time machine // database // travel guide
spacetime coordinates: new york city, the hot summer of 2021
It’s All About Love is a 2003 romance-drama film written and directed by Thomas Vinterberg. Its narrative can be classified as apocalyptic science fiction, but Vinterberg prefers to call it “a dream”.
spacetime coordinates: 1892–1973 Chicago, Illinois, U.S.
In the Realms of the Unreal is a 2004 documentary film directed by Jessica Yu about American outsider artist Henry Darger.
An obscure janitor during his life, Darger is known for the posthumous discovery of his elaborate 15,145-page fantasy manuscript entitled The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, along with several hundred watercolor paintings and other drawings illustrating the story.
The film’s style is atypical of a documentary. Because there are only three known photographs of Darger, and because of his reclusive lifestyle, the film is mostly a narrated biographical account, accompanied by animated versions of events from his magnum opus, which is also surveyed in detail. Interviews with his few neighbors and other acquaintances are included.
In the last entry in his diary, he wrote: “January 1, 1971. I had a very poor nothing like Christmas. Never had a good Christmas all my life, nor a good new year, and now… I am very bitter but fortunately not revengeful, though I feel should be how I am…”
spacetime coordinates: San Juan, Puerto Rico, the 1960s
The Rum Diary is a 2011 American film based on the novel of the same name by Hunter S. Thompson. The film was written and directed by Bruce Robinson and stars Johnny Depp.
Paul Kemp: [Kemp and Sala are wandering down a pier late at night, high on hallucinogens] I thought I was losing grip in there. What did we take?
Sala: I don’t know.
Paul Kemp: We need to get some more. [stops to stare at a tank full of lobsters]
Paul Kemp: [quietly] That explains it… doesn’t it?
Sala: Explains what?
Paul Kemp: The world… and us. [he stares deep into the eyes of one particular lobster]
Paul Kemp: [voiceover] I wonder what it is you might think about our different worlds. He looked at me kinda sideways and said, “Human beings are the only creatures on Earth who claim a God, and the only living thing that behaves like it hasn’t got one. Does the world belong to no one but you?” And when he said it, I was taken aback. Not because of who was doing the talking. Because I finally understood the connection between children scavenging for food, and shiny brass plates on the front doors of banks.
Das weiße Band, Eine deutsche Kindergeschichte (literally, “The White Ribbon, a German Children’s Story”) darkly depicts society and family in a northern German village just before World War I and, according to Haneke, “is about the roots of evil. Whether it’s religious or political terrorism, it’s the same thing.”
The memories of an unnamed elderly tailor form a parable from the distant year he worked as a village schoolteacher and met his fiancée Eva, a nanny. The setting is the Protestant village of Eichwald, Germany, from July 1913 to 9 August 1914, where the local pastor, the doctor and the baron rule the roost over the area’s women, children and peasant farmers.
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