quotes, Uncategorized

1092

Homer used two adjectives to describe aspects of the colour blue: kuaneos, to denote a dark shade of blue merging into black; and glaukos, to describe a sort of ‘blue-grey’, notably used in Athena’s epithet glaukopis, her ‘grey-gleaming eyes’. He describes the sky as big, starry, or of iron or bronze (because of its solid fixity). The tints of a rough sea range from ‘whitish’ (polios) and ‘blue-grey’ (glaukos) to deep blue and almost black (kuaneosmelas). The sea in its calm expanse is said to be ‘pansy-like’ (ioeides), ‘wine-like’ (oinops), or purple (porphureos). But whether sea or sky, it is never just ‘blue’. In fact, within the entirety of Ancient Greek literature you cannot find a single pure blue sea or sky.

Yellow, too, seems strangely absent from the Greek lexicon. The simple word xanthos covers the most various shades of yellow, from the shining blond hair of the gods, to amber, to the reddish blaze of fire. Chloros, since it’s related to chloe (grass), suggests the colour green but can also itself convey a vivid yellow, like honey.

The Ancient Greek experience of colour does not seem to match our own. In a well-known aphorism, Friedrich Nietzsche captures the strangeness of the Greek colour vocabulary:

How differently the Greeks must have viewed their natural world, since their eyes were blind to blue and green, and they would see instead of the former a deeper brown, and yellow instead of the latter (and for instance they also would use the same word for the colour of dark hair, that of the corn-flower, and that of the southern sea; and again, they would employ exactly the same word for the colour of the greenest plants and of the human skin, of honey and of the yellow resins: so that their greatest painters reproduced the world they lived in only in black, white, red, and yellow).
[My translation]

How is this possible? Did the Greeks really see the colours of the world differently from the way we do?    read more:

The Sea Was Never Blue

By Maria Michela Sassi

movies, Uncategorized

1091 – High Life (2018)

MV5BMDNjN2NjYmItMjAyZi00NmNkLWJmYTQtYzcwZGRiM2RmNGNlXkEyXkFqcGdeQXVyODUxNjcxNjE@._V1_High Life is a 2018 English-language science fiction film ( UK | France | Germany | Poland | USA coproduction ) written and directed by French director Claire Denis with Robert Pattinson and Juliette Binoche in the lead roles. It is Denis’s first film in the English language and was co-written by her long-time collaborator Jean-Pol Fargeau and Geoff Cox.

French physicist and black hole expert Aurélien Barrau has been part of the project as a scientific expert. Danish-Icelandic artist Olafur Eliasson has designed the spacecraft for the film and it is his first cinematic experience.

The film focuses on a group of criminals who are tricked into believing they will be freed if they participate in a mission to travel on a spaceship towards a black hole to find an alternate energy source while being sexually experimented on by the scientists on board. (wiki)

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imdb   /   trivia   /   rt


olafur eliasson – the weather project

games

1089 – Mutant Year Zero: Road to Eden (2018 video game)

timespace coordinates: set near Göteborg, Sweden, after the outbreak of the deadly “Red Plague” and  a global nuclear war

Mutant Year Zero: Road to Eden is a turn-based tactical role-playing video game (that combines the turn-based combat of XCOM with real-time stealth and exploration) developed by Swedish studio The Bearded Ladies and published by Funcom. Based on the tabletop role-playing game Mutant Year Zero, the game was released for Microsoft Windows, PlayStation 4 and Xbox One in December 2018. A Nintendo Switch version of the game will be releasing on June 25, 2019. (wiki)

steam

SYSTEM REQUIREMENTS (MINIMUM): Requires a 64-bit processor and operating system / OS: Windows 7 64 Bit/ Windows 8 64 Bit/ Windows 10 64 Bit / Processor: Intel Core i5-760 / AMD Phenom II X4 965 / Memory: 6 GB RAM / Graphics: NVidia GTX 580 / AMD Radeon HD 7870 / DirectX: Version 11 / Storage: 8 GB available space


walkthrough

documentary

1086 – The Inventor: Out For Blood In Silicon Valley (2019 documentary)

The Inventor: Out for Blood in Silicon Valley is a 2019 American documentary film, directed and produced by Alex Gibney. The film revolves around Elizabeth Holmes, and her former company Theranos. (wiki)

imdb   /   rt

movies, quotes

1083 – The Wind (2018)

timespace coordinates: the Western frontier of the late 1800’s

The Wind is a 2018 American supernatural western horror film directed by Emma Tammi in her directorial debut. The film was written by Teresa Sutherland. It stars Caitlin GerardAshley ZukermanJulia Goldani Telles and Miles Anderson. (wiki)

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The character Emma seems to enjoy Gothic literature. Among the books from her collection that read aloud at various points in the film are Mary Shelley’s Frankenstein and Ann Radcliffe‘s The Mysteries of Udolpho.

imdb   /   rt


“Towards evening, they wound down precipices, black with forest of cypress, pine and cedar, into a glen so savage and secluded, that, if Solicitude ever had local habitation, this might have been “her place of dearest residence”  (Ann Radcliffe)

animation, documentary, games

1082 – Astérix: Le secret de la potion magique (2018)

timespace coordinates:  c. 50 BC – Armorica (modern Brittany), Roman Gaul, shortly after the Gallic Wars (58–50 BC)

MV5BZDUyNzhjMTAtNGI5OC00MjYzLWFlNDUtMTQzYTdhZjliMDk0XkEyXkFqcGdeQXVyNTc5OTMwOTQ@._V1_Asterix: The Secret of the Magic Potion (French: Astérix: Le Secret de la Potion Magique) is a 2018 French computer-animated adventure comedy film co-directed by Alexandre Astier and Louis Clichy. The screenplay by Astier is based on the Asterix comic book characters created by Goscinny and Uderzo. (wiki)

imdb   /   Review 


Asterix films   /   asterix.com


Evolution of Asterix and Obelix Games 1983-2018

movies

1081 – The Silence (2019)

timespace coordinates: world under attack by creatures who hunt by sound

silence_xlg

The Silence is a 2019 film starring Kiernan Shipka and Stanley Tucci. It is directed by John R. Leonetti based on a screenplay by Carey Van Dyke and Shane Van Dyke that adapts the 2015 horror novel of the same name by Tim Lebbon. (wiki)

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