Captain Marvel is the name of several superheroes appearing in American comic books published by Marvel Comics. Most of these versions exist in Marvel’s main shared universe, known as the Marvel Universe. (read more)
Lord and Miller wanted the film to feel like “you walked inside a comic book”, and were excited to tell the story in a way that the live-action films could not. Persichetti concurred, feeling that animation was the best medium with which to honor the style of the comics, allowing the production team to adapt 70-year-old techniques seen in comic artwork into the film’s visual language. Completing the animation for the film required up to 140 animators, the largest crew ever used by Sony Pictures Animation for a film to date.
The CGI animation for the film was combined with “line work and painting and dots and all sorts of comic book techniques” to make it look like it was created by hand, which was described as “a living painting”. This was achieved by artists taking rendered frames from the CGI animators and working on top of them in 2D, with the goal of making every frame of the film “look like a comic panel”. Lord described this style of animation as “totally revolutionary”, and explained that the design combines the in-house style of Sony Pictures Animation with the “flavor” of comic artists such as Sara Pichelli (who co-created Miles Morales) and Robbi Rodriguez. To make it feel more like a comic book, it was animated without motion blur, and rather than using animation principles like squash and stretch they came up with substitute versions of them; “so that in texture and feel it felt different, but it still achieved the same goal — to either feel weight or anticipation or impact or things like that”.
The film’s directors all felt that the film would be one of the few that audiences actually “need” to watch in 3D due to the immersive nature of the animated world created, and the way that the hand-drawn animation elements created specifically for the film create a unique experience; Persichetti described this experience as a combination of the effects of an old-fashioned hand-drawn multiplane camera and a modern virtual reality environment. (read more)
Ant-Man and the Wasp is a 2018 American superhero film based on the Marvel Comics characters Scott Lang / Ant-Man and Hope van Dyne / Wasp. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the sequel to 2015’s Ant-Man, and the twentieth film in the Marvel Cinematic Universe (MCU). The film is directed by Peyton Reed and written by the writing teams of Chris McKenna and Erik Sommers, and Paul Rudd, Andrew Barrer, and Gabriel Ferrari. It stars Rudd as Lang and Evangeline Lilly as Van Dyne, alongside Michael Peña, Walton Goggins, Bobby Cannavale, Judy Greer, Tip “T.I.” Harris, David Dastmalchian, Hannah John-Kamen, Abby Ryder Fortson, Randall Park, Michelle Pfeiffer, Laurence Fishburne, and Michael Douglas. In Ant-Man and the Wasp, the titular pair work with Hank Pym to retrieve Janet van Dyne from the quantum realm. (wiki)
timespace coordinates: 10th century scotland – 1990’s New York City
Gargoyles was noted for its relatively dark tone, complex story arcs, and melodrama; character arcs were heavily employed throughout the series, as were Shakespearean themes. The series also received favorable comparisons to Batman: The Animated Series. A video game adaptation and a spin-off comic series were released in 1995. The show’s storyline continued from 2006 to 2009 in a comic book series of the same title, produced by Slave Labor Graphics. (wiki)
The first teaser poster, which pays homage to Norman Rockwell‘s 1943 painting Freedom from Want, was released that November. Justin Carter of Comic Book Resources found it “oddly appropriate for Deadpool 2 to co-opt [this] iconic work for a modern pop culture audience” as it is “true to Deadpool’s incredibly referential nature”.
The first footage from the film debuted at the end of a video where Reynolds (in-character as Deadpool) parodies Bob Ross and his television show The Joy of Painting.