spacetime coordinates: 2014 Australian outback > Bulla, Victoria
Wyrmwood (also known as Wyrmwood: Road of the Dead) is a 2014 Australian action-horror film that follows a mechanic who finds himself faced with zombie hordes.
Tag: road trip
151 – American Gods TV Series (2017– )
spacetime coordinates: the last ice age > 813 A.D > 1697 > … > 21th century America // 1721 Ireland > 1979 Tehran
American Gods is an American television series based on the novel of the same name, written by Neil Gaiman and originally published in 2001. The television series was developed by Bryan Fuller and Michael Green for the premium cable network Starz. Fuller and Green are the showrunners for the series.
The series focuses on Shadow Moon, who meets a strange man named Mr. Wednesday after being released from prison, and soon becomes embroiled in a large-scale conflict between the Old Gods and the New Gods, who grow stronger each day.
Chernobog, Zorya, Jinn, Anansi, Ēostre
150
100 – Sam Was Here (2016)
spacetime coordinates: Mojave Desert, California 1998
Sam Was Here is a 2016 French-American mystery horror co-produced and directed by Christophe Deroo, making his feature debut, from a screenplay co-written with Clement Tuffreau. The film stars Rusty Joiner and Sigrid La Chapelle.
065 – Ida (2013)
spacetime coordinates: 1960s Polish People’s Republic
Ida (pronounced [ˈida]) is a 2013 Polish drama film directed by Paweł Pawlikowski and written by Pawlikowski and Rebecca Lenkiewicz. Set in Poland in 1962, it is about a young woman on the verge of taking vows as a Catholic nun. Orphaned as an infant during the German occupation of World War II, she must now meet her aunt. The former Communist state prosecutor and only surviving relative tells her that her parents were Jewish. The two women embark on a road trip into the Polish countryside to learn the fate of their family.
Called a “compact masterpiece” and an “eerily beautiful road movie”, the film has also been said to “contain a cosmos of guilt, violence and pain”, even if certain historical events (German occupation of Poland, the Holocaust and Stalinism) remain unsaid: “none of this is stated, but all of it is built, so to speak, into the atmosphere: the country feels dead, the population sparse”. ( wiki )
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038 – Carol (2015)
spacetime coordinate: Christmas season of 1952 – early 1953 / New York City > Waterloo, Iowa
Carol is a 2015 British-American dreamy romantic drama film directed by Todd Haynes. The screenplay, written by Phyllis Nagy, is based on the 1952 semi-autobiographical romance novel The Price of Salt (also known as Carol) by Patricia Highsmith. The film stars Cate Blanchett, Rooney Mara, Sarah Paulson, Jake Lacy and Kyle Chandler. Set in New York City during the early 1950s, Carol tells the story of a forbidden affair between an aspiring female photographer and an older woman going through a difficult divorce.
Carol was shot on Super 16 millimeter film to resemble the look and feel of photographic film from the late 1940s/early 1950s. The cinematography was influenced by the photojournalism of Vivian Maier, Ruth Orkin, Helen Levitt, and Esther Bubley. Photography by Saul Leiter (known for shooting through windows and using reflection) was a key influence.
Prior to production, director Todd Haynes compiled a playlist of 79 songs and instrumental music that were popular during the period Carol is set in (including songs referenced in the novel “The Price of Salt”) to assist in further understanding the era and mood of the times.
Director Todd Haynes creates image books as a guide to the visual feel of his films, going back to his drama Safe (1995). The compendiums are culled from photographs, film stills, paintings, periodicals and other sources to generate ideas for the film’s style. They are meant initially for the cinematographer. (The books are not to be confused with storyboards, the shot-by-shot breakdowns he has made since his first feature, Poison(1991).) His image books are “a way of communicating beyond words that gets to the crux of what the mood, temperature and stylistic references would be.” For Carol “it becomes great reference for clothes, hair, makeup, the way women carry themselves in the period and the specificity of how they’re being created from the outside in.” The image book includes, for example, references to other films such as: Brief Encounter(1945) and Vertigo (1958) for their sense of period, and The Sugarland Express (1974) for its innovative cinematography by Vilmos Zsigmond; Lovers and Lollipops (1956) for the locations and The Pumpkin Eater (1964) for the interiors; and urban photography by Ernst Haas, Helen Levitt and Vivian Maier. Haynes assembles his image books almost as a kind of visual mixtape, pulling photos and movie screen grabs of his inspirations and laying them out in pages of collages to create a kind of virtual movie. Haynes created more than 80 pages of photo collages for “Carol” that served as a road map through the production. It took him two months to compile. [from N.Y.Times 1/28/2016 “Todd Haynes Collects Images to Guide the Feel of His Films”]
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