animation, movies, quotes, series, Uncategorized

1168 – Starship Troopers

timespace coordinates: the 23rd century,  Buenos Aires / Terran Federation > Klendathu, the “Bugs’” home planet / Planet “P”/ remote outpost on a planet inhabited by Arachnids / agricultural planet Roku San / classified planet OM-1 /

Starship Troopers (1997)

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(Relationship to novel) Because the film originated from an unrelated script, with names and superficial details from the novel being added retroactively, there are many differences between the two. While the novel has been accused of promoting militarism, fascism, and military rule, the film satirizes these concepts by featuring bombastic displays of nationalism as well as news reports that are intensely fascisticxenophobic, and propagandistic.  Verhoeven stated in 1997 that the first scene of the film—an advertisement for the Mobile Infantry—was adapted shot-for-shot from a scene in Leni Riefenstahl’s Triumph of the Will (1935), specifically an outdoor rally for the Reichsarbeitsdienst. Other references to Nazism in the movie include the Wehrmacht-inspired uniforms and insignia of field grade officers, M.I. working uniforms reminiscent of Mussolini’s BlackshirtsAlbert Speer‘s style of architecture, and its propagandistic dialogue (“Violence is the supreme authority!”). 

In a 2014 interview on The Adam Carolla Show, the actor Michael Ironside, who read the novel as a youth, said that he asked Verhoeven, who grew up in Nazi-occupied Netherlands, “Why are you doing a right-wing fascist movie?” Verhoeven replied, “If I tell the world that a right-wing, fascist way of doing things doesn’t work, no one will listen to me. So I’m going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it’s only good for killing fucking Bugs!” 

(Themes) … In his DVD commentary, Verhoeven stated his intentions clearly: the film’s message is that “War makes fascists of us all”. He evoked Nazi Germany’s fashion, iconography, and propaganda because he saw it as a natural evolution of the United States after World War II, and especially after the Korean War. “I’ve heard this film nicknamed All Quiet on the Final Frontier“, he said, “which is actually not far from the truth.” Edward Neumeier (who had previously worked with Verhoeven on RoboCop) broadly concurs, although he sees a satire on human history rather than solely the United States. Verhoeven says his satirical use of irony and hyperbole is “playing with fascism or fascist imagery to point out certain aspects of American society… of course, the movie is about ‘Let’s all go to war and let’s all die.'” (wiki)

imdb


Starship Troopers 2: Hero of the Federation (2004)

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Made for 5% of the cost of Starship Troopers (1997). (imdb)


Starship Troopers 3: Marauder (2008)

1146
01:33:47,715 –> 01:33:51,617
I got religion, Dix. I got it bad.

starship_troopers_3_marauder-813828742-largeStarship Troopers 3: Marauder is a 2008 American military science fiction film written and directed by Edward Neumeier and starring Casper Van Dien who returned as Johnny Rico from the original film, along with Jolene Blalock and Boris Kodjoe. It is a sequel to Starship Troopers (1997) and Starship Troopers 2: Hero of the Federation (2004) (which were both written by Neumeier) and the third installment of the Starship Troopers film series. The film was released directly to DVD in the U.S. on August 5, 2008. (wiki)

starship-troopers-3-marauder_075730Joe Leydon of Variety stated:

“Die-hard fans of Starship Troopers, Paul Verhoeven’s notorious 1997 cult-fave sci-fi spectacle, will be pleased to note that its second made-for-vid sequel gamely attempts to replicate the original pic’s over-the-top style and self-satirical tone. (…) the latest episode reprises Verhoeven’s love-it-or-hate-it mix of gruesome mayhem, overstated melodrama, peek-a-boo nudity and tongue-in-cheek fascist aesthetics.”

imdb



Starship Troopers: Invasion (2012)

Starship Troopers: Invasion –imdb– (スターシップ・トゥルーパーズ インベイジョン) is a Japanese-American 2012 computer-animated military science fiction film directed by Shinji Aramaki. It is the fourth installment of the Starship Troopers film series.

The film was followed by


Starship Troopers: Traitor of Mars (2017) 

imdb


Starship Troopers (video game) 

Starship Troopers: Terran Ascendancy 


Future

movies

1167 – Equilibrium (2002)

timespace coordinates: 2072, Libria, a totalitarian city-state, was established by the survivors of World War III / the “Nether” – regions outside the city

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The film follows John Preston (Bale), an enforcement officer in a future in which both feelings and artistic expression are outlawed and citizens take daily injections of drugs to suppress their emotions. After accidentally missing a dose, Preston begins to experience emotions, which makes him question his own morality and moderate his actions while attempting to remain undetected by the suspicious society in which he lives. Ultimately, he aids a resistance movement using advanced martial arts (gun kata), which he was taught by the regime he is helping to overthrow. (wiki)

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movies

1165 – The Abyss (1989)

timespace coordinates: 1988, Deep Core, a privately owned experimental underwater drilling platform near the Cayman Trough

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The Abyss is a 1989 American science fiction film written and directed by James Cameron, starring Ed HarrisMary Elizabeth Mastrantonio, and Michael Biehn. When an American submarine sinks in the Caribbean, the U.S. search and recovery team works with an oil platform crew, racing against Soviet vessels to recover the boat. Deep in the ocean, they encounter something unexpected. (wiki)

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movies

1158 – Juan of the Dead / Juan de los muertos (2011)

timespace coordinates: 2000’s Cuba

juan poster

Juan of the Dead (Spanish: Juan de los Muertos) is a 2010 zombie comedy film written and directed by Alejandro Brugués. A Spanish-Cuban co-production between La Zanfoña Producciones (Spain) and Producciones de la 5ta Avenida (Cuba) involving the participation of the ICAICCanal Sur and Televisión Española, the film won the Goya Award for Best Spanish Language Foreign Film in 2012. (wiki)

A group of slackers face an army of zombies. The Cuban government and media claim the living dead are dissidents revolting against the government. (imdb)

documentary, Uncategorized

1152 – Samsara (2011 documentary)

Samsara is a 2011 American non-narrative documentary film of international imagery directed by Ron Fricke and produced by Mark Magidson. Samsara was filmed over a period of five years in 25 different countries around the world.

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The official website describes the film, “Expanding on the themes they developed in Baraka (1992) and Chronos (1985), Samsara explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of humanity’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, Samsara takes the form of a nonverbal, guided meditation.” (wiki)

imdb   /   fantasy_coffins   /   819 – Olivier de Sagazan

animation, series

1149 – LOVE DEATH + ROBOTS (TV series 2019– )

Love, Death & Robots (stylized as LOVE DEATH + ROBOTS) is an American adult animated anthology web television series on Netflix.  The 18-episode first season was released on March 15, 2019. The series is produced by Joshua DonenDavid Fincher, Jennifer Miller, and Tim Miller. Each episode was animated by different crews from a range of countries. The series is a re-imagining of Fincher and Miller’s long in-development reboot of the 1981 animated science fiction film Heavy Metal. 

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The cast includes Mary Elizabeth WinsteadTopher GraceGary ColeSamira Wiley and Stefan Kapičić, with Grace and Winstead appearing in live-action roles, rather than animated.

In March 2019, Netflix revealed that it was experimenting with a new approach by including a different order of episodes to different users.  (*four unique episode orders, released to users at random.) (wiki)

imdb

documentary, Uncategorized

1146 – Baraka (1992)

Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)

Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)

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