that.”
At New York Comic-Con 2016, Donner said that the series is “far from the X-Men movies, but still lives in that universe. The only way for X-Men to keep moving forward is to be original and to surprise. And this is a surprise. It is very, very different.” Hawley explained that because the series is depicting the title character’s “subjective reality”, it would not have to address any connections to the films straight away, at first “had to stand on its own feet” before exploring those connections more; He did state that “you can’t tell this story without” acknowledging that Legion is the son of Charles Xavier, who appears in the films. (read more – shared universe connections)
Stryker activates Wade, now known as Weapon XI/Deadpool, a “mutant killer” with the powers of multiple mutants.
X-Men (2000)
spacetime coordinate: usa, 2000
The film focuses on the mutants Wolverine and Rogue as they are brought into a conflict between two groups that have radically different approaches to bringing about the acceptance of mutant-kind
X2 (2003)
spacetime coordinate: usa, 2003
inspired by the graphic novel God Loves, Man Kills, pits the X-Men and their enemies, the Brotherhood, against the genocidal Colonel William Stryker . He leads an assault on Professor Xavier’s school to build his own version of Xavier’s mutant-tracking computer Cerebro, in order to destroy every mutant on Earth and to save the human race from them.
based on the 1982 limited seriesWolverine by Chris Claremont and Frank Miller. In the film, which follows the events of X-Men: The Last Stand, Logan travels to Japan, where he engages an old acquaintance in a struggle that has lasting consequences. Stripped of his healing factor, Wolverine must battle deadly samurai while struggling with guilt.
The story, inspired by the 1981 Uncanny X-Men storyline “Days of Future Past” by Chris Claremont and John Byrne, focuses on two time periods, with Wolverine traveling back in time to 1973 to change history and prevent an event that results in doom for both humans and mutants.
X-Men: Apocalypse (2016)
spacetime coordinate:ancient Egypt, 1983 Cairo, East Berlin, New York, Communist Poland
The ancient mutant En Sabah Nur awakens in 1983 and plans to wipe out modern civilization and take over the world, leading the X-Men to try to stop him and defeat his team of renegade mutants.
Dark Phoenix (2019)
spacetime coordinates: 1992 New York
the twelfth installment of the X-Men film series, and the sequel to 2016’s X-Men: Apocalypse.
spacetime coordinate: 2029 Texas, the Mexican border, Oklahoma City, North Dakota
It is the tenth installment in the X-Men film series, as well as the third and final Wolverine solo film following X-Men Origins: Wolverine (2009) and The Wolverine (2013). The film, which takes inspiration from “Old Man Logan” by Mark Millar and Steve McNiven, based in an alternate bleak future, follows an aged Wolverine and an extremely ill Professor X defending a young mutant named Laura from the villainous Reavers and Alkali-Transigen led by Donald Pierce and Zander Rice, respectively.
The film takes visual, tonal and thematic inspiration from classic western and noir cinema, with director James Mangold having stated that Logan’s influences included “visual reference points” of cinema, citing Shane (1953), The Cowboys (1972), Paper Moon (1973), The Gauntlet (1977), Little Miss Sunshine (2006), and The Wrestler (2008).
Mangold spoke of cinematography-based framing, while noting that he does not necessarily think about the “comic-book” related sort, instead highlighting the variety of stylistic influences that went into Logan. These influences include film noir framings and classic Hollywood filmmaking styles, as well as the Germanic expressionist filmmaking style of the early part of the last century, which Mangold stated has a commonality with comic-book art. Mangold highlighted “Strong foregrounds, playing things in depth: you have to make an image say more within that one image.” Using the image of Logan at a funeral as an example of his stylistic logic, Mangold concluded by mentioning the aspects within modern filmmaking, primarily everything in close-up format. For Logan, his aim was to set frames that are descriptive, and evocative of comic-book panels and classical filmmaking
On April 29, 2017, James Mangold announced via Twitter that a black-and-white version of the film entitled Logan Noirwould have a limited theatrical run in U.S. theaters, an event set to begin on May 16, 2017. Mangold stated that it was shot as a color film, with awareness that it would play well as a black and white film. The film was re-graded and timed shot by shot for the Noir edition. This version of the film is included on the Digital HD release and also included in the DVD and Blu-ray Combo Pack. (wiki)
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