movies

167 – Brand Upon the Brain! (2006)

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Brand Upon the Brain! A Remembrance in 12 Chapters  is an avant-garde silent film directed by Guy Maddin and shot in Seattle with local actors.

brand upon the brain

Guy reluctantly returns to his childhood home, an abandoned Canadian island, where his parents ran an orphanage. As Guy fulfils his dying mother’s request to paint the lighthouse which served as the orphanage, memories of strange events there overpower him. An undercover investigation by child author/detective Wendy & a revolt by the repressed children, blew open a cover-up by Guy’s parents. Wendy disguised herself as her brother Chance and discovered that Guy’s inventor father performed outré scientific experiments on the orphans.

brand upon the brain

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movies

0149 – The Bad Batch (2016)

spacetime coordinates:  future dystopia. south-western desert wasteland in Texas, makeshift town named Comfort

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The Bad Batch is a 2016 American romantic black comedy horror-thriller film directed and written by Ana Lily Amirpour. The film stars Suki Waterhouse, Jason Momoa, Giovanni Ribisi and Keanu Reeves.

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movies

0146 – King Kong (2005)

spacetime coordinates: 1933 New York City. Skull Island, deep in the southern waters

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King Kong is a 2005 epic monster adventure film co-written, produced, and directed by Peter Jackson. A remake of the 1933 film of the same name, the film stars Naomi Watts, Jack Black, Adrien Brody, and, through motion capture, Andy Serkis as the title character. Set in 1933, King Kong tells the story of an ambitious filmmaker who coerces his cast and hired ship crew to travel to the mysterious Skull Island. There they encounter Kong, a legendary giant gorilla, whom they capture and take to New York City.

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movies

0109 – Europa (1991)

spacetime coordinates: 1940’s  US-occupied Germany

Europa (known as Zentropa in North America) is a 1991 Danish art drama film directed by Lars von Trier. It is von Trier’s third theatrical feature film and the final film in his Europa trilogy following The Element of Crime (1984) and Epidemic (1987). Europa was influenced by Franz Kafka‘s Amerika, and the title was chosen “as an echo” of that novel.

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A young, idealistic American hopes to “show some kindness” to the German people soon after the end of World War II. In US-occupied Germany, he takes on work as a sleeping car conductor for the Zentropa railway network, falls in love with a femme fatale, and becomes embroiled in a pro-Nazi terrorist conspiracy.

Europa employs an experimental style of cinema, combining largely black and white visuals with occasional intrusions of colour having actors interact with rear-projected footage, and layering different images over one another to surreal effect. The voice-over narration uses an unconventional second-person narrative imitative of a hypnotist

The film’s characters, music, dialogue, and plot are self-consciously melodramatic and ironically imitative of film noir conventions.

http://www.imdb.com/title/tt0101829/

movies

0096 – Drive (2011)

spacetime coordinates: 2011 Los Angeles

Drive is a 2011 American neo-noir crime film directed by Nicolas Winding Refn and written by Hossein Amini, based on the 2005 novel by James Sallis. It stars Ryan Gosling, Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar Isaac and Albert Brooks.

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Journalists and reviewers have called Drive a “classic Los Angeles heist-gone-wrong story”, a “tribute to the genre of car films” in the vein of movies like Bullitt (1968). As a character study, Drive examines themes of “loyalty, loneliness and the dark impulses that rise up even when we try our hardest to suppress them.” It combines comic gore, film noir and B-movie style and Hollywood spectacle, resulting in “a bizarre concoction…reminiscent of David Lynch‘s Mulholland DriveQuentin Tarantino‘s Pulp Fiction, and [with] angst-laden love scenes that would not be out of place in a Scandinavian drama”.  – read more about  Style and inspiration – 

the film contains abundant, evocative, intense images of Los Angeles. from the little seen back streets of downtown LA to the dry arid outposts on the peaks of the desert landscape surrounding it, LA is re-imagined all the way down to the rocky cliffs by the sea.

While Drive is set in the present day, it carries a heavy 1980s atmosphere that is cautiously set from beginning to end and is underlined not only by the vehicles or music and clothes, but also by its architecture. The parts of the city seen in the Valley and by downtown Los Angeles are cheap stucco and mirrored glass. Refn avoided certain areas to preserve the gloomy atmosphere often leaving out more contemporary buildings. Drab background settings include the Southern California commercial strip. As the Los Angeles Times pointed out, whenever gleaming buildings are shown, it is because they are being seen from a distance. Refn shot those scenes from a helicopter at night in Bunker Hill, Los Angeles.

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