movies

0980 – At Eternity’s Gate (2018)

timespace coordinates: 1888 – 1890 Arles – Saint-Rémy Auvers-sur-Oise

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At Eternity’s Gate is a 2018 biographical drama film about the final years of painter Vincent van Gogh‘s life. The film is directed by Julian Schnabel, from a screenplay by Schnabel, Louise Kugelberg and Jean-Claude Carrière. It stars Willem Dafoe as van Gogh, Rupert FriendOscar IsaacMads MikkelsenMathieu AmalricEmmanuelle Seigner and Niels Arestrup. (wiki)

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documentary

0923 – Home (2009)

on youtube


Home is a 2009 French documentary film by Yann Arthus-Bertrand. The film is almost entirely composed of aerial shots of various places on Earth. It shows the diversity of life on Earth and how humanity is threatening the ecological balance of the planet. The English version was read by Glenn Close.

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The film was financed by Kering, a French multinational holding company specializing in retail shops and luxury brands, as part of their public relations strategy. (wiki)

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Yann Arthus-Bertrand said in a TED talk that the movie has no copyright.

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movies

0856 – Sorstalanság / Fateless (2005)

timespace coordinates: World War II Hungary / Auschwitz / Buchenwald

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Fateless (Hungarian: Sorstalanság) is a Hungarian film directed by Lajos Koltai, released in 2005. It is based on the semi-autobiographical novel Fatelessness by the Nobel Prize-winner Imre Kertész, who also wrote the screenplay. It tells the story of a teenage boy who is sent to Auschwitz and Buchenwald.

The film’s music was composed by Ennio Morricone, and one of its songs was sung by Lisa Gerrard. The film is one of the most expensive movies ever produced in Hungary, with a cost of $12 million. (wiki)


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animation, movies

0808 – Gravity (2013)

timespace coordinates: Earth orbit, mission STS-157 to service the Hubble Space Telescope in the not too distant past

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Gravity is a 2013 science fiction thriller film directed, co-written, co-edited, and produced by Alfonso Cuarón. It stars Sandra Bullock and George Clooney as American astronauts who are stranded in space after the mid-orbit destruction of their space shuttle, and their subsequent attempt to return to Earth.

Visual effects company Framestore spent more than three years creating most of the film’s visual effects, which make up over 80 of its 91 minutes. (wiki)

Although Gravity is often referred to in the media as a science fiction film, Cuarón told BBC that he sees the film rather as “a drama of a woman in space”. According to him, the main theme of the film was “adversity” and he uses the debris as a metaphor for this. Despite being set in space, the film uses motifs from shipwreck and wilderness survival stories about psychological change and resilience in the aftermath of a catastrophe. (read more: Themes)

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scientific accuracy

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movies, music, Uncategorized

0766 – Electroma (2006)

timespace coordinates: 2000’s  Inyo County, California

Daft Punk’s Electroma (also known as Electroma) is a 2006 science fiction film directed by the French electronic music duo Daft Punk. The story revolves around the quest of two robots (the band members, played by Peter Hurteau and Michael Reich) to become human. The film premiered at the 2006 Cannes Film Festival, and was later released in France on March 24, 2007. While initially receiving mixed reviews, Electroma has gained a cult following.4763d1e49b73540e23bcdc629bfd0416

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http://daftworld.over-blog.com/article-the-legendary-duo-s-history-daft-punk


Gregorio Allegri (1582-1652) Italian composer and priest of the Roman School of composers. He mainly lived in Rome, and died there. 

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Uncategorized

759 – The Retail Apocalypse: The Changing Landscape of American Retail

timespace coordinates: 2010’s America

Upgrade-poster-1Beginning in 2015, The Changing Landscape of American Retail is an ongoing documentation of the shift from traditional brick-and-mortar locations where we once socialized and interacted with our community to the stark and generic structures that house shipping, fulfillment, call, and server centers, now essential for e-commerce.

Like memories, familiar retail entities are fading away. Today, they stand as modern-day ruins and architectural artifacts that reach into the not-so-distant past of our own maturing interests and evolving identities.

Toys “R” Us brings back of memories of avoiding my brother’s aerial assaults of red dodge balls and Nerf guns while simultaneously ignoring my mother’s plea to stop tearing into brand-new boxes of Teenage Mutant Ninja Turtle action figures and Lego Pirate sets.

The Battlefield Mall was once a central meeting spot for my junior high peers—anchored by the food court and Aladdin’s Castle arcade. Here, a myriad of sights and smells trigger the memory to act as a roadmap for navigating the mall. Orange Julius produced the sweet scent of Florida citrus in Southern Missouri; there was the salty cheese sauce wafting from Potato Plus; and the fragrant cinnamon-sugar of Auntie Anne’s baked pretzels. The nearby arcade elicits a sensory transaction when I’m greeted by the flashing lights of Street Fighter II, manic electronic beeps, purple geometric carpet, and the oddly unique odor of stale popcorn mixed with the metallic scent of quarters, tucked into my front pocket. (read more here)

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