Turbo Kid is a 2015 post-apocalyptic action-adventure comedy superhero film written and directed by François Simard, Anouk Whissell, and Yoann-Karl Whissell. The film stars Munro Chambers, Laurence Leboeuf, Michael Ironside, Edwin Wright, Aaron Jeffery, and Romano Orzari. The film follows the adventures of The Kid, a teenage boy turned superhero in the “Wastelands”, an alternate 1997 Earth where water is scarce. He teams up with a mysterious girl named Apple and an arm-wrestling cowboy named Frederic to stop the tyrannical warlord Zeus.
On September 28, 2016, a sequel to the film was officially announced. One day before the announcement, Le Matos released the official music video for their track “No Tomorrow”, which serves as a prequel to the original film:
Doomsday Book (Hangul: 인류멸망보고서; RR: Inryu myeongmang bogoseo; lit. “Report on the Destruction of Mankind”) is a 2012 South Korean science-fiction anthology film directed by Kim Jee-woon and Yim Pil-sung. It tells three unique stories of human self-destruction in the modern high-tech era, while displaying an alternative form of genuine humanity and compassion. A Brave New World is a political satire about a viral zombie outbreak; The Heavenly Creature philosophizes on whether a robot can achieve enlightenment; and in Happy Birthday a dysfunctional family bonds in the midst of an apocalypse.
Transcendent Man is a 2009 documentary film by American filmmaker Barry Ptolemy about inventor, futurist and author Ray Kurzweil and his predictions about the future of technology in his 2005 book, The Singularity is Near. In the film, Ptolemy follows Kurzweil around his world as he discusses his thoughts on the technological singularity, a proposed advancement that will occur sometime in the 21st century when progress in artificial intelligence, genetics, nanotechnology, and robotics will result in the creation of a human-machine civilization.
Ray Kurzweil, whose very name in a scrumptious irony, recapitulates the very finitude against which he is struggling so mightily (eine kurze Weile is German for “a little while”, “a brief period”)
Transcendence (2014)
Transcendence is a 2014 dystopian science fiction film directed by cinematographer Wally Pfister in his directorial debut, and written by Jack Paglen.
I, Robot (stylized as i,robot) is a 2004 American science fiction action film directed by Alex Proyas. The screenplay by Jeff Vintar and Akiva Goldsman is from a screen story by Vintar, based on his original screenplay “Hardwired”, and suggested by Isaac Asimov‘s 1950 short-story collection of the same name. The film stars Will Smith, Bridget Moynahan, Bruce Greenwood, James Cromwell, Chi McBride, and Alan Tudyk. In 2035, highly intelligent robots fill public service positions throughout the dystopian world, operating under three rules to keep humans safe. Detective Del Spooner (Smith) investigates the alleged suicide of U.S. Robotics founder Alfred Lanning (Cromwell) and believes that a human-like robot (Tudyk) murdered him.
Morgan is a 2016 British-American science fiction thriller film directed by Luke Scott in his directorial debut, and written by Seth Owen. Film scored by Max Richter.
Eva is a 2011 science fiction film directed by Kike Maíllo. It had its world premiere on 7 September 2011 at the 68th Venice International Film Festival, where it was screened out of competition. The film stars Daniel Brühl, Marta Etura, Lluís Homar and Alberto Ammann.
Eva was nominated in twelve categories at the 26th Goya Awards, scoring three wins—Best New Director, Best Supporting Actor and Best Special Effects. It earned nominations for Best Actor, Best Cinematography, Best Editing, Best Make Up and Hairstyles, Best Original Score, Best Original Screenplay, Best Production Design, Best Production Supervision and Best Sound. The film was also nominated for sixteen Gaudí Awards, winning five.
The film combines computer generated imagery of robots and engineering devices and retro clothing and props like a Saab 900 car. (wiki)
Development of A.I. originally began with producer-director Stanley Kubrick, after he acquired the rights to Aldiss’ story in the early 1970s. Kubrick hired a series of writers until the mid-1990s, including Brian Aldiss, Bob Shaw, Ian Watson, and Sara Maitland. The film languished in protracted development for years, partly because Kubrick felt computer-generated imagery was not advanced enough to create the David character, whom he believed no child actor would convincingly portray. In 1995, Kubrick handed A.I. to Spielberg, but the film did not gain momentum until Kubrick’s death in 1999. Spielberg remained close to Watson’s film treatment for the screenplay.
Kubrick’s original concept art for A.I. ARTIFICIAL INTELLIGENCE (2001) via @TIFF_NET
spacetime coordinates: 2044, 20 after solar flares irradiate the Earth, killing over 99% of the world’s population. The survivors gather in a network of safe cities and build primitive humanoid robots, called Pilgrims, to help rebuild and operate in the harsh environment.
Moon is a 2009 British science fiction drama film co-written and directed by Duncan Jones. The film follows Sam Bell (Sam Rockwell), a man who experiences a personal crisis as he nears the end of a three-year solitary stint mining helium-3 on the far side of the Moon. It was the feature debut of director Duncan Jones. Kevin Spacey voices Sam’s robot companion, GERTY.
Jones described the intent: “[We] wanted to create something which felt comfortable within that canon of those science fiction films from the sort of late seventies to early eighties.” The director spoke of his interest in the lunar setting: “for me, the Moon has this weird mythic nature to it…. There is still a mystery to it. As a location, it bridges the gap between science-fiction and science fact. We (humankind) have been there. It is something so close and so plausible and yet at the same time, we really don’t know that much about it.”
The director described the lack of romance in the Moon as a location, citing images from the Japanese lunar orbiter SELENE: “It’s the desolation and emptiness of it…it looks like some strange ball of clay in blackness…. Look at photos and you’ll think that they’re monochrome. In fact, they’re not. There simply are no primary colours.” Jones made reference to the photography book Full Moon by Michael Light in designing the look of the film.
Jones is planning a follow-up film, titled Mute, which will serve as an epilogue to Moon. “Sam has agreed to do a little cameo in the next film”, said Jones, who ultimately hopes to complete a trilogy of films set in the same fictional universe.
The film itself offers deliberate social commentary which explores political and sociological themes such as immigration, overpopulation, health care, worker exploitation, the justice system, and social class issues. Blomkamp has stated that it is a comment on the contemporary human condition.”Everybody wants to ask me lately about my predictions for the future,” the director has said, “No, no, no. This isn’t science fiction. This is today. This is now.” (The film’s Earth-bound scenes were shot in a dump in the poor Iztapalapa district on the outskirts of Mexico City, while the scenes for Elysium were shot in Vancouver and the wealthy Huixquilucan-Interlomas suburbs of Mexico City.)
director Neil Blomkamp expressed some regrets regarding Elysium, commenting: “I feel like I fucked it up, I feel like ultimately the story is not the right story.. I still think the satirical idea of a ring, filled with rich people, hovering above the impoverished Earth, is an awesome idea. I love it so much, I almost want to go back and do it correctly. But I just think the script wasn’t… I just didn’t make a good enough film is ultimately what it is. I feel like I executed all of the stuff that could be executed, like costume and set design and special effects very well. But, ultimately, it was all resting on a somewhat not totally formed skeletal system, so the script just wasn’t there; the story wasn’t fully there.”
I, Robot (stylized as i,
TimeSpace Warps 