Active Measures is a 2018 documentary film by director Jack Bryan. It is the first major documentary to address the allegations of collusion between the Trump campaign and agents of the Russian state. (wiki)
Tag: propaganda
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Discard Studies
Social studies of waste, pollution & externalities
Discard Studies 2.0
Discard Studies has been operating since 2007, mainly under the stewardship of one or two people. In the spirit of reflecting on what we, as editors, writers, and researchers in discard studies are including or not including in our posts, we’re looking to expand what the blog covers. We’re interested in posts on the waste the flows from virtual systems, collecting and discarding in archives and museums (including issues of repatriation and colonialism), heritage and building waste, noise (701) and light (713) pollution, but also in wider systems that order waste and wasting, such as the state, economies, legal orders, gender constructs, white supremacy, and models of resurgence, revival, and liberation. All have their discards.
If you think you have knowledge that can add to these conversations on Discard Studies,we’d love to hear a pitch from you.
762 – Electric Dreams (2017 TV series)
Philip K. Dick’s Electric Dreams, or simply Electric Dreams, is a British anthology television series based on various writings from author Philip K. Dick, each of the 10 stand-alone episodes are set in a different and unique world — some that lay in the far reaches of the universe and others that are much closer to home. While the stories may be worlds apart, central to each is the exploration of the importance and significance of humanity. (rt)
0732 – The White King (2016)
The White King is a 2016 British sci-fi-drama film written and directed by Alex Helfrecht and Jörg Tittel. It is an adaptation of the 2008 Hungarian novel of the same name written by György Dragomán and follows Djata (Lorenzo Allchurch) growing up in an agrarian totalitarian state, without access to the rest of the world, while dealing with persecution against him and his parents (Agyness Deyn & Ross Partridge) by the government. (wiki)
György Dragomán’s story has been transposed to fictitious near-future dictatorship. Dragomán said this about the film: “In my original novel I wanted to show freedom in a society where freedom should not exist. In their movie Alex and Jörg were brave enough to take my communist childhood tale and adapt it into a modern story, showing us that the threat to freedom is as eternal as our fight for it.”
0689 – Furious aka Legend of Kolovrat (2017)
timespace coordinates: 13th century Russia
Furious, also known as Legend of Kolovrat (Russian: Легенда о Коловрате, translit. Legenda o Kolovrate), is a 2017 Russian historical fantasy film about the Ryazan knight Evpaty Kolovrat, It is directed by Dzhanik Fayziev & Ivan Shurkhovetskiy and stars newcomer Ilya Malakov, Polina Chernyshova, Aleksei Serebryakov, Aleksandr Ilyin Jr. and Yulia Khlynina in supporting roles.
Film is based on the period when Russia was under control of the Golden Horde. Ryazan knight Evpaty Kolovrat is the leader of the squad, which decides to fight back Batu Khan , who divided Russia.
The plot is based on The Tale of the Destruction of Riazan, a medieval military tale about the capture of the city of Ryazan by the Mongols in 1237 and is one of the best sources of the Mongol invasion of Russia. (wiki)
681 – Isle of Dogs (2018)
timespace coordinates: 2038 Japan
Isle of Dogs (Japanese: 犬ヶ島 Hepburn: Inugashima) is a 2018 stop-motion animated film written, produced and directed by Wes Anderson. Set in a dystopian near-future Japan, the story follows a young boy searching for his dog after the species is banished to an island following the outbreak of a canine flu. The film’s ensemble voice cast includes Bryan Cranston, Edward Norton, Bill Murray, Jeff Goldblum, Bob Balaban, Greta Gerwig, Frances McDormand, Courtney B. Vance, Fisher Stevens, Harvey Keitel, Liev Schreiber, Scarlett Johansson, Tilda Swinton, F. Murray Abraham, Frank Wood, Kunichi Nomura and Yoko Ono.
Anderson said that the film was strongly influenced by the films of Akira Kurosawa, as well as the stop-motion animated holiday specials made by Rankin/Bass Productions. (wiki)
0670 – A Quiet Place (2018)
spacetime coordinates: 2020 – 2021 upstate New York
Speaking of the political and social commentary the film encouraged, director Krasinski said, “The best compliment you can get on any movie is that it starts a conversation. The fact that people are leaving and talking about anything is really fun—but certainly about deep stuff like that, is awesome.” Krasinski, who did not grow up with horror films, said that prior films of the genre such as Don’t Breathe (2016) and Get Out (2017) that had societal commentary were part of his research. In addition to considering his film a metaphor for parenthood, he compared the premise to US politics in 2018, “I think in our political situation, that’s what’s going on now: You can close your eyes and stick your head in the sand, or you can try to participate in whatever’s going on.” He cited Jaws (1975) as an influence, with how the protagonist police officer moved from New York to an island to avoid frightening situations, and was forced to encounter one in his new location with shark attacks.
Matthew Monagle of Film School Rejects said A Quiet Place seemed to be “the early frontrunner for the sparsely intellectual horror movie of the year”, like previous films The Babadook (2014) and The Witch (2015). Monagle said Krasinski, who had directed two previous films, was “making an unusual pivot into a genre typically reserved for newcomers”, and considered it to be part of a movement toward horror films layered “in storytelling, [with] character beats not typically found in a horror movie”. Tatiana Tenreyro, writing for Bustle, said while A Quiet Place was not a silent film, “It is the first of its kind within the modern horror genre for how little spoken dialogue it actually has.” She said the rare moments of spoken dialogue “give depth to this horror movie, showing how the narrative defies the genre’s traditional films even further”.
Bishop Robert Barron was surprised by strikingly religious themes in the film. He likened the family’s primitive, agrarian life of silence to monasticism, and commends their self-giving love. Barron noted the pervasive pro-life themes, especially in the choices of the parents, as Mrs. Abbott risks everything to give birth to a child, and her husband lays down his own life so that the children can live: what Barron sees as the ultimate expression of parental love. Sonny Bunch of the Washington Post also commented and expanded on a pro-life message.
Krasinski, who had recently become a new father, said in a conference interview “I was already in a state of terror about whether or not I was a good enough father,” and added that the meaning of parenthood had been elevated for him by imagining being a father in a nightmare world, struggling to simply keep his children alive. Jonathan Hetterly, writing in Shrinktank, saw the film’s whole premise as a commentary on modern American paranoid parenting, saying that Krasinski “viewed the premise as a metaphor for a parent’s worst fears”.
Krasinski himself has told CBS News “The scares were secondary to how powerful this could be as an allegory or metaphor for parenthood. For me, this is all about parenthood.” (wiki)
TimeSpace Warps 