spacetime coordinates: Siberia, the fall of 1945, KRAI -free labour camp / labour outpost
The Edge (Russian: Край) is a 2010 Russian drama film directed by Alexei Uchitel.
084 – Kray / The Edge (2010)
Tag: romance
074 – Liza, the Fox-Fairy (2015)
spacetime coordinates: 1970s capitalist Hungary (Csudapest)
Liza, the Fox-Fairy (Hungarian: Liza, a rókatündér) is a 2015 Hungarian black comedy film directed by Károly Ujj Mészáros, starring Mónika Balsai, Szabolcs Bede-Fazekas and David Sakurai.
The film is based on the play Liselotte és a május by Zsolt Pozsgai. The Japanese theme was added by Mészáros, who was fascinated by Japanese culture, especially pop music from the 1960s and 1970s. He was also attracted by similarities between Japanese and Hungarian traditions.
fox-fairy, demon from Japanese mythology
069 – Total Eclipse (1995)
spacetime coordinates: 19th century France – Brussels – Abyssinia
“The only unbearable thing is that nothing is unbearable.“
Total Eclipse is a 1995 film directed by Agnieszka Holland, based on a 1967 play by Christopher Hampton, who also wrote the screenplay. Based on letters and poems, it presents a historically accurate account of the passionate and violent relationship between the two 19th-century French poets Paul Verlaine (David Thewlis) and Arthur Rimbaud (Leonardo DiCaprio), at a time of soaring creativity for both of them.
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0068 – The Merchant of Venice (2004)
spacetime coordinates: Venice, 1596
The Merchant of Venice is a 2004 romantic drama film based on Shakespeare‘s play of the same name. It is the first full-length sound film in English of Shakespeare’s play
The title character is the merchant Antonio (Jeremy Irons), not the Jewish moneylender Shylock (Al Pacino) who is the more prominent character. This adaptation follows the text, but omits much. Director Michael Radford believed that Shylock was Shakespeare’s first great tragic hero who reaches a catastrophe due to his own flaws. The film begins with text and a montage of how the Jewish community is abused by the Christian population of Venice and brings attention to the fact that, as a convert, Shylock would have been cast out of the Jewish ghetto in Venice.
(trivia) the bare-breasted prostitutes were not put in the film to make it more risqué, but rather to add a note of historical authenticity. Venetian law at the time required all prostitutes to bare their breasts because the Christian authorities were concerned about rampant homosexuality in their city.
043 – Sébastien Tellier – L’amour naissant (Official Video) 2013
Directed by Jean-Baptiste Mondino
042 – the chinese botanist’s daughters (2006)
spacetime coordinate: 1980s China
Les filles du botaniste (Chinese: 植物园, Botanic Garden) is a dramatic and delicate story of two star-crossed lovers set against the fantastic lush of Chinese gardens.
based on a true story
The story starts when Min, a botanist who spent her childhood as an orphan, comes to intern at the botanical gardens under her new instructor, Chen. It is there that she meets An, Chen’s daughter, and finds herself falling in love in a time and place where same-sex relationships are an unforgivable crime.
Since it delves into a topic considered taboo in China, the government refused to allow for the film to be shot or even shown in the country (it was ultimately filmed in Vietnam)
Dai Sijie (director) “I felt that the deep love that brought these two young women together was extremely romantic. In my mind, these women weren’t so much ‘lesbian’ – since they didn’t really possess a recognition of knowledge of themselves as such – but rather they just were determined to love each other dearly. That unwavering surety of pure love just tears at the heart. Also, what really got to me was the fact that these were women denied their freedom. They were justified in their love and there should be no reason why they shouldn’t be able to continue in it–so one has to wonder, why do they not have that right? Since I have experienced losing the right to my own expression, I know what it feels like to not be able to be who you are in your own country. I felt close to both of them, because to me it seemed like we were all outsiders.”
The Chinese Botanist’s Daughters Interview with Dai Sijie in Tokyo Wrestling
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038 – Carol (2015)
spacetime coordinate: Christmas season of 1952 – early 1953 / New York City > Waterloo, Iowa
Carol is a 2015 British-American dreamy romantic drama film directed by Todd Haynes. The screenplay, written by Phyllis Nagy, is based on the 1952 semi-autobiographical romance novel The Price of Salt (also known as Carol) by Patricia Highsmith. The film stars Cate Blanchett, Rooney Mara, Sarah Paulson, Jake Lacy and Kyle Chandler. Set in New York City during the early 1950s, Carol tells the story of a forbidden affair between an aspiring female photographer and an older woman going through a difficult divorce.
Carol was shot on Super 16 millimeter film to resemble the look and feel of photographic film from the late 1940s/early 1950s. The cinematography was influenced by the photojournalism of Vivian Maier, Ruth Orkin, Helen Levitt, and Esther Bubley. Photography by Saul Leiter (known for shooting through windows and using reflection) was a key influence.
Prior to production, director Todd Haynes compiled a playlist of 79 songs and instrumental music that were popular during the period Carol is set in (including songs referenced in the novel “The Price of Salt”) to assist in further understanding the era and mood of the times.
Director Todd Haynes creates image books as a guide to the visual feel of his films, going back to his drama Safe (1995). The compendiums are culled from photographs, film stills, paintings, periodicals and other sources to generate ideas for the film’s style. They are meant initially for the cinematographer. (The books are not to be confused with storyboards, the shot-by-shot breakdowns he has made since his first feature, Poison(1991).) His image books are “a way of communicating beyond words that gets to the crux of what the mood, temperature and stylistic references would be.” For Carol “it becomes great reference for clothes, hair, makeup, the way women carry themselves in the period and the specificity of how they’re being created from the outside in.” The image book includes, for example, references to other films such as: Brief Encounter(1945) and Vertigo (1958) for their sense of period, and The Sugarland Express (1974) for its innovative cinematography by Vilmos Zsigmond; Lovers and Lollipops (1956) for the locations and The Pumpkin Eater (1964) for the interiors; and urban photography by Ernst Haas, Helen Levitt and Vivian Maier. Haynes assembles his image books almost as a kind of visual mixtape, pulling photos and movie screen grabs of his inspirations and laying them out in pages of collages to create a kind of virtual movie. Haynes created more than 80 pages of photo collages for “Carol” that served as a road map through the production. It took him two months to compile. [from N.Y.Times 1/28/2016 “Todd Haynes Collects Images to Guide the Feel of His Films”]
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