spacetime coordinates: San Francisco 198248 Hrs. is a 1982 American action comedy film directed by Walter Hill. The film stars Nick Nolte and Eddie Murphy (in his film debut and Golden Globe Award-nominated role) as a cop and convict, respectively, who team up to catch two cop-killers, Albert Ganz and Billy Bear, played respectively by James Remar and Sonny Landham.
Contagion is a 2011 U.S. medical thriller-disaster film directed by Steven Soderbergh. The film features an ensemble cast that includes Marion Cotillard, Bryan Cranston, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Kate Winslet, and Jennifer Ehle. The plot of Contagion documents the spread of a virus transmitted by fomites, attempts by medical researchers and public health officials to identify and contain the disease, the loss of social order in a pandemic, and finally the introduction of a vaccine to halt its spread. To follow several interacting plot lines, the film makes use of the multi-narrative “hyperlink cinema” style, popularized in several of Soderbergh’s films.
Steven Soderbergh was motivated to make an “ultra-realistic” film about the public health and scientific response to a pandemic. The movie touches on a variety of themes, including the factors which drive mass panic and collapse of social order, the scientific process for characterizing and containing a novel pathogen, balancing personal motives against professional responsibilities and rules in the face of an existential threat, the limitations and consequences of public health responses, and the pervasiveness of interpersonal connections which can serve as vectors to spread disease. Soderbergh acknowledged the salience of these post-apocalyptic themes is heightened by reactions to the September 11 attacks and Hurricane Katrina. The movie was intended to realistically convey the “intense” and “unnerving” social and scientific reactions to a pandemic. The recent real-life epidemics such as the 2003 SARS epidemic and the 2009 flu pandemic (H1N1) have been inspirations and influences in the film. The chain of contagion involving bats and pigs is reminiscent of the trail of the Nipah virus (which infects cells in the respiratory and nervous systems, the same cells as the virus in the movie) that originated in Malaysia in 1997, which similarly involved the disturbance of a bat colony by deforestation. (read more – themes – wiki)
spacetime coordinates: 2043 Pacific Coast / San Francisco Bay Area
The Book of Eli is a 2010 American post-apocalyptic neo-Western action film directed by the Hughes brothers, written by Gary Whitta, and starring Denzel Washington, Gary Oldman, Mila Kunis, Ray Stevenson, Jennifer Beals and Tom Waits. The story revolves around Eli, a nomad in a post-apocalyptic world, who is told by a voice to deliver his copy of a mysterious book to a safe location on the West Coast of the United States. The history of the post-war world is explained along the way, as is the importance of Eli’s task.
spacetime coordinates: Italy 1973 All the Money in the World is a 2017 crime thriller film directed by Ridley Scott and written by David Scarpa, based on John Pearson’s 1995 book Painfully Rich: The Outrageous Fortunes and Misfortunes of the Heirs of J. Paul Getty. It stars Michelle Williams, Christopher Plummer, Mark Wahlberg, Romain Duris, Charlie Plummer, Andrew Buchan, and Timothy Hutton. The film depicts J. Paul Getty‘s refusal to cooperate with the extortion demands of a group of kidnappers from the organized crime Mafia group ‘Ndrangheta, who abducted his grandson John Paul Getty III in 1973. (based on actual events)
spacetime coordinates: Bay City, year 2384 // “The Protectorate” Altered Carbon is an American science fiction television series created by Laeta Kalogridis and based on the 2002 novel of the same title by English author Richard K. Morgan.
In the future, a person’s memories have been decanted into “cortical stacks”, storage devices of alien design which have been reverse engineered, duplicated en masse, and surgically inserted into the vertebrae at the back of the neck. Physical bodies are called “sleeves,” disposable vessels that can accept any “stack”. Takeshi Kovacs (Joel Kinnaman), a political operative with mercenary skills, wakes up 250 years after his sleeve is terminated, and he is given the choice to either spend the rest of time in prison for his crimes, or to help solve the murder of one of the wealthiest men in the settled worlds (James Purefoy). http://www.imdb.com/title/tt2261227/
“When everyone lies, telling the truth isn’t just rebellion.
It’s an act of revolution. So think carefully when you speak it,
because the truth is a weapon.”
spacetime coordinates: 1958 > 1970 North Beach, San Francisco // Honolulu, HawaiiBig Eyes is a 2014 American biographical film directed by Tim Burton, written by Scott Alexander and Larry Karaszewski and starring Amy Adams and Christoph Waltz. The film is about the life of American artist Margaret Keane—famous for drawing portraits and paintings with big eyes. It follows the story of Margaret and her husband, Walter Keane, who took credit for Margaret’s phenomenally successful and popular paintings in the 1950s and 1960s. It follows the lawsuit (and trial) between Margaret and Walter, after Margaret reveals she is the real artist behind the big eyes paintings.
“I think what Keane has done is just terrific. It has to be good. If it were bad, so many people wouldn’t like it.” Andy Warhol
spacetime coordinates: 2020 – 2025 Alaska // Hong Kong // Manila // San Francisco // Pacific Ocean // TokyoPacific Rim is a 2013 American science fiction monster film directed by Guillermo del Toro and starring Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Burn Gorman, Robert Kazinsky, Max Martini, and Ron Perlman. The screenplay was written by Travis Beacham and del Toro from a story by Beacham.The film is set in the future, when Earth is at war with the Kaiju, colossal sea monsters which have emerged from an interdimensional portal on the bottom of the Pacific Ocean. To combat the monsters, humanity unites to create the Jaegers, gigantic humanoid mechas each controlled by at least two pilots, whose minds are joined by a mental link. Focusing on the war’s later days, the story follows Raleigh Becket, a washed-up Jaeger pilot called out of retirement and teamed with rookie pilot Mako Mori as part of a last-ditch effort to defeat the Kaiju.
Knifehead, the first Kaiju to appear in the film, is a tribute to the plodding kaiju of 1960s Japanese films, and is intended to look almost like a man in a rubber suit; its head was inspired by that of a goblin shark. Leatherback, the bouncer-like Kaiju which spews electro-magnetic charges, is a favorite of del Toro, who conceived it as a “brawler with this sort of beer belly”; the lumbering movements of gorillas were used as a reference. The Kaiju Otachi homages the dragons of Chinese mythology. The director called it a “Swiss army knife of a Kaiju”; with almost 20 minutes of screen time, it was given numerous features so the audience would not tire of it. The creature moves like a Komodo dragon in water, sports multiple jaws and an acid-filled neck sack, and unfurls wings when necessary. It is also more intelligent than the other Kaiju, employing eagle-inspired strategies against the Jaegers. Onibaba, the Kaiju that orphans Mako Mori, resembles a fusion of a Japanese temple and a crustacean. Slattern, the largest Kaiju, is distinguished by its extremely long neck and “half-horn, half-crown” head, which del Toro considered both demonic and majestic.
Gipsy Danger, the American Jaeger, was based on the shape of New York City’s Art Deco buildings, such as the Chrysler Building and the Empire State Building, but infused with John Wayne‘s gunslinger gait and hip movements. Cherno Alpha, the Russian Jaeger, was based on the shape and paint patterns of a T-series Russian tank, combined with a giant containment silo to give the appearance of a walking nuclear power plant with a cooling tower on its head. Crimson Typhoon, the three-armed Chinese Jaeger, is piloted by triplets and resembles a “medieval little warrior”; its texture evokes Chinese lacquered wood with golden edges. Striker Eureka, the Australian Jaeger, is likened by del Toro to a Land Rover; the most elegant and masculine Jaeger, it has a jutting chest, a camouflage paint scheme recalling the Australian outback, and the bravado of its pilots.
The classic Japanese woodblock print The Great Wave off Kanagawa by Hokusai was a common motif in the ocean battles; Del Toro recalled, “I would say ‘Give me a Hokusai wave’… we use the waves and weather in the movie very operatically.” The director asked that Knoll not necessarily match the lighting from shot to shot: “It’s pretty unorthodox to do that, but I think the results are really beautiful and very artistically free and powerful, not something you would associate with a big sci-fi action movie.” Del Toro considers the film’s digital water its most exciting visual effect: “The water dynamics in this movie are technically beautiful, but also artistically incredibly expressive. We agreed on making the water become almost another character. We would time the water very precisely. I’d say ‘Get out of the wave [on this frame].'”