Perfect Blue (パーフェクトブルーPāfekuto Burū) is a 1997 Japanese animated psychological horror film directed by Satoshi Kon (in his directorial debut) and written by Sadayuki Murai. It is based on the novel Perfect Blue: Complete Metamorphosis (パーフェクト・ブルー 完全変態Pāfekuto Burū: Kanzen Hentai) by Yoshikazu Takeuchi.
The film follows Mima Kirigoe, the member of a Japanese idol group who retires from music to pursue an acting career. As she becomes a victim of stalking, she starts to lose her perception of reality and fiction. Like much of Kon’s later work, such as Paprika, the film deals with the blurring of the lines between fantasy and reality in contemporary Japan. (wiki)
Perfect Blue is an apocalyptic slasher, the ultimate crystallization of everything we came to fear about the internet before it became synonymous with living. ( Full Review…)
The player is free to explore their environment while completing main and side missions at their leisure. The game incorporates elements from science fiction video games and films, and continues the series’ reputation for over-the-top parody. It was released in August 2013 for Microsoft Windows, PlayStation 3, and Xbox 360, and was later ported to PlayStation 4, Xbox One, and Linux in 2015.
The game is set in a nearly identical simulation ofSteelport, the fictional city setting from Saints Row: The Third, though individual story missions have new, custom-designed levels.
Saints Row IV‘s story parodies science fiction video games, especially Mass Effect 2, as well as films like The Matrix and Zero Dark Thirty, and other “nerd culture”. Some story missions are propelled by individual characters’ existential crises, as each Saint character is stuck in a personal simulation of their own hell, and must be rescued by the player. Other elements borrowed from video game culture include BioWare-style character romances games and a Metal Gear-style mission with an unhelpful partner.
Saints Row IV received several limited and summative edition releases, and was briefly banned in Australia.
System Requirements (Minimum) CPU: Intel Core 2 Quad Q6600 | AMD Athlon II x3. / OS: Windows Vista (x86 or x64) / VIDEO CARD: NVIDIA GTX 260 | AMD Radeon HD 5800 series. / FREE DISK SPACE: 10 GB. / DEDICATED VIDEO RAM: 896 MB.
Under the Silver Lake is a 2018 American neo-noir mystery film written, produced and directed by David Robert Mitchell. Set in Los Angeles, it stars Andrew Garfield as a young man who sets out on a quest to investigate the sudden disappearance of his neighbour (Riley Keough), only to stumble upon an elusive and dangerous large-scale conspiracy.
Joshua Rothkopf of Time Out gave the film a perfect five rating, calling it “Hypnotic, spiraling and deliriously high” and stating “the ambition of Under the Silver Lake is worth cherishing. It will either evaporate into nothingness or cohere into something you’ll want to hug for being so wonderfully weird.” Eric Kohn of IndieWire gave a positive review, calling it “a bizarre and outrageous drama grounded in the consistency of Garfield’s astonishment at every turn. […] Aided by cinematographer Mike Gioloukas’ sunny visuals and a searching Disasterpiece score, the movie becomes a bittersweet ode to wanting answers from an indifferent world overwhelmed by superficial distractions. The homage can be irritating and some of the transitions work better than others across an unwieldy running time — but even the flaws speak to the movie’s beguiling raison d’être. It’s fascinating to watch Mitchell grasp for a bigger picture with the wild ambition of his scruffy protagonist.”
Owen Gleiberman of Variety gave a positive review, calling it “a down-the-rabbit-hole movie, at once gripping and baffling, fueled by erotic passion and dread but also by the code-fixated opacity of conspiracy theory. The movie is impeccably shot and staged, with an insanely lush soundtrack that’s like Bernard Herrmann-meets-Angelo-Badalamenti-on-opioids. When it’s over, though, you feel like you’ve seen a meta-mystery made by someone who spent too much time scrawling notes in the margins of his frayed copy of Infinite Jest. (wiki)
The screenplay for Blindspotting was written by Rafael Casal and Daveed Diggs over a period of nine years. Daveed, who grew up in Oakland, and Rafael, who grew up in bordering Berkeley, California, felt that cinematic portrayals of the San Francisco Bay Area have constantly “missed something”. They wanted to draw attention to the culture, community, and sense of “heightened reality” that shape life in Oakland. The film addresses issues of gentrification, police violence, and racism. (wiki)
Hellblade: Senua’s Sacrifice is a dark fantasy action-adventure game developed and published by the British video game development studio Ninja Theory. Self-described as an “independentAAA game“, it was created by a team of approximately twenty developers led by writer and director Tameem Antoniades.
Inspired by Norse mythology and Celtic culture, Hellblade follows Senua, a Pict warrior who must make her way to Helheim by defeating otherworldly entities and facing their challenges, in order to rescue the soul of her dead lover from the goddess Hela. In parallel, the game acts as a metaphor for the character’s struggle with psychosis, as Senua, who suffers from the condition but believes it to be a curse, is haunted by an entity known as the “Darkness”, voices in her head known as “Furies”, and memories from her past. To properly represent psychosis, developers worked closely with neuroscientists, mental health specialists, and people suffering from the condition.
“The Minds of Men” is a 3+ year investigation into the experimentation, art, and practice of social engineering and mind control during the Cold War – a mind-bending journey into the past that gives startling insight into the world we are living in today.