(Superman traditionally stands for “truth, justice and the American way”. The essay Caitlyn is writing when she’s visited by Brandon is “The Decline of Truth and Justice in the Modern World”, identifying Brandon as a twisted, dark version of Superman born from the death of the values that the original one embodied.)
timespace coordinates: Suburbia, just outside the City, sometime in 198X.
198X is an arcade epic. A coming-of-age story told through multiple games and genres, worlds and characters. Experience the thrill of shooting, driving, jumping, fighting and role-playing – combined with emotional, cinematic storytelling. This is a love letter to the golden age of arcade games – yet with a scope that was never possible in the actual 1980s.
This is 198X – where a new life is just 1 credit away.
SYSTEM REQUIREMENTS (MINIMUM):OS: Windows 8 / Storage: 4 GB available space
“TARBOZ was planned as the first episode of “Translated Log of Inhabitants”, and was an experiment to see if i could make a long-form improvised animation and still get out alive. I barely did!
The “Translated Log of Inhabitants” was conceived as a guide to the origin story of many different species. I imagined myself doing dozens of these episodes, focusing on a new life form very time — very much like a page from “Barlowe’s Guide to Extraterrestrials“. It expands a universe that I had already been developing in my own music videos, as well as ones for other bands. The videos for “Peace on the Rise” as well as ones for Black Mountain and Shabazz Palaces all exist in the same world (at least in my head).
TARBOZ is stream of consciousness, dreams and friends. Alternate versions of my own reality. Coming to terms with the fact that I will never play freestyle disc professionally, but wanting to pay homage to the peaceful energy of that sport. It also reflects my needing to score a sci-fi film so badly that I ended up making my own.
I TARBOZed myself for 2 years, through software transitions and computer wastelands, and slowly the physical realm slipped away. I learned a lot about why you should get into something with a clear idea in mind. I would never make another animation in quite the same the way I made this again. After two years of working on it in solitude I just wanted my life back. Doing it alone was my biggest mistake. I was very lonely.
It didn’t really end up like any of these things, but I hope this might help people understand the spirt of the piece. Although I’m not sure i understand it entirely myself. Sometimes you need to just do it in order to know how to not to do it?”
The Toys That Made Us is an American documentary web television series created by Brian Volk-Weiss. The first four episodes of the series began streaming on Netflix on December 22, 2017, and the next four were released in May 25, 2018.
“The minds behind history’s most iconic toy franchises discuss the rise — and sometimes fall — of their billion-dollar creations.” rottentomatoes
timespace coordinates: In the 26th century, humanity has left an overpopulated Earth to colonize a new solar system. The central planets formed the Alliance and won a war against the outer planet Independents—those who resisted joining the Alliance.
It is a continuation of Whedon’s short-lived 2002 Fox television series Firefly and stars the same cast, taking place after the events of the final episode. Set in 2517, Serenity is the story of the captain and crew of Serenity, a “Firefly-class” spaceship. The captain and first mate are veterans of the Unification War, having fought on the losing Independent side against the Alliance. Their lives of smuggling and cargo-running are interrupted by a psychic passenger who harbors a dangerous secret. (wiki)
The film’s setting and characters parody the original Star Wars trilogy, as well as other sci-fi franchises including Star Trek, Alien and the Planet of the Apes films. It was released by Metro-Goldwyn-Mayer on June 24, 1987, and was met with a mixed reception. It has since become a cult classicon video and one of Brooks’s most popular films. (wiki)
The Millennium Falcon from the Star Wars saga makes a cameo appearance in this movie. Given a close look at the exterior shot of the Space Diner, and it can be spotted parked there among the other space vehicles. George Lucas got a chance to read the screenplay before production began, and loved it so much that he decided to have his special effects company, Industrial Light & Magic, help make this movie. (read more: trivia)