Tag: internet
659 – KF w’017 – s’018
…
658
654
Directed by Marcus Soderlund
Yung Lean – Yoshi City
Yung Lean – Miami Ultras
Lorentz – Där dit vinden kommer ft. Jaqe, Duvchi, jj, Joy
Yung Lean & Thaiboy Digital – Diamonds
651 – Manifesto (2015)
Manifesto is a 2015 Australian-German multi-screen film installation written, produced and directed by Julian Rosefeldt. It features Cate Blanchett in 13 different roles performing various manifestos. A 90-minute feature version premiered at the Sundance Film Festival in January 2017.
The film integrates various types of artist manifestos from different time periods with contemporary scenarios.
Manifestos:
Karl Marx / Friedrich Engels, Manifesto of the Communist Party (1848)
Philippe Soupault, Literature and the Rest (1920)
Situationism
Lucio Fontana, White Manifesto (1946)
John Reed Club of New York, Draft Manifesto (1932)
Constant Nieuwenhuys, Manifesto (1948)
Alexander Rodchenko, Manifesto of Suprematists and Non-Objective Painters (1919)
Guy Debord, Situationist Manifesto (1960)
Futurism
Filippo Tommaso Marinetti, The Foundation and Manifesto of Futurism (1909)
Giacomo Balla / Umberto Boccioni / Carlo Carrà / Luigi Russolo / Gino Severini, Manifesto of the Futurist Painters (1910)
Guillaume Apollinaire, The Futurist Antitradition (1913)
Dziga Vertov, WE: Variant of a Manifesto (1922)
Architecture
Bruno Taut, Down with Seriousism! (1920)
Bruno Taut, Daybreak (1921)
Antonio Sant’Elia, Manifesto of Futurist Architecture (1914)
Coop Himmelb(l)au, Architecture Must Blaze (1980)
Robert Venturi, Non-Straightforward Architecture: A Gentle Manifesto (1966)
Vorticism / Blue Rider / Abstract Expressionism
Wassily Kandinsky / Franz Marc, “Preface to the Blue Rider Almanac” (1912)
Barnett Newman, The Sublime is Now (1948)
Wyndham Lewis, Manifesto (1914)
Stridentism / Creationism
Manuel Maples Arce, A Strident Prescription (1921)
Vicente Huidobro, We Must Create (1922)
Naum Gabo / Antoine Pevsner, The Realist Manifesto (1920)
Suprematism / Constructivism
Kazimir Malevich, Suprematist Manifesto (1916)
Olga Rozanova, Cubism, Futurism, Suprematism (1917)
Dadaism
Tristan Tzara, Dada Manifesto 1918 (1918)
Tristan Tzara, Manifesto of Monsieur Aa the Antiphilosopher (1920)
Francis Picabia, Dada Cannibalistic Manifesto (1920)
Georges Ribemont-Dessaignes, The Pleasures of Dada (1920)
Georges Ribemont-Dessaignes, To the Public (1920)
Paul Éluard, Five Ways to Dada Shortage or two Words of Explanation (1920)
Louis Aragon, Dada Manifesto (1920)
Richard Huelsenbeck, First German Dada Manifesto (1918)
Surrealism / Spatialism
André Breton, Manifesto of Surrealism (1924)
Pop Art
Claes Oldenburg, I am for an Art… (1961)
Fluxus / Merz
Yvonne Rainer, No Manifesto (1965)
Emmett Williams, Philip Corner, John Cage, Dick Higgins, Allen Bukoff, Larry Miller, Eric Andersen, Tomas Schmit, Ben Vautier, George Maciunas, Fluxus Manifesto (1963)
Mierle Laderman Ukeles, Maintenance Art Manifesto (1969)
Kurt Schwitters, The Merz Stage (1919)
Conceptual Art / Minimalism
Sol LeWitt, Paragraphs on Conceptual Art (1967)
Sol LeWitt, Sentences on Conceptual Art (1969)
Sturtevant, Shifting Mental Structures (1999)
Sturtevant, Man is Double Man is Copy Man is Clone (2004)
Adrian Piper, Idea, Form, Context (1969)
Film
Stan Brakhage, Metaphors on Vision (1963)
Jim Jarmusch, Golden Rules of Filmmaking (2002)
Lars von Trier / Thomas Vinterberg, Dogme 95 (1995)
Werner Herzog, Minnesota Declaration (1999)
Lebbeus Woods, Manifesto (1993)
0643 – O-bi, O-ba – Koniec cywilizacji (1985)
O-Bi, O-Ba: The End of Civilization (Polish: O-bi, o-ba: Koniec cywilizacji) is a 1985 Polish drama science fiction film written and directed by Piotr Szulkin.
Starring Jerzy Stuhr and Krystyna Janda, the film takes place in a post-apocalyptic future where humans live in an isolated vault which is falling apart. Their only grain of hope lies in a vessel known as The Ark which is said to be on its way to rescue them…
640 – Rabbit (2005)
A modern mystery film of lost innocence, greed and nature. A dreamlike but dark story of lost innocence and the random justice of nature, told with curious images from a distant childhood. A selection of 1950s educational stickers, discovered in a provincial junkshop 20 years ago, provide the ingredients for this adult fairytale. Once they were new, delivering a simple message to those also young. Like us, however, they have grown older and now present a more complex meaning. Rabbit tells a tale of lost innocence, greed and the random justice of nature. When a boy and girl find an idol in the stomach of a rabbit, its magical abilities lead to riches. But for how long?
BACKGROUND INFO
Run Wrake found an envelope in a secondhand shop in the 1980s that contained sheets of educational stickers illustrated by Geoffrey Higham and published by Philip & Tacey Limited in the 1950s. The image of the idol was the primary inspiration for Rabbit’s storyline.
TimeSpace Warps 