807 – Mercury 13 (2018 documentary)

Mercury 13 is a remarkable story of the women who were tested for spaceflight in 1961 before their dreams were dashed in being the first to make the trip beyond Earth. NASA’s ‘man in space’ program, dubbed ‘Project Mercury‘ began in 1958. The men chosen – all military test pilots – became known as The Mercury 7. But away from the glare of the media, behind firmly closed doors, female pilots were also screened. Thirteen of them passed and, in some cases, performed better than the men. They were called the Mercury 13 and had the ‘right stuff’ but were, unfortunately, the wrong gender. Underneath the obsession of the space race that gripped America, the women were aviation pioneers who emerged thirsty for a new frontier, but whose time would have to wait. The film tells the definitive story of thirteen truly remarkable women who reached for the stars but were ahead of their time. A Netflix original documentary directed by David Sington and Heather Walsh. (rottentomatoes)

https://www.netflix.com/ro-en/title/80174436

0804 – Frequencies (2013)

Frequencies, also known as OXV: The Manual, is a 2013 independent British science fiction romance film written and directed by Darren Paul Fisher. The film stars Daniel Fraser, Eleanor Wyld, and Owen Pugh. The film takes place in a world where human worth and emotional connections are determined by set “frequencies”. (wiki)

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0803 – Sorry to Bother You (2018)

timespace coordinates: alternative present-day version of Oakland, California

Sorry to Bother You is a 2018 American absurdist dark comedy with aspects of magical realism and science fiction inspired by the world of telemarketing written and directed by Boots Riley, in his directorial debut. It stars Lakeith Stanfield, Tessa Thompson, Jermaine Fowler, Omari Hardwick, Terry Crews, Patton Oswalt, David Cross, Danny Glover, Steven Yeun, and Armie Hammer.

Capitalism

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Boots has maintained that the film offers a radical class analysis of capitalism, rather than a specific analysis of America under President Trump, clarifying that he wrote the initial screenplay during the Obama administration, and that the target was never any specific elected official or movement, but rather a broader look at “the puppetmasters behind the puppets.” While the majority of the final script remained the same, minimal changes were made prior to shooting in order to avoid the film appearing to be a critique of Trump specifically, including removing a line where a character says “Worry Free is making America great again,” written before Trump would use the line in his 2016 presidential campaign.

False consciousness 

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The title of the film has a double meaning, referencing both the phrase’s use by telemarketers and its general usage when telling a person something you know they might not like to hear, such as the Communist themes present in the film. According to Boots, “…the other side of it is, is that often when you’re telling someone something that is different from how they view things, different from how they view the world, it feels like an annoyance or a bother. And that’s where that comes from.” The theme of the strike was used to reflect the need to “organize people in the workplace” and for workers to recognize their power. When asked on his choice to cast Armie Hammer as Steve Lift, Boots stated that Armie was a “lovable dude,” whose casting reflects the current state of “new capitalism,” where the realities of working conditions are hidden, referencing lines such as “I’m not your boss, I’m your friend.” (wiki)

imdb

796 – Side Effects (2013)

timespace coordinates: 2010’s New York CitySide Effects is a 2013 American psychological thriller film directed by Steven Soderbergh and written by Scott Z. Burns. It stars Rooney Mara as a woman who is prescribed experimental drugs by psychiatrists (Jude Law and Catherine Zeta-Jones) after her husband (Channing Tatum) is released from prison. (wiki)

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0792 – Future Man (2017- TV series)

timespace coordinates: 2162 >> 2017 / 1969 / 1985  Los(t) Angeles / >> 1950’s -1980’s

Future Man is an American comedy web television series created by Howard Overman, Kyle Hunter, and Ariel Shaffir that premiered on November 14, 2017 on Hulu. The series follows Josh Futturman, a janitor by day and a gamer by night, recruited by mysterious visitors to travel through time to prevent the extinction of humanity.. It stars Josh Hutcherson, Eliza Coupe, Derek Wilson, Ed Begley, Jr. and Glenne Headly. On January 8, 2018, the series was renewed for a second season consisting of thirteen episodes. (wiki)

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0789 – Lawless (2012)

 timespace coordinates: 1931, Piedmont region of Virginia

Lawless is a 2012 American crime drama film directed by John Hillcoat. The screenplay by Australian singer-screenwriter Nick Cave is based on Matt Bondurant‘s historical novel The Wettest County in the World (2008). The film stars Shia LaBeouf, Tom Hardy, Gary Oldman, Mia Wasikowska, Jessica Chastain, Jason Clarke, and Guy Pearce.

The film is about the violent conflict between three bootlegging brothers–Forrest (Hardy), Howard (Clarke), and Jack Bondurant (LaBeouf)–and the ruthless Deputy Charley Rakes (Pearce) and his men, who try to shut down the brothers’ Prohibition-era moonshine business after Forrest refuses to pay the cops off.  (wiki)

imdb

0783 – Sicario: Day of the Soldado (2018)

timespace coordinates: 2010’s U.S.-Mexico border

Sicario: Day of the Soldado (released in the UK as Sicario 2: Soldado, also known as Sicario 2: Day of the Soldado and Sicario 2) is a 2018 American thriller film directed by Stefano Sollima and written by Taylor Sheridan. A sequel to 2015’s Sicario, the film features Benicio del Toro, Josh Brolin and Jeffrey Donovan reprising their roles, with Isabela Moner, Manuel Garcia-Rulfo, and Catherine Keener joining the cast. The story relates to the drug war at the U.S.-Mexico border and an attempt by the United States government to incite increased conflict among the cartels. The film is dedicated to the memory of Jóhann Jóhannsson, the composer of the first film, who died in February 2018. It received generally favorable reviews from critics, who called it a “brutal-but-worthy” follow-up to the first film. (wiki)

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