Ambient 4: On Land is the eighth solo studio album by British ambient musician Brian Eno. It was the final edition in Eno’s ambient series, which began in 1978 with Music for Airports.
On Land is a mixture of synthesizer-based notes, nature/animal recordings, and a complex array of other sounds, most of which were unused, collected recordings from previous albums and the sessions that created them. As Eno explained, “… the making of records such as On Land involved feeding unheard tape into the mix, constant feeding and remixing, subtracting and “composting”. (…) “instrumentation shifted gradually through electro-mechanical and acoustic instruments towards non-instruments like pieces of chain and sticks and stones … I included not only recordings of rooks, frogs and insects, but also the complete body of my own earlier work”.
Despite the music’s dark leanings, it is in a sense still highly “ambient” in that the tracks tend to blend into each other and thus fulfill all of Eno’s original expectations of what the term means. Nevertheless, there is still room for the occasional surprise, such as Jon Hassell‘s recognisable effect-laden trumpet in “Shadow“. Eno, cognizant of the deeper aural qualities, said, “On the whole, On Land is quite a disturbed landscape: some of the undertones deliberately threaten the overtones, so you get the pastoral prettiness on top, but underneath there’s a dissonance that’s like an impending earthquake”.
The album makes reference to definite geographical places, such as “Lizard Point“, named after the exposed, southernmost tip of mainland Britain, close to Land’s End in South-West England.
“Tal Coat” refers to Pierre Louis Jacob (1905–1985), aka Pierre Tal-Coat, a proponent of the French form of abstract expressionism, Tachisme. This interest in painting is reflected in his statement that the album was “… an attempt to transpose into music something that you can do in painting: creating a figurative environment. At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art because it was abstract, not figurative. In contrast, my intention in On Land was to make music that was like figurative painting, but without referring to the history of music – more to a “history of listening””
“Lantern Marsh” was a place in East Anglia where he grew up. He remarks, “My experience of it derives not from having visited it (although I almost certainly did) but from having subsequently seen it on a map and imagining where and what it might be”.
“Leeks Hills“, Eno explains, “is a little wood (much smaller now than when I was young, and this not merely the effect of age and memory) which stands between Woodbridge and Melton. There isn’t a whole lot left of it now, but it used to be quite extensive. To find it you travel down the main road connecting Woodbridge and it lies to your left as you go down the hill”.
“Dunwich Beach, Autumn, 1960” is named after the once prosperous seaport of Dunwich, England, which eroded into the sea over a period of three hundred years. (wiki <3)
The Pagan King (Latvian: Nameja gredzens – ‘Ring of Namejs‘, initially The King’s Ring) is a historical fiction action film directed by Aigars Grauba and co-written by Max Kinnings and Grauba.
Life That Glows is a 2016 British nature documentary programme made for BBC Television, first shown in the UK on BBC Two on 9 May 2016. The programme is presented and narrated bySir David Attenborough.
“Scarred Hearts” is inspired by Romanian author Max Blecher‘s novel, which is set in 1937. It centers on Emanuel, a man in his early 20s, who spends his days at a sanatorium on the Black Sea coast, suffering from bone tuberculosis. Falling in love with another patient, he narrates his and his fellow patients’ attempts to live life to the full as their bodies slowly wither but their minds refuse to give in. Blecher wrote the text, hailed as a masterpiece on publication in Romania in 1939, as autobiographical notes before he died, after 10 years of suffering, at the age of 29.
Thai filmmaker Pen-ek Ratanaruang directs the character-driven drama Last Life in the Universe, co-written by first-time screenwriter Prabda Yoon. Kenji (Tadanobu Asano) is a Japanese man living in Bangkok. He lives a tidy, silent lifestyle fueled by the detached desire to kill himself. Meanwhile, Noi (Sinitta Boonyasak) is a pot-smoking call girl who lives in a shabby beachside home outside the city. She tries to teach herself to speak Japanese with hopes of moving to Osaka. One day, Kenji walks into his apartment as his brother Yukio (Yutaka Matsushige) is involved in a gun fight with gangster (yakuza) Takashi (Riki Takeuchi). Then Kenji accidentally witnesses the death of Noi’s lovely sister, Nid (Laila Boonyasak), with whom he first became smitten at the library. Having nowhere to go, Kenji goes to live with Noi for a few days, leading to the development of a strange and sensitive relationship. With cinematography by Hong Kong-based photographer Christopher Doyle. Last Life in the Universe won an Upstream Prize at the 2003 Venice Film Festival. (rottentomatoes)
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