time machine // database // travel guide
On one side of the Jura Mountains there are ants colonies at war and the other home to a huge empire of ants, believed to be one of the largest animal societies in the world, where over a billion ants from rival colonies live in peace.
timespace coordinates: small Scandinavian island, Gotland during the summer of 1361 / The battle of Visby
The story is told from a first-person perspective where the player takes roles of different characters experiencing the events that lead to the battle.
It is made in Unreal Engine by a one-man team.
The experience is about 1-2 hours long and focused on narrative storytelling.
timespace coordinates: 2020 @ the Historical Tactical Center > Prehistoric > Roman Empire, Feudal Japan, Medieval, Conquistador, Wild West, Modern Wars (World War I and supposedly World War III), Future (Stanley’s era) > inside the main computer (Virus World)
Time Commando (originally released for the PC on 31 July 1996) is an action-adventure computer and video game developed by Adeline Software and published by Electronic Arts in Europe, Activision in America, and Virgin Interactive (PlayStation version) and Acclaim Entertainment (Sega Saturn version) in Japan. Time Commando was re-released for modern computer systems on 6 January 2012 by GOG.com. (wiki)
timespace coordinates: Japan, 2077
Vexille (ベクシル 2077日本鎖国 Bekushiru 2077 Nihon sakoku, full Japanese title literally “Vexille: 2077 Japanese Isolation”) is a 2007 Japanese CGI anime film, written, directed, and edited by famed Ping Pong director Fumihiko Sori, and features the voices of Meisa Kuroki, Yasuko Matsuyuki, and Shosuke Tanihara. (wiki)
A female agent named Vexille is dispatched to Tokyo to investigate whether Japanese are developing robotic technology, which has been banned by the U.N. due to its potential threat to humankind. (imdb)
timespace coordinates: World War II Hungary / Auschwitz / Buchenwald
Fateless (Hungarian: Sorstalanság) is a Hungarian film directed by Lajos Koltai, released in 2005. It is based on the semi-autobiographical novel Fatelessness by the Nobel Prize-winner Imre Kertész, who also wrote the screenplay. It tells the story of a teenage boy who is sent to Auschwitz and Buchenwald.
The film’s music was composed by Ennio Morricone, and one of its songs was sung by Lisa Gerrard. The film is one of the most expensive movies ever produced in Hungary, with a cost of $12 million. (wiki)
timespace coordinates: 1947/’48 > 1919 England
(sad and spooky) The Little Stranger is a 2018 Irish/British/french gothic drama film directed by Lenny Abrahamson and written by Lucinda Coxon, based on the novel of same name by Sarah Waters. The film stars Domhnall Gleeson, Ruth Wilson, Will Poulter, and Charlotte Rampling.
THE LITTLE STRANGER tells the story of Dr Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, an 18th-century estate,, where his mother once worked. The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants – mother, son and daughter – are haunted by something more ominous than a dying way of life. When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own. (rt)
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
man always makes it clear to himself: “You are using things which have the intention of not being penetrable.” 1180
TimeSpace Warps 