1349 – Aniara (2018)

timespace coordinates: 2038 (+) Aniara, a luxurious spaceship carrying settlers from Earth to Mars

Aniara is a 2018 Swedish-Danish co-production co-directed by Pella Kagerman and Hugo Lilja. The film is an adaptation of the 1956 Swedish epic poem of the same name by Harry Martinson.

The film is set in a dystopian future where climate change has left Earth ravaged, forcing people to resettle from Earth to Mars. When such a routine trip veers off course the passengers struggle to cope with their new lives. (wiki)

imdb

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Director Pella Kagerman & Hugo Lilja on the end of the world in Aniara

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1343 – A Ghost Story (2017)

timespace coordinates: small house in Dallas, Texas. (1990’s (?) > 2010’s (?) > 1840’s)

A Ghost Story is a 2017 American supernatural drama film written and directed by David Lowery. It stars Casey Affleck, Rooney Mara, Will Oldham, Sonia Acevedo, Rob Zabrecky, and Liz Franke. Affleck plays a man who becomes a ghost and remains in the house he shares with his wife (Mara). (wiki)

imdb

1342 – The Divinity Student (1999 book by Michael Cisco)

“he is conscious of the Seminary expanding ancient and vast on all sides—the yawning cold hallways like caverns of stone, the dank subvestries and classrooms with bubbling peeling plaster walls and a mildewed smell, frosty choirs of icy wood polished to a dull luster by the chafing of nervous hands.”

“schooled exclusively in cold places, always rain and chill waiting outside the walls; he would anxiously look forward to the halfhearted springs and moist, wilted summers.”

“A flat manylegged object exhaling odorless blue smoke scuttles over his left foot; he’s not disgusted, he doesn’t flinch.”

“Although he can’t see, there are shapes around him, darker shadows looming against the dark like cliffs and frothings like sea foam.There are things that seem like panels of transparence, windows, lightless as everything else but looking as if he’s peering through something, from one dark to another.”

“the streets buck and shift like the deck of a doomed ship, the air rises in hot transparent coils so that the city distorts, as if viewed through a window of wrinkled glass. The outlines of the buildings around him billow like smoke, they hide enormous roaring engines, legions of enemies.”

“his great coat is so black and terrible it’s almost leaking darkness, it smudges the air around him like a pall of coal smoke.”

“Passing the cemetery, he sees huge pulsing trees burrowing into graves with their roots, their branches forking like capillaries into fleshy clouds.”

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Short but powerful, this neo-gothic novel, uses the crisp immediacy of the present tense to lead the reader on a hallucinatory journey from humanity to inhuman transcendence. After a miraculous recovery from near death, a young man known only as the Divinity Student is beset by strange dreams whose lingering effects further alienate him from his fellows. 

goodreads   /  weirdfictionreview   /  Michael Cisco

1324 – Strange Days (1995)

timespace coordinates: 1999, turn of the century (near-future) Los Angeles (racial war zone / New Year’s Eve party) 

Strange Days is a 1995 American science fiction thriller film directed by Kathryn Bigelow, written by James Cameron and Jay Cocks, and produced by Cameron and Steven-Charles Jaffe. It stars Ralph Fiennes, Angela Bassett, Juliette Lewis, and Tom Sizemore. Set in the last two days of 1999, the film follows the story of a black marketeer of SQUID discs, recordings that allow a user to experience the recorder’s memories and physical sensations, as he attempts to uncover the truth behind the murder of a prostitute.

Blending science fiction with film noir conventions, Strange Days explores themes such as racism, abuse of power, rape, and voyeurism. Although the story was conceived by Cameron around 1986, Bigelow found inspiration after incidents such as the Lorena Bobbitt trial and the 1992 Los Angeles riots that followed the Rodney King verdict.

Strange Days was a commercial failure and almost derailed Bigelow’s career (…) Nevertheless, the film’s critical standing has improved over the years, with many fans feeling that the film has been overlooked by a casual mass audience and misguided critics.

The scene where the crowd celebrates the turn of the new century at the end of the film was shot at the corner of the 5th and Flower streets, between the Westin Bonaventure Hotel and the Los Angeles Public Library. Over 50 off-duty police officers were hired to control an assembled crowd of 10,000 people, who had to pay $10 in advance to attend the event. The film-makers also hired rave promoters Moss Jacobs and Philip Blaine to produce performances featuring Aphex Twin, Deee-Lite, as well as “all the cyber-techno bands they could garner”.

In 2015, The Washington Post editor Sonny Bunch felt that Strange Days was still relevant, comparing the imagery captured by the SQUID units to that of first-person shooters or cellphone videos on YouTube. He added that events such as Jeriko One’s murder and the subsequent coverup of the crime contribute to activist movements like Black Lives Matter, and that their media documentation amplifies their reception and consequences. (read more: Themes)

wiki   /   imdb

1322 – Good Bye Lenin! (2003)

timespace coordinates: East Berlin, from October 1989 to just after German reunification a year later (Most scenes were shot at the Karl-Marx-Allee in Berlin and around Plattenbauten near Alexanderplatz.)

Good Bye Lenin! is a 2003 German tragicomedy film, directed by Wolfgang Becker. The cast includes Daniel Brühl, Katrin Saß, Chulpan Khamatova, and Maria Simon. The story follows a family in East Germany; the mother (Saß) is dedicated to the socialist cause and falls into a coma in October 1989, shortly before the November revolution. When she awakens eight months later in June 1990, her son (Brühl) attempts to protect her from a fatal shock by concealing the fall of the Berlin Wall and the collapse of communism.

Ostalgie is a neologism for the nostalgia for a communist past which is a common theme in Good Bye, Lenin! (read more) 

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wiki   /   imdb   /   rottentomatoes   /   Sandmann Lied (sandmännchen – kosmonaut)

1320 – The Collini Case (2019)

timespace coordinates: 1944 – 1968 – 2001 berlin germany / pisa / montecatini tuscany italy

The Collini Case (German: Der Fall Collini) is a 2019 German crime-drama-thriller film loosely based on the 2011 novel of the same name by Ferdinand von Schirach, a legal thriller that deals with Germany’s Nazi past and that was inspired by the author’s own family history. The film is directed by Marco Kreuzpaintner and stars Elyas M’Barek, Alexandra Maria Lara, Heiner Lauterbach, Manfred Zapatka and Franco Nero.

imdb

1314 – The Order of Time (2017 book)

“Sooner or later
the exact measurement of our time
will resume—
and we’ll be on the ship that’s bound
for the bitterest shore. (II, 9)

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The Order of Time (Italian: L’ordine del tempo) is a book by Italian physicist Carlo Rovelli. It is about time in physics.

Time is a mystery that does not cease to puzzle us. Philosophers, artists and poets have long explored its meaning while scientists have found that its structure is different from the simple intuition we have of it. From Boltzmann to quantum theory, from Einstein to loop quantum gravity, our understanding of time has been undergoing radical transformations. Time flows at a different speed in different places, the past and the future differ far less than we might think, and the very notion of the present evaporates in the vast universe.

An audiobook, four hours and nineteen minutes long, was read by Benedict Cumberbatch. (wiki)

Carlo Rovelli on The Order of Time (youtube)

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“For centuries, as long as travel was on horseback, on foot, or in carriages, there was no reason to synchronize clocks between one place and another. There was good reason for not doing so. Midday is, by definition, when the sun is at its highest. Every city and village had a sundial that registered the moment the sun was at its midpoint, allowing the clock on the bell tower to be regulated with it, for all to see.
But the sun does not reach midday at the same moment in Lecce as it does in Venice, or in Florence, or in Turin, because the sun moves from east to west. and for centuries the clocks in Venice were a good half hour ahead of those in Turin. Every small village had its own peculiar “hour.” A train station in Paris kept its own hour, a little behind the rest of the city, as a kind of courtesy toward travelers running late.

goodreads   /   penguin

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Sadhguru on Yugas