books, theory

2004 – Discognition: Fabulations and Fictions of Sentience by Steven Shaviro (book, 2016)

there is actually slime mold linking, growing and tracing the title of this book

I think Steven Shaviro should be something like one of the patron saints of timespacewarps and I will briefly state why here. Happy to be able to introduce him together with Darko Suvin over here.

I think, of all the various cultural theorists, whatever-hip-thinkers or walking talking encyclopedic humans out there – he is one of our most important purveyors relating to lived time, of how feeling relates to time, and is almost a creature (entity – to put in ANW terms) of time flow. He is a weird processualist, a tireless sci-fi enthusiast/reviewer and proponent of his own brand of speculative realism, a supporter of relational-panpsychist (or pan-experientalism), a critic and theoretician of music videos and post-cinematic affect and one of the most intellectually generous people I know of on the whole of Internet (most of his stuff is found for free online under digital form or on his blog). He interests go far afield, from the extremity of Maurice Blanchot, Kathy Acker, William Burroughs to third kind philosophical encounters btw Deleuze, Kant and Whitehead. He might be (in his own words) a “misanthrope”, “highly dissociative”, an unapologetic “kitsch Marxist”, living in ‘Motor City’ Detroit and teaching at Wayne State University, yet he is to be found on both E-flux discussing Accelerationist Aesthetics: Necessary Inefficiency in Times of Real Subsumption (2013) or Extrapolation, fabulation and speculation (as of October 2021) at Russian Moscow online courses. His numerous books have been instrumental imho in moving continental philosophy away from postmodernist/linguistic turn or deconstruction/ text-centered hermeneutic models towards the ontological or the very nature of reality, thus allowing for a widening reception of the so-called ‘speculative turn’. His huge and always nourishing reading list is open for everyone.

First here is a draft Intro to his 2016 book Discognition

Hard to write a review on this one – because it is such a favorite. While I have just started reading his new 2021 Extreme Fabulations: Science Fictions of Life I realised I had to pay my due to this one.
Here are a number of things that might make Discognition unavoidable reading for our times. Of course, you could just read Steven Shaviro’s short dense book as a direct shortcut to key ‘thought experiments’ in mind philosophy (hard problem of consciousness, Mary’s room or the knowledge argument, cognitive eliminativism etc) and the various philosophical responses to them (Churchland, Nagel, Churchland, Dennett, Brandom, Brembs, etc.) as well as Shaviro’s own. If you are interested in the original volume with a lot of the original essays that he uses as source materials feel free to check There’s Something about Mary: Essays on Phenomenal Consciousness and Frank Jackson’s Knowledge Argument.
What makes Discognition completely different from most cognitive science & countless mind philosophy books is that he will make us enjoy mind philosophy as an exercise in science fiction (or paraliterature as Samuel “Chip” Delany calls it). And if we manage that, we will rather sooner (than later) realize that mind philosophers can hardly keep up with speculative fiction’s proclivity and SF’s daring adventures in matters of cognition, consciousness, affect, physicalism, subjectivity, reason, responsiveness, sentience etc. in imaginatively devising thought experiments that would be practically impossible as a program for cognitive sciences or within the preserve of cognitivist paradigm.
Steven Shaviro makes no secret about his own pan-psychist leanings, or rather his pan-experientialism orientation (in line with both William James pragmatism or what Alfred North Whitehead metaphysics tried to probe), yet this position comes forth after giving due attention to many other perspectives or philosophical currents. Speculative realism and object-oriented ontology, as in his previous books The Universe of Things: On Speculative Realism, remains a point of reference.
The title “DISCOGNITION” is a great way by Steven Shaviro to try bend our cerebrated (yet dualist and disembodied) and vaunted capacities further and further, to be able to try and circumvent the heavy toll of constraining cognition as well as to switch tables on our faltering human exceptionalism. Cognitivism has been listing a growing list of human biases and fallacies, confirmed by research – all largely expanding on critical philosophy’s founding gestures: Kant’s categories and forms of thought. Yet the fundamental tenants of cognitivism (u could also call them metaphysical presuppositions) get more entrenched than ever. As ‘neurobullocks‘ has been infusing much of neuro pop from TV series to criminal psychology – or be it advertising and neuro -marketing, nowadays only neurodivergence manages to question the neuropolitical underpinnings of neuronormativity.

In the end, we have nothing to lose (he seems to tell us with every chapter) – but our embittered speciesism, a narrowing cognitivism-only path that allows only brains, higher functions of the human mind or consciousness to act like proper scientific models, exquisite literary presences or proper philosophic objects – at the dispense of everything else, with the risk of ignoring various instantiations of “what would be thinking like”: a machine, an artificial intelligence, a computer, a murderer, a slime mold, an alien etc. (a list that could be potentially endless).
We are bound to central nervous systems, and yes, sapience is a wonderfully rare thing, yet this comes at a heavy price of ignoring the largest majority of our experience as well as other (for us largely speculative) modes of thought. Recent SF, carefully chosen examples by S. Shaviro – put consciousness in proportion and show how human thinking processes might be themselves just a narrow sliver – a wonderful but limited and limiting way to even define experience as such.
He brings all these examples to roost and many others – including Ted Chiang’s The Lifecycle of Software Objects or Peter Watts Blindsight or R Scott Bakker’s Neuropath.
To his merit, Shaviro always emphasizes that he is neither a philosopher nor a science fiction writer – though to my knowledge, he is uniquely poised to enjoy doing what he does and never make the authors and thinkers he reads cry (as Deleuze said). He is one of those very rare raconteurs that never disparages his material, offering an attentive mind and affective stance that takes science fiction and philosophical speculative bets very seriously, pushing them to their ultimate ends. He is never tone-deaf, never forcing himself on the medium but letting it speak loudly and clearly. His close-reading discipline works almost as a direct how-to example in helping delineate difficult questions posed by the authors themselves. He redefines and refines complex relations and attempts making difficult distinctions by contrasting philosophy with science fiction or with science proper. There are always differences as well as deep resonances here, and there is always the potentiality of mutual learning from each other:

Fictions and fabulations are often contrasted, or opposed, to scientific methods of understanding the world. But in fact, there are powerful resonances between them; they are both processes of speculative extrapolation. In other words, constructing and testing scientific hypotheses is not entirely different from constructing fictions and fabulations, and then testing to see whether they work or not, and what consequences follow from them. For science is far more than just a passive process of discovery, or a compiling of facts that are simply “out there.” Rather, science must actively approach things and processes in the world. This is the reason for making hypotheses. Science needs to solicit and elicit phenomena that would not disclose themselves to us otherwise. It must somehow compel these phenomena to respond to our questions, by giving us full and consistent answers. All this is necessary, precisely because things in the world are not cut to our measure. They have no reason to conform to our presuppositions, or to fit into any categories that we seek to impose.

movies

2003 – Radioactive (2019)

spacetime coordinates: Paris 1893  – 1914

Radioactive is a 2020 British biographical drama film directed by Marjane Satrapi and starring Rosamund Pike as Marie Curie. The film is based on the 2010 graphic novel Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout by Lauren Redniss

Although the film is actually based on a 2010 graphic novel, it is marketed as a “biopic” on Marie Curie. Geraldine McGinty of Cornell University severely criticised the film not just for altering many historical events for dramatic effect, but for misrepresenting her character and that of her husband, McGinty said that its misleading analogies, misrepresentation of principal characters, and inappropriate nudity and violence, all make it unsuitable as an educational or biographical source. (wiki)

imdb

movies

1961 – Old (2021)

spacetime coordinates: 2020 Dominican Republic

old_ver3_xlg

Old is a 2021 American mystery/horror/thriller film written, directed, and produced by M. Night Shyamalan. It is based on the French-language Swiss graphic novel Sandcastle by Pierre Oscar Levy and Frederik Peeters.

The film features an ensemble cast consisting of Gael García BernalVicky KriepsRufus SewellAlex WolffThomasin McKenzieAbbey LeeNikki Amuka-BirdKen LeungEliza ScanlenAaron PierreEmbeth Davidtz, and Emun Elliott. The plot follows a group of people who find themselves aging rapidly on a secluded beach. (wiki)

imdb

movies

1959 – Dante’s Peak (1997)

spacetime coordinates: 1990’s Dante’s Peak, Washington

Dante’s Peak is a 1997 American disaster thriller film directed by Roger Donaldson starring Pierce BrosnanLinda Hamilton, and Charles Hallahan.

Dante_s_Peak_1997_original_film_art_5000x

The film is set in the fictional town of Dante’s Peak where the inhabitants fight to survive a volcanic eruption from a long dormant stratovolcano that has suddenly woken up. Despite mostly negative reviews, it was a box office success and has since gained a cult following among disaster film aficionados. (wiki)

imdb   /   geologists’ reception and educational purpose

animation, Uncategorized

1954 – Panique au village (2009)

Layout 1

A Town Called Panic (French: Panique au village) is a 2009 internationally co-produced stop-motion animated adventure fantasy comedy family film directed by Stéphane Aubier and Vincent Patar.

PAV-affiche-définitive-FR

The film is based on the TV series of the same name and stars Aubier, Jeanne Balibar, Nicolas Buysse, Véronique Dumont, Bruce Ellison, Frédéric Jannin, Bouli Lanners, and Patar, among others. It premiered at the 2009 Cannes Film Festival and was the first stop-motion film to be screened at the festival.

Empire magazine were very positive awarding the film 4 stars, summing it up as “Toy Story on absinthe” (wiki)

MV5BMTE2ODZmMjAtNjYyNS00NDJkLWI2NWUtYTgzNTlhNjhhNTAwXkEyXkFqcGdeQXVyNDE5MTU2MDE@._V1_

imdb    /   Le making-of (accéléré)

movies

1933 – The Day the Earth Stood Still (2008)

spacetime coordinates: 2000’s  New York City

The Day the Earth Stood Still is a 2008 American science fiction drama film and a loose adaptation of the 1951 film of the same name. The screenplay by David Scarpa is based on the 1940 classic science fiction short story “Farewell to the Master” by Harry Bates and the 1951 screenplay adaptation by Edmund H. North.

71Rsa0qyx8L._AC_SL1185_

Directed by Scott Derrickson and starring Keanu Reeves as Klaatu, this version replaces the Cold War theme of nuclear warfare with the contemporary issue of humankind’s environmental damage to the planet. It follows Klaatu, an alien sent to try to change human behavior or eradicate humans from Earth. (wiki)

The_Day_the_Earth_Stood_Still_(1951_poster)

Poster - Day the Earth Stood Still, The_03

imdb

movies

1929 – The Suicide Squad (2021)

spacetime coordinates: the South American island nation of Corto Maltese after its government is overthrown by an anti-American regime

o2895409614979964804

The Suicide Squad is a 2021 American superhero film based on DC Comics featuring the team Suicide Squad. It is a standalone sequel to Suicide Squad (2016) and the tenth film in the DC Extended Universe (DCEU).

It was written and directed by James Gunn, He drew inspiration from war films and John Ostrander‘s 1980s Suicide Squad comics, and decided to explore new characters in a story separate from the first film’s narrative.

wpcs7lwwipruunoyp5ki

Peacemaker, a spin-off television series starring John Cena, is set to debut on HBO Max in January 2022. (wiki)

imdb   /   rottentomatoes