movies

1679 – The Grey Zone (2001)

timespace coordinates: October 1944, Jewish Sonderkommando XII in the Auschwitz-Birkenau extermination camp

he Grey Zone is a 2001 American war film, and Holocaust drama directed by Tim Blake Nelson and starring David ArquetteSteve BuscemiHarvey KeitelMira Sorvino, and Daniel Benzali. It is based on the book Auschwitz: A Doctor’s Eyewitness Account written by Dr. Miklós Nyiszli.

The title comes from a chapter in the book The Drowned and the Saved by Holocaust survivor Primo Levi. (wiki)

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documentary

1678 – The Accountant of Auschwitz (2018 documentary)

The Accountant of Auschwitz is a Canadian documentary film, produced by Ricki Gurwitz and Ric Esther Bienstock and directed by Matthew Shoychet. The film centres on lawyer Thomas Walther‘s prosecution in the 2010s of former Schutzstaffel agent Oskar Gröning, focusing in part on the ethical debate around whether there’s any useful purpose to be served in prosecuting an elderly man for crimes he committed 60 years earlier. (wiki)

Gröning decided to make his activities at Auschwitz public after learning about Holocaust denial. He openly criticised those who denied the events that he had witnessed and the ideology to which he had subscribed. Gröning was notable as a German willing to make public statements about his experience as an SS soldier, which were self-incriminating and which exposed his life to public scrutiny.

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series

1507 – The Witcher (TV Series 2019– )

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The Witcher is a Polish-American fantasy drama series produced by Lauren Schmidt Hissrich. It is based on the book series of the same name by Polish writer Andrzej Sapkowski.

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Set on a fictional, medieval-inspired landmass known as “the Continent”, The Witcher explores the legend of Geralt of Rivia and princess Ciri, who are linked by destiny to each other. It stars Henry CavillFreya Allan and Anya Chalotra. The show initially follows the three main protagonists at different points of time, exploring formative events that shaped their characters, before eventually merging into a single timeline.

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The first season, consisting of eight episodes, was released on Netflix in its entirety on December 20, 2019. It is based on The Last Wish and Sword of Destiny, which are collections of short stories that precede the main Witcher saga. Before the first season had been released, Netflix announced a second eight-episode season, to be released in 2021; production was scheduled to commence in London in early 2020.

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In January 2020, Netflix announced an animated spin-off film titled The Witcher: Nightmare of the Wolf, focusing on the origin story of Geralt’s mentor and fellow witcher Vesemir. Lauren Schmidt Hissrich and Beau DeMayo are working on the film, with production by Studio Mir.[ (wiki)

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animation, books, Uncategorized

1365 – ACID RAIN (2019 short)

timespace coordinates: focus on the rave scene in post-communist Eastern Europe

“Polish animator Tomek Popakul’s riveting Acid Rain has been one of the darlings of the festival circuit this year. The mo-cap/2D animated short, which centers on a young runaway from an Eastern European village who falls in with a bad crowd, has been praised for its edgy visuals, memorable electronic music and highly original point of view.” (read more – animationmagazine)

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Psychedelic White: Goa Trance and the Viscosity of Race

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books, games

1360 -Blood, Sweat, and Pixels: The Triumphant, Turbulent Stories Behind How Video Games Are Made (2017 Book by Jason Schreier)

Developing video games—hero’s journey or fool’s errand? The creative and technical logistics that go into building today’s hottest games can be more harrowing and complex than the games themselves, often seeming like an endless maze or a bottomless abyss. In Blood, Sweat, and Pixels, Jason Schreier (@jasonschreier) takes readers on a fascinating odyssey behind the scenes of video game development, where the creator may be a team of 600 overworked underdogs or a solitary geek genius. Exploring the artistic challenges, technical impossibilities, marketplace demands, and Donkey Kong-sized monkey wrenches thrown into the works by corporate, Blood, Sweat, and Pixels reveals how bringing any game to completion is more than Sisyphean—it’s nothing short of miraculous.

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Taking some of the most popular, bestselling recent games, Schreier immerses readers in the hellfire of the development process, whether it’s RPG studio Bioware‘s challenge to beat an impossible schedule and overcome countless technical nightmares to build Dragon Age: Inquisition; indie developer Eric Barone‘s single-handed efforts to grow country-life RPG Stardew Valley from one man’s vision into a multi-million-dollar franchise; or Bungie spinning out from their corporate overlords at Microsoft to create Destiny, a brand new universe that they hoped would become as iconic as Star Wars and Lord of the Rings—even as it nearly ripped their studio apart.

Documenting the round-the-clock crunches, buggy-eyed burnout, and last-minute saves, Blood, Sweat, and Pixels is a journey through development hell—and ultimately a tribute to the dedicated diehards and unsung heroes who scale mountains of obstacles in their quests to create the best games imaginable. (goodreads)

movies, quotes, Uncategorized

1216 – Sanatorium pod Klepsydra / The Hourglass Sanatorium (1973)

Among all the tales there is one, / which you haven’t heard / and which the night reclaimed long ago. / Have you enough patience to listen to it?

The Hourglass Sanatorium (Polish: Sanatorium pod klepsydrą) is a 1973 Polish film directed by Wojciech Jerzy Has, starring Jan Nowicki, Tadeusz Kondrat, Mieczysław Voit, Halina Kowalska and Gustaw Holoubek. The story follows a young Jewish man who visits his father in a mystical sanatorium where time does not behave normally. The film is an adaptation of Bruno Schulz‘s story collection Sanatorium Under the Sign of the Hourglass. It won the Jury Prize at the 1973 Cannes Film Festival. (Release)

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Joseph (Jan Nowicki) travels through a dream-like world, taking a dilapidated train to visit his dying father, Jacob, in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.

Though Joseph is always shown as an adult, his behavior and the people around often depict him as a child. He befriends Rudolf, a young boy who owns a postage stamp album. The names of the stamps trigger a wealth of association and adventure in Joseph. Among the many occurrences in this visually potent phantasmagoria include Joseph re-entering childhood episodes with his wildly eccentric father (who lives with birds in an attic), being arrested by a mysterious unit of soldiers for having a dream that was severely criticized in high places, reflecting on a girl he fantasized about in his boyhood and commandeering a group of historic wax mannequins. Throughout his strange journey, an ominous blind train conductor reappears like a death figure.

Has also adds a series of reflections on the Holocaust that were not present in the original texts, reading Schulz’s prose through the prism of the author’s death during World War II and the demise of the world he described. (wiki)

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“There are things than cannot ever occur with any precision. They are too big and too magnificent to be contained in mere facts. They are merely trying to occur, they are checking whether the ground of reality can carry them. And they quickly withdraw, fearing to loose their integrity in the frailty of realization. ”  (Bruno Schulz)