Extinction is a 2018 American science fiction thriller film directed by Ben Young and written by Spenser Cohen, Eric Heisserer and Brad Kane. The film is about a father who has a recurring dream about the loss of his family while witnessing a force bent on destruction. The film stars Lizzy Caplan, Michael Peña, Mike Colter, Lilly Aspell, Emma Booth, Israel Broussard, and Lex Shrapnel. It was released on Netflix on July 27, 2018. (wiki)
Crysis 3 is a first-person shooter video game developed by Crytek and published by Electronic Arts for Microsoft Windows, PlayStation 3, and Xbox 360. Officially announced 16 April 2012, it is the third main installment of the Crysis series, a sequel to the 2011 video game Crysis 2.
Set in the year 2047, the game takes place in New York City, which has been encased in a giant Nanodome created by the corrupt CELL corporation, and turned into a veritable urban rainforest. Crysis 3‘s story revolves around Prophet, a Nanosuit holder who is on a quest to take revenge on the Alpha Ceph, the leader of the Ceph alien race, with the help of Prophet’s former comrade, Psycho. The game’s story serves as the end of the Crysis trilogy. Gameplay revolves around the use of the Nanosuit, which grants players a variety of abilities such as being invisible. New features introduced in Crysis 3 include a new Nanosuit ability called “Rip & Throw”, a new compound bow and the “hacking” feature, which allows players to hack into enemies’ equipment, drones, and automated security defenses.
The game is set in a post-apocalyptic New York City, in an effort to combine the urban landscape of Crysis 2 and the forest setting of the original Crysis. The game introduces the “Seven Wonders”, with each wonder having its own unique landscape and tactical layout. Due to complaints about Crysis 2‘s linearity, the game’s levels were opened up so as to grant players more freedom. The development team also put efforts into creating a more emotional story, and the story’s protagonist was inspired by the lead character of District 9. The game was developed by a team of 100 people during its 23-month development cycle. (wiki)
minimum system requirements: CPU: Intel Core2 Duo 2.4 Ghz (E6600) / AMD Athlon64 X2 2.7 Ghz (5200+) // RAM: 2GB Memory (3GB on Vista) // GPU: DirectX 11 graphics card with 1Gb Video RAM Nvidia GTS 450 / AMD Radeon HD5770 // DX: Directx 11 // OS: Windows Vista, Windows 7 or Windows 8 // Store: At least 17 GB of free space
Paragraph 201 in the Passengers’ Guide warns that Area 1224- 1225 is especially cold. The train heating won’t be strong enough. Passengers are advised to hug each other to keep warm.
2046 is a 2004 Hong Kong romantic drama film written and directed by Wong Kar-wai. It is a loose sequel to Wong’s films Days of Being Wild (1990) and In the Mood for Love (2000). It follows the aftermath of Chow Mo-wan’s unconsummated affair with Su Li-zhen in 1960s Hong Kong but also includes some science fiction elements and makes frequent references to the date of December 24 or Christmas Eve, on which many significant events in the film occur.
The main character (Tony Leung) writes science fiction stories, in which 2046 is a popular year and place to which people travel through time. The stories are titled 2046 and later 2047 (a collaboration with Faye Wong’s character). The year 2046 has its own significance for Hong Kong. It is 49 years after the handover of Hong Kong by the British on 1 July 1997. At the time of handover, the Mainlandgovernment promised fifty years of self-regulation for the former British colony. The year 2046 references the moment before Hong Kong’s special, self-regulated status ends.
The title may also be a reference to the Twilight Zone episode “The Lonely“, about a man sentenced to solitary confinement on a distant asteroid beginning in the year 2046. The isolated inmate falls in love with a gynoid that was delivered to keep him company. This plot structure parallels some of the science fiction motifs in Wong’s 2046. (wiki)
Pacific Rim Uprising is a springboard for a cinematic universe, where DeKnight revealed “If enough people show up to this, we’ve already talked about the plot of the third movie, and how the end of the third movie would expand the universe to a Star Wars/Star Trek-style [franchise or series] where you can go in many, many different directions… You can go main canon, you can go spin-offs, you can go one-offs. Yeah, that’s the plan.” DeKnight also talked about the possibility of a crossover with the MonsterVerse,as co-writer T.S. Nowlin is a member of its writers room.