Transcendent Man is a 2009 documentary film by American filmmaker Barry Ptolemy about inventor, futurist and author Ray Kurzweil and his predictions about the future of technology in his 2005 book, The Singularity is Near. In the film, Ptolemy follows Kurzweil around his world as he discusses his thoughts on the technological singularity, a proposed advancement that will occur sometime in the 21st century when progress in artificial intelligence, genetics, nanotechnology, and robotics will result in the creation of a human-machine civilization.
Ray Kurzweil, whose very name in a scrumptious irony, recapitulates the very finitude against which he is struggling so mightily (eine kurze Weile is German for “a little while”, “a brief period”)
Transcendence (2014)
Transcendence is a 2014 dystopian science fiction film directed by cinematographer Wally Pfister in his directorial debut, and written by Jack Paglen.
I, Robot (stylized as i,robot) is a 2004 American science fiction action film directed by Alex Proyas. The screenplay by Jeff Vintar and Akiva Goldsman is from a screen story by Vintar, based on his original screenplay “Hardwired”, and suggested by Isaac Asimov‘s 1950 short-story collection of the same name. The film stars Will Smith, Bridget Moynahan, Bruce Greenwood, James Cromwell, Chi McBride, and Alan Tudyk. In 2035, highly intelligent robots fill public service positions throughout the dystopian world, operating under three rules to keep humans safe. Detective Del Spooner (Smith) investigates the alleged suicide of U.S. Robotics founder Alfred Lanning (Cromwell) and believes that a human-like robot (Tudyk) murdered him.
Morgan is a 2016 British-American science fiction thriller film directed by Luke Scott in his directorial debut, and written by Seth Owen. Film scored by Max Richter.
Eva is a 2011 science fiction film directed by Kike Maíllo. It had its world premiere on 7 September 2011 at the 68th Venice International Film Festival, where it was screened out of competition. The film stars Daniel Brühl, Marta Etura, Lluís Homar and Alberto Ammann.
Eva was nominated in twelve categories at the 26th Goya Awards, scoring three wins—Best New Director, Best Supporting Actor and Best Special Effects. It earned nominations for Best Actor, Best Cinematography, Best Editing, Best Make Up and Hairstyles, Best Original Score, Best Original Screenplay, Best Production Design, Best Production Supervision and Best Sound. The film was also nominated for sixteen Gaudí Awards, winning five.
The film combines computer generated imagery of robots and engineering devices and retro clothing and props like a Saab 900 car. (wiki)
Development of A.I. originally began with producer-director Stanley Kubrick, after he acquired the rights to Aldiss’ story in the early 1970s. Kubrick hired a series of writers until the mid-1990s, including Brian Aldiss, Bob Shaw, Ian Watson, and Sara Maitland. The film languished in protracted development for years, partly because Kubrick felt computer-generated imagery was not advanced enough to create the David character, whom he believed no child actor would convincingly portray. In 1995, Kubrick handed A.I. to Spielberg, but the film did not gain momentum until Kubrick’s death in 1999. Spielberg remained close to Watson’s film treatment for the screenplay.
Kubrick’s original concept art for A.I. ARTIFICIAL INTELLIGENCE (2001) via @TIFF_NET
spacetime coordinates: 2044, 20 after solar flares irradiate the Earth, killing over 99% of the world’s population. The survivors gather in a network of safe cities and build primitive humanoid robots, called Pilgrims, to help rebuild and operate in the harsh environment.
I, Robot (stylized as i,
TimeSpace Warps 