0860 – Searching (2018)

timespace coordinates: 2015 – 2017 San Jose, California

Searching is a 2018 American thriller film directed by Aneesh Chaganty and written by Chaganty and Sev Ohanian. Set almost entirely on smartphones and computer screens, the film follows a father (John Cho) trying to find his missing 16-year-old daughter (Michelle La) with the help of a police detective (Debra Messing). It was the first mainstream Hollywood thriller headlined by an Asian-American actor. (wiki)

While the film features computer operating systems, programs and (mostly) websites, they were re-created from scratch and animated on computers. (trivia)

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858 – Roger & Me (1989 documentary)

timespace coordinates: 1980’s Flint, Michigan

Roger & Me is a 1989 American film written, produced, directed by and starring Michael Moore. Moore portrays the regional economic impact of General Motors CEO Roger Smith‘s action of closing several auto plants in his hometown of Flint, Michigan, reducing GM’s employees in that area from 80,000 in 1978 to about 50,000 in 1992. As of August 2015, GM employs approximately 7,200 workers in the Flint area, according to The Detroit News, and 5,000 workers according to MSNBC.  In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically or aesthetically significant.” (wiki)

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Pets or Meat: The Return to Flint (1992) 

857 – The More You Ignore Me (2018)

timespace coordinates: rural northern England in the late Seventies and early Eighties

“Combining bittersweet comedy with mental illness can’t be easy but Jo Brand, making her feature-film debut as a writer and drawing on her years as a psychiatric nurse, does an impressive job with The More You Ignore Me.” Matthew Bond   Director: Keith English

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0856 – Sorstalanság / Fateless (2005)

timespace coordinates: World War II Hungary / Auschwitz / Buchenwald

Fateless (Hungarian: Sorstalanság) is a Hungarian film directed by Lajos Koltai, released in 2005. It is based on the semi-autobiographical novel Fatelessness by the Nobel Prize-winner Imre Kertész, who also wrote the screenplay. It tells the story of a teenage boy who is sent to Auschwitz and Buchenwald.

The film’s music was composed by Ennio Morricone, and one of its songs was sung by Lisa Gerrard. The film is one of the most expensive movies ever produced in Hungary, with a cost of $12 million. (wiki)

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851 – The Little Stranger (2018)

timespace coordinates: 1947/’48 > 1919 England

(sad and spooky) The Little Stranger is a 2018 Irish/British/french gothic drama film directed by Lenny Abrahamson and written by Lucinda Coxon, based on the novel of same name by Sarah Waters. The film stars Domhnall Gleeson, Ruth Wilson, Will Poulter, and Charlotte Rampling.

THE LITTLE STRANGER tells the story of Dr Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, an 18th-century estate,, where his mother once worked. The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants – mother, son and daughter – are haunted by something more ominous than a dying way of life. When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own. (rt)

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0848 – New Dark Age: Technology and the End of the Future by James Bridle (2018 book)

As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.

From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)

James Bridle on New Dark Age: Technology and the End of the Future

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man always makes it clear to himself: “You are using things which have the intention of not being penetrable.” 1180

840 – Savages – The Story of Human Zoos (2017 documentary)

https://www.arte.tv/en/videos/067797-000-A/savages-the-story-of-human-zoos/

(available from 29/09/2018 to 28/11/2018)

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For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment just like animals in zoos. The story of the savage treatment of people who were considered sub-human.

Director : Bruno Victor-Pujebet, Pascal Blanchard

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human zoo (wiki)

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