Small Soldiers is a 1998 American science fiction action film directed by Joe Dante. The film revolves around two adolescents who get caught in the middle of a war between two factions of sentient action figures, the Gorgonites and the Commando Elite.
I, Robot (stylized as i,robot) is a 2004 American science fiction action film directed by Alex Proyas. The screenplay by Jeff Vintar and Akiva Goldsman is from a screen story by Vintar, based on his original screenplay “Hardwired”, and suggested by Isaac Asimov‘s 1950 short-story collection of the same name. The film stars Will Smith, Bridget Moynahan, Bruce Greenwood, James Cromwell, Chi McBride, and Alan Tudyk. In 2035, highly intelligent robots fill public service positions throughout the dystopian world, operating under three rules to keep humans safe. Detective Del Spooner (Smith) investigates the alleged suicide of U.S. Robotics founder Alfred Lanning (Cromwell) and believes that a human-like robot (Tudyk) murdered him.
Morgan is a 2016 British-American science fiction thriller film directed by Luke Scott in his directorial debut, and written by Seth Owen. Film scored by Max Richter.
Eva is a 2011 science fiction film directed by Kike Maíllo. It had its world premiere on 7 September 2011 at the 68th Venice International Film Festival, where it was screened out of competition. The film stars Daniel Brühl, Marta Etura, Lluís Homar and Alberto Ammann.
Eva was nominated in twelve categories at the 26th Goya Awards, scoring three wins—Best New Director, Best Supporting Actor and Best Special Effects. It earned nominations for Best Actor, Best Cinematography, Best Editing, Best Make Up and Hairstyles, Best Original Score, Best Original Screenplay, Best Production Design, Best Production Supervision and Best Sound. The film was also nominated for sixteen Gaudí Awards, winning five.
The film combines computer generated imagery of robots and engineering devices and retro clothing and props like a Saab 900 car. (wiki)
Development of A.I. originally began with producer-director Stanley Kubrick, after he acquired the rights to Aldiss’ story in the early 1970s. Kubrick hired a series of writers until the mid-1990s, including Brian Aldiss, Bob Shaw, Ian Watson, and Sara Maitland. The film languished in protracted development for years, partly because Kubrick felt computer-generated imagery was not advanced enough to create the David character, whom he believed no child actor would convincingly portray. In 1995, Kubrick handed A.I. to Spielberg, but the film did not gain momentum until Kubrick’s death in 1999. Spielberg remained close to Watson’s film treatment for the screenplay.
Kubrick’s original concept art for A.I. ARTIFICIAL INTELLIGENCE (2001) via @TIFF_NET
spacetime coordinates: 2044, 20 after solar flares irradiate the Earth, killing over 99% of the world’s population. The survivors gather in a network of safe cities and build primitive humanoid robots, called Pilgrims, to help rebuild and operate in the harsh environment.
spacetime coordinates: 1973 Skull Island the South Pacific
The film follows a team of scientists and Vietnam War soldiers who travel to an uncharted island in the Pacific and encounter terrifying creatures and the mighty Kong.
Vogt-Roberts has cited a number of films that inspired Kong: Skull Island, stating, “If I were going to break it down for people, I’d say you obviously have Apocalypse Now and just the era of ‘70s filmmaking, with films like The Conversation, too. Also Platoon was an inspiration, and the South Korean film The Host as well. The entire Neon Genesis Evangelion series was a big influence.” Vogt-Roberts also cited Princess Mononoke as an influence on the approach and design of the monsters. He cited Sachiel from Neon Genesis Evangelion, Cubone from Pokémon, No-Face from Spirited Away, and a creature from the 1933 King Kong as inspirations for the Skullcrawlers.
Come and See (Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hlyadzi) is a 1985 Soviet war drama film directed by Elem Klimov about, and occurring during, the Nazi German occupation of the Belorussian SSR. Aleksei Kravchenko and Olga Mironova star as the protagonists Florya and Glasha. The screenplay by Klimov and Ales Adamovich had to wait eight years for approval; the film was finally produced to commemorate the 40th anniversary of the Soviet victory in World War II.
In the 14th century, Teutonic Knights Behmen von Bleibruck (Cage) and Felson (Perlman) are engaged on a crusade, taking part in several different battles throughout the 1330’s (1332 Gulf of Edremit, 1334 Siege of Tripoli, 1337 Imbros & 1339 Artah) and eventually in the Smyrniote crusades. After witnessing the massacre of civilians during the 1344 capture of Smyrna, the two knights desert the Order and the crusade and return to Austria.
Wormwood, the name of the forest where blood is shed, is also the name of a destructive entity in the Bible. This entity, a star whose name also translates as Bitterness, appears to cause widespread illness. According to Revelation 8:10-11, “The third angel sounded his trumpet, and a great star, blazing like a torch, fell from the sky on a third of the rivers and on the springs of water–the name of the star is Wormwood. A third of the waters turned bitter, and many people died from the waters that had become bitter.”
The film itself offers deliberate social commentary which explores political and sociological themes such as immigration, overpopulation, health care, worker exploitation, the justice system, and social class issues. Blomkamp has stated that it is a comment on the contemporary human condition.”Everybody wants to ask me lately about my predictions for the future,” the director has said, “No, no, no. This isn’t science fiction. This is today. This is now.” (The film’s Earth-bound scenes were shot in a dump in the poor Iztapalapa district on the outskirts of Mexico City, while the scenes for Elysium were shot in Vancouver and the wealthy Huixquilucan-Interlomas suburbs of Mexico City.)
director Neil Blomkamp expressed some regrets regarding Elysium, commenting: “I feel like I fucked it up, I feel like ultimately the story is not the right story.. I still think the satirical idea of a ring, filled with rich people, hovering above the impoverished Earth, is an awesome idea. I love it so much, I almost want to go back and do it correctly. But I just think the script wasn’t… I just didn’t make a good enough film is ultimately what it is. I feel like I executed all of the stuff that could be executed, like costume and set design and special effects very well. But, ultimately, it was all resting on a somewhat not totally formed skeletal system, so the script just wasn’t there; the story wasn’t fully there.”
The Poll Diaries (German: Poll) is a 2010 German drama film directed by Chris Kraus loose adaptation of the diaries written by poetess Oda Schaefer combining a coming-of-age story about a precocious 14 year-old girl with the apocalyptic end of an era.
In the summer of 1914, fourteen-year-old Oda von Siering (Paula Beer) leaves Berlin to join her family and an assortment of German and Russian aristocrats on an estate in Estonia. The von Siering family home is a character in its own right, a hulking, neoclassical manor that hovers on stilts above the sea.