The Most Honest Book About Climate Change Yet
“Vollmann’s undertaking is in the vanguard of the coming second wave of climate literature, books written not to diagnose or solve the problem, but to grapple with its moral consequences.”
Tag: science & technology
862 – Vexille (2007)
timespace coordinates: Japan, 2077
Vexille (ベクシル 2077日本鎖国 Bekushiru 2077 Nihon sakoku, full Japanese title literally “Vexille: 2077 Japanese Isolation”) is a 2007 Japanese CGI anime film, written, directed, and edited by famed Ping Pong director Fumihiko Sori, and features the voices of Meisa Kuroki, Yasuko Matsuyuki, and Shosuke Tanihara. (wiki)
A female agent named Vexille is dispatched to Tokyo to investigate whether Japanese are developing robotic technology, which has been banned by the U.N. due to its potential threat to humankind. (imdb)
live-action film
0860 – Searching (2018)
timespace coordinates: 2015 – 2017 San Jose, California
Searching is a 2018 American thriller film directed by Aneesh Chaganty and written by Chaganty and Sev Ohanian. Set almost entirely on smartphones and computer screens, the film follows a father (John Cho) trying to find his missing 16-year-old daughter (Michelle La) with the help of a police detective (Debra Messing). It was the first mainstream Hollywood thriller headlined by an Asian-American actor. (wiki)
While the film features computer operating systems, programs and (mostly) websites, they were re-created from scratch and animated on computers. (trivia)
853 – 9 (2009)
9 is a 2009 American computer-animated post-apocalyptic science fiction film directed by Shane Acker and written by Pamela Pettler. The film is based on Acker’s Academy Award-nominated 2005 short film/student project of the same name, created at the UCLA Animation Workshop.
9 final movie poster Shane Acker
0852 – Another World (1991 video game)
Another World, also known as Out of This World in North America and Outer World in Japan, is a 1991 cinematic platformer action-adventure game designed by Éric Chahi and published by Delphine Software. The game tells a story of Lester, a young scientist who, as a result of an experiment gone wrong, finds himself on a dangerous alien world where he is forced to fight for his survival.
Another World was developed by Chahi alone over a period of about two years, with only help with the soundtrack from Jean-François Freitas. Chahi developed his own game engine, completing all the game’s art and animations in vector form to reduce memory use, with some use of rotoscoping to help plan out character movements. Both narratively and gameplay-wise, he wanted the game to be told with little to no language or user-interface elements. The game was originally developed for the Amiga and Atari ST but has since been widely ported to other contemporary systems, including home and portable consoles and mobile devices. Chahi has since overseen release of various anniversary releases of the game.
Another World was innovative in its use of cinematic effects in both real-time and cutscenes, which earned the game praise among critics and commercial success. It also influenced a number of other video games and designers, inspiring such titles as Ico, Metal Gear Solid, Silent Hill, and even Delphine’s later Flashback. (wiki)
0850 – The Meg (2018)
timespace coordinates: near future Mariana Trench, the Pacific Ocean/ Hainan, China, Thailand, Japan
The Meg is a 2018 US–Chinese science fiction action thriller film directed by Jon Turteltaub, loosely based on the 1997 book Meg: A Novel of Deep Terror by Steve Alten. The film stars Jason Statham, Li Bingbing, Rainn Wilson, Ruby Rose, Winston Chao, and Cliff Curtis. the film follows a group of scientists who encounter a 75-foot-long (23 m) megalodon shark while on a rescue mission at the floor of the Pacific Ocean. (wiki)
Sequel
0848 – New Dark Age: Technology and the End of the Future by James Bridle (2018 book)
As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world.
In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age.
From rogue financial systems to shopping algorithms, from artificial intelligence to state secrecy, we no longer understand how our world is governed or presented to us. The media is filled with unverifiable speculation, much of it generated by anonymous software, while companies dominate their employees through surveillance and the threat of automation.
In his brilliant new work, leading artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime. (VERSO)
James Bridle on New Dark Age: Technology and the End of the Future
man always makes it clear to himself: “You are using things which have the intention of not being penetrable.” 1180
TimeSpace Warps 