Roy Pulver (Frank Grillo), a retired special forces soldier finds himself trapped in a sinister government program, which results in a never-ending time loop leading to his death. (wiki)
Hardcore Henry (Russian: Хардкор; also known simply as Hardcore in some countries) is a 2015 Russian-American science fiction action film written and directed by Ilya Naishuller (in his feature directorial debut).
Max Nicholson of IGN rated the film 8.6/10 stating “Two parts FPS, one part platformer and a pinch of HowToBasic, director Ilya Naishuller’s Hardcore Henry is a recipe for non-stop, ludicrous fun. While the film’s actual story is nigh existent [sic], it’s sure to please gamers and action junkies alike with its inventive set pieces and mind-boggling action” and “Hardcore Henry lives up to the title with non-stop, off-the-wall action and a love for all things video games”. (wiki)
The video game “Payday 2“ had a cross-promotion before the movie’s release. It came with heists relating to the film’s plot, along with a new playable character (Jimmy) and new weapons. A poster for the game can be seen on wall of the one of the apartments where Slick Dimitri is found and Jimmy’s mask from the game can be seen in the drawer with the weapons in the strip club.
Before this film, writer and director Ilya Naishuller made several music videos for his Russian punk rock band “Biting Elbows”. The videos were shot in the same style: Fast paced, first person perspective action videos.
“The year 2100. In an effort to combat overpopulation, the postmortem social network “Anvil” is released. A fusion of both Japanese and Belgian comics inspirations and sensibilities, such as Ghost in the Shell, Akira or Peeters & Schuiten’s work. “Anvil” invites us on a journey through the eyes of a young woman in her final moments on earth.”
Directed by GERIKO (Hélène Jeudy & Antoine Caëcke) Design, Script & Animation by Antoine Caëcke & Hélène Jeudy Character Animation by Anthony Lejeune & Manddy Wyckens
When announced in a press release by Adult Swim in May 2017, The Shivering Truth was described as “a delicately crafted, darkly surreal anthology comedy, a miniature propulsive omnibus cluster bomb of painfully riotous daymares all dripping with the orange goo of dream logic. A series of loosely-linked emotional parables about stories within tales that crawled out of the deepest caverns of your unconscious mind and became lovingly animated in breath-slapping stop motion – in other words, it is the TRUTH”.
The characters in the show are 10-inch (250 mm) puppets with wire-based armatures, created with silicon, wool, polystyrene, and resin. Chatman has noted several inspirations for his work on the show, including Terry Gilliam‘s work on Monty Python’s Flying Circus, stating that “I saw it when I was very young, so it scared me. I didn’t know when the animation was beginning or ending.” He also explained that “A lot of my influences are non-animated, primarily in short films, novels, even radio shows. A recent one is David Eagleman‘s books on the brain. He’s a neuroscientist and he gives you 40 different versions of the afterlife, and none of them can co-exist.” Solen has spoken on her inspirations as well, saying that “I loved the movie The Wizard of Speed and Time, which is a cautionary tale about making movies. Another film that I loved as a kid was Nicolas Roeg‘s [film] adaptation of Roald Dahl‘s The Witches, which featured both Anjelica Huston and Jim Henson‘s puppets. It scared me so much!” (wiki)
timespace coordinates: The film is partially presented in a found footage format by featuring fictional interviews, news footage, and video from surveillance cameras. The story, which explores themes of humanity, xenophobia and social segregation, begins in an alternate1982, when an alien spaceship appears over Johannesburg, South Africa. When a population of sick and malnourished insectoid aliens are discovered on the ship, the South African government confines them to an internment camp called District 9. Twenty years later, during the government’s relocation of the aliens to another camp, one of the confined aliens named Christopher Johnson, who is about to try to escape from Earth with his son and return home, crosses paths with a bureaucrat leading the relocation named Wikus van der Merwe. The title and premise of District 9 were inspired by events in Cape Town‘s District Six, during the apartheid era.
timespace coordinates: In 1990, Johannesburg is home to a number of extraterrestrial refugees, whose large spaceships (estimated to be nearly one kilometre in length) can be seen hovering above the city. When the visitors first arrived, the human population was enamored with, among other aspects, the aliens’ advanced “bio-suits”, and welcomed them with open arms. However, the aliens later began moving into other areas of the city, committing crimes in order to survive and frequently clashing with police. Playing as a documentary, the film continues with interviews and footage taken from handheld cameras, which highlight the growing tension between Earth’s civilian population and the extraterrestrial visitors.
According to individuals “interviewed” in the film, the aliens were captive labour (slaves or indentured servants), forced to live in “conditions that were not good” and had escaped to Earth. Because the film takes place in 1990, while apartheid was still in effect in South Africa, the aliens were forced to live amongst the already-oppressed black population, causing conflict with them as well as the non-white and white populations.
All of the interview statements which do not explicitly mention extraterrestrials were taken from authentic interviews with many South Africans who had been asked their opinions of Zimbabwean refugees. (wiki)