documentary

0353 – Beware the Slenderman (2016)

Beware the Slenderman (stylized as _beware the slenderman) is a 2016 American documentary film directed by Irene Taylor Brodsky about the Slender Man stabbing.

beware_the_slenderman-poster

Lurking in the shadows of the Internet, a faceless modern-day bogeyman has attracted the attention and fear of a young generation who whisper his name online. Slenderman lives on the dark pages of the web, where impressionable youth create and cultivate his mythos in message boards, YouTube clips and various other digital incantations. But the online fairy tale becomes a shocking real-life horror as two 12-year-old girls, guided by their devotion to Slenderman, lure their friend into the woods to attempt a seemingly inexplicable, brutal murder.

imdb

movies

345 – Pacific Rim (2013)

spacetime coordinates: 2020 – 2025 Alaska // Hong Kong // Manila // San Francisco // Pacific Ocean //  Tokyo

pacific_rim_cover

Pacific Rim is a 2013 American science fiction monster film directed by Guillermo del Toro and starring Charlie HunnamIdris ElbaRinko KikuchiCharlie DayBurn GormanRobert KazinskyMax Martini, and Ron Perlman. The screenplay was written by Travis Beacham and del Toro from a story by Beacham.

Pacific-Rim-Quad-PosterPacificRim_DOM_RGB_3200x1600.indd

The film is set in the future, when Earth is at war with the Kaiju,  colossal sea monsters which have emerged from an interdimensional portal on the bottom of the Pacific Ocean. To combat the monsters, humanity unites to create the Jaegers,  gigantic humanoid mechas each controlled by at least two pilots, whose minds are joined by a mental link. Focusing on the war’s later days, the story follows Raleigh Becket, a washed-up Jaeger pilot called out of retirement and teamed with rookie pilot Mako Mori as part of a last-ditch effort to defeat the Kaiju.

Knifehead, the first Kaiju to appear in the film, is a tribute to the plodding kaiju of 1960s Japanese films, and is intended to look almost like a man in a rubber suit; its head was inspired by that of a goblin shark. Leatherback, the bouncer-like Kaiju which spews electro-magnetic charges, is a favorite of del Toro, who conceived it as a “brawler with this sort of beer belly”; the lumbering movements of gorillas were used as a reference.  The Kaiju Otachi homages the dragons of Chinese mythology. The director called it a “Swiss army knife of a Kaiju”; with almost 20 minutes of screen time, it was given numerous features so the audience would not tire of it. The creature moves like a Komodo dragon in water, sports multiple jaws and an acid-filled neck sack, and unfurls wings when necessary. It is also more intelligent than the other Kaiju, employing eagle-inspired strategies against the Jaegers.  Onibaba, the Kaiju that orphans Mako Mori, resembles a fusion of a Japanese temple and a crustacean. Slattern, the largest Kaiju, is distinguished by its extremely long neck and “half-horn, half-crown” head, which del Toro considered both demonic and majestic. 

Gipsy Danger, the American Jaeger, was based on the shape of New York City’s Art Deco buildings, such as the Chrysler Building and the Empire State Building, but infused with John Wayne‘s gunslinger gait and hip movements. Cherno Alpha, the Russian Jaeger, was based on the shape and paint patterns of a T-series Russian tank, combined with a giant containment silo to give the appearance of a walking nuclear power plant with a cooling tower on its head. Crimson Typhoon, the three-armed Chinese Jaeger, is piloted by triplets and resembles a “medieval little warrior”; its texture evokes Chinese lacquered wood with golden edges. Striker Eureka, the Australian Jaeger, is likened by del Toro to a Land Rover; the most elegant and masculine Jaeger, it has a jutting chest, a camouflage paint scheme recalling the Australian outback, and the bravado of its pilots.

Rather than popular culture, the director drew inspiration from works of art such as The Colossus and George Bellows‘s boxing paintings.

The classic Japanese woodblock print  The Great Wave off Kanagawa by Hokusai was a common motif in the ocean battles; Del Toro recalled, “I would say ‘Give me a Hokusai wave’… we use the waves and weather in the movie very operatically.”  The director asked that Knoll not necessarily match the lighting from shot to shot: “It’s pretty unorthodox to do that, but I think the results are really beautiful and very artistically free and powerful, not something you would associate with a big sci-fi action movie.” Del Toro considers the film’s digital water its most exciting visual effect: “The water dynamics in this movie are technically beautiful, but also artistically incredibly expressive. We agreed on making the water become almost another character. We would time the water very precisely. I’d say ‘Get out of the wave [on this frame].'”

The_Great_Wave_off_Kanagawa

https://en.wikipedia.org/wiki/Pacific_Rim_(film)

http://www.imdb.com/title/tt1663662/

Pacific_rim_poster

movies, quotes

0280 – A Sound of Thunder (2005)

spacetime coordinates:  Chicago, 2055 > the cretaceous

A Sound of Thunder is a 2005 science fiction thriller film directed by Peter Hyams, and starring Edward BurnsCatherine McCormack and Ben Kingsley. It is a co-production film between the United Kingdom, the United States, Germany, and the Czech Republic.

http://www.imdb.com/title/tt0318081/

_____________________________________________________

a classic example of “failed return” or “no return” cautionary tales is A Sound of Thunder by Ray Bradbury published in 1952. on a personal level i love both the EC comic book adaptation with artwork by Al Williamson and the 2005 movie adaptation by Peter Hyams that was a box office flop and has receive mostly negative reviews by critics. the original story features one of the first instances of the butterfly effect, in particular as applied to time travel paradoxes and uncontrollable evolutionary/ political outcomes. this was way before it became a meteorologic mainstay of chaos theory after its use by Edward Lorenz to describe stormy ripple-like effects on nonlinear systems, seemingly very sensitive to minute initial conditions.

sound-of-thunder-ec-comics-1

the movie A Sound of Thunder features a time travel tourist agency from the year 2055. Time Safari Inc. is a chronocapitalist enterprise that organizes prehistoric retro-hunting expeditions to far-off epochs where dinosaurs roamed the earth. in order to do that, mankind is cheating on the big dinosaur mass extinction. long after humankind has killed most of the big game life on earth it tracks down other, more elusive and ferocious megafauna. the whole ‘hunting’ for the ultimate predator T-Rex (or an Allosaurus in the movie) turns out to be a very complex business. the paleo-poaching is based on hiding your acts under the cover of natural occurrences, trophy hunting pretending to be a mass extimction event. in order to fake the killing shot one must plan ahead every retro-killing move. practically Time Safari Inc. is cheating evolutionary history by trying to synchronize with ‘naturally’ occurring death events and extract entertainment value out of impossible inter-species encounters, normally separated by enormous gulfs of time. (…)

a-sound-of-thunder-illustrated-by-franz-altschuler-565-playboy-june-1956

geohistory becomes a perfect crime scene – where the time traveling expedition has to erase all traces – all influence that might otherwise impact the future with definite catastrophic (especially anthropic future) results. as often, humans are kind of role-playing hide and seek with natural selection. in this bizarre and strange inversion of the anthropocenic stratigraphic proof – masquerades as natural force, where a devious human causality is trying to hide behind a pre-human mass extinction event. it is almost the same principle guiding the climate denialist that pretends to hide behind previous catastrophic climate fluctuations.

sound of thunder

as one might expect, it’s a chronoclysm waiting to happen. all the clients of  Time Safari Inc. are prone to making mistakes, and not only do they leave marks (the absolute no 1 rule of time travel is non-intervention) but they also bring back something (the 2nd most important rule) basically invariably smuggling the prehuman past into the future. somehow a prehistoric dead butterfly makes it through the biofilter (a great example of what I would call New Wallace Lines) that is scanning every living reentry into the present, every possibility of warping the timelines. the alteration of the past produces a chronoclysm that manifests itself as a rhythmic, rapidly accelerating ‘time waves’ that transform the city and its denizens. more to the point in the Peter Hyams movie, the first divergence is a sudden appearance of teeming swarms of beetles and a gigantic strangler fig-like tree bursting through a Chicago high rise building, while the main characters Ryan and Rand make a narrow escape. it is by no means accidental that swarms and insect swarms in particular are associated with time waves. multiply proliferating and and highly distributed, swarms are chronoclysmic purveyors that help carry and suffer the radical effects of timeline distortion.

sound of thunder 3

there are reports of global increases in temperature and humidity and plant life seems to prosper, while this time warped climate change suddenly seems to be echoing sweltering hot pre-human conditions of long gone geological epochs and dead jungles. (…)

stefan tiron – Cosm/c Dr/ft & T3mporal D/vergence (2016)- EXIT THE PORTAL: The Strange Comeback to a Weird Earth

series

257 – Dirk Gently’s Holistic Detective Agency (TV Series 2016– )

spacetime coordinates: 19th century – 1960s – 2016 SeattleWashington // 1967 – 2017 Bergsberg, Montana.

Dirk-GentlyDirk Gently’s Holistic Detective Agency is a BBC America comic science fiction detective television series created and primarily written by Max Landis. The two seasons are inspired by the novel series of the same name by Douglas Adams. The series features an ensemble cast including Samuel Barnett as the “holistic detective” Dirk Gently and Elijah Wood as his reluctant sidekick Todd. Other main cast members include Hannah Marks as Todd’s sister Amanda, Jade Eshete as security officer Farah Black, Fiona Douriff as “holistic assassin” Bart, and Mpho Koaho as computer technician Ken.

DirkGentlyDirkGently (2)

Following the broadcast of the second season finale, BBC America announced the show’s cancellation. The decision to cancel the series sparked outrage among fans of the show, and a petition was started to renew the series. The petition has received over 100,000 signatures. (wiki)

dirk-rgb-small

http://www.imdb.com/title/tt4047038/

movies, quotes, Uncategorized

012 – donnie darko 2001

spacetime coordinate:  2 > 31 october, 1988, Middlesex, Virginia

Donnie Darko is a 2001 science fiction film written and directed by Richard Kelly. It stars Jake Gyllenhaal, Jena Malone, Drew Barrymore, Mary McDonnell, Katharine Ross, Patrick Swayze, Noah Wyle, and Maggie Gyllenhaal. The film follows the adventures of the troubled title character as he seeks the meaning behind his Doomsday-related visions.

Screenshot (90)

– Ah, a wormhole with an Einstein-Rosen bridge, which is, theoretically,
a wormhole in space…
controlled by man.
So, according to Hawking, a wormhole may be able to provide a shortcut…
forjumping between two distant regions of space-time.
So in order to travel back in time, you have to have…
– A big spaceship or something that can travel faster than the speed of light?
– Theoretically.
– And be able to find one of these wormholes?
– The basic principles of time travel are there. You’ve got your vessel
and your portal, and your vessel could be just about anything,
most likely a spacecraft.
– Like a Delorean?
– Metal craft of any kind.
– You know, I love that movie, the way they shot it.
It’s so, um, like, futuristic, you know?
– Listen, um, don’t tell anybody that I gave you this.


about love fear and looking beyond the mirror

http://www.rudolfsteineraudio.com/cosmosophyvol11921/cosmosophyone1921.html

http://wn.rsarchive.org/Lectures/GA207/English/AP1985/Cosmo1_index.html


imdb