Tag: internet

movies, music

1160 – Miracle Mile (1988)

pnea

timespace coordinates: 1980’s LA (Johnie’s Coffee Shop; La Brea Tar Pits; Miracle Mile District; Pan-Pacific Auditorium in the Fairfax District)

Miracle Mile is a 1988 American apocalyptic thriller film written and directed by Steve De Jarnatt, and starring Anthony Edwards and Mare Winningham. The film takes place mostly in real time. It is named after the Miracle Mile neighborhood of Los Angeles, where most of the action takes place. (wiki)

(trivia) The real life Johnie’s Coffee Shop, actually located on the Miracle Mile neighborhood of Los Angeles, ceased functioning as a real restaurant in the late 1990s. However, the building was never demolished, continued to be used from many other films and was designated a historical landmark in 2013. It is now rented primarily for film and television productions as well as for pop-up shops and similar temporary functions. The building again gained notoriety in 2016 as a campaign headquarter for US presidential candiante Bernie Sanders.

imdb

documentary, Uncategorized

1146 – Baraka (1992)

pnea

Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)

Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)

imdb   /   on YouTube

movies, music

1137 – Psycho Beach Party (2000)

pnea

timespace coordinates: 1962 Malibu Beach, California

Psycho Beach Party is a 2000 comedy horror film based on the off-Broadway play of the same name, directed by Robert Lee King. Charles Busch wrote both the original play and the screenplay. As the title suggests, Psycho Beach Party, set in 1962 Malibu Beach, is a parody of 1950s psychodramas, 1960s beach movies and 1980s slasher films.

Florence Forrest (Lauren Ambrose) is a Gidget-like character determined to learn to surf, and earns the nickname “Chicklet” from the surfer guys. However Chicklet begins displaying multiple personalities, experiences inexplicable blackouts, and fears that she might be the one responsible for a series of mysterious murders in her beachside town. The deaths are investigated by Captain Monica Stark (Charles Busch), who also suspects Chicklet’s mother (Beth Broderick), Chicklet’s best friend Berdine (Danni Wheeler), surfing guru the Great Kanaka (Thomas Gibson) and B-movie actress Bettina Barnes (Kimberley Davies). (wiki)

imdb   /   censorship

Los Straitjackets – Tempest (Psycho Beach Party)

music, Uncategorized

1136 – yesterday evening [trans-surfing (friday_2nd* DECEMBER 2007 unofficial_youtube party) – sample]

pnea

You made me realise

The Beach Boys – Kokomo [Official Music Video]

VAST – Pretty When You Cry

Surfaris – Waikiki Run – 45 rpm

movies, music

1135 – Us (2019)

pnea

timespace coordinates: 1986 – 2019 Santa Cruz, California

MV5BZTliNWJhM2YtNDc1MC00YTk1LWE2MGYtZmE4M2Y5ODdlNzQzXkEyXkFqcGdeQXVyMzY0MTE3NzU@._V1_

Us is a 2019 American psychological horror thriller film written and directed by Jordan Peele, starring  Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph, Evan Alex, Elisabeth Moss, and Tim Heidecker. The film follows a family who are confronted by murderous doppelgangers known as “the Tethered”.

themes and interpretations

Critic Jim Vejvoda related the Tethered to “urban legends” and “xenophobic paranoia about the Other”, (…) Journalist Noel Ransome viewed the film as being about “the effects of classism and marginalization”, writing “the Tethered are effigies of this same situational classism. They’re trapped—mentally and physically—and ignored”. Joel Meares of Rotten Tomatoes also noted that the Tethered, referencing the “we’re Americans” line, are representatives of the duality of American society, how some citizens can afford to live on top of the class system, while others are stuck in illiterate poverty. He also noted the title Us could mean “U.S.”, or United States.

The Tethered’s red jump suits and single glove were an allusion to Michael Jackson along with the “Thriller” shirt seen on young Adelaide, and Peele has stated that Jackson was “the patron saint of duality”. Peele referenced many other instances of 1980s culture, including allusions to The Lost Boys and Hands Across America, stating “Everything in this movie was deliberate, that is one thing I can guarantee you. Unless you didn’t like something and that was a complete accident”.

The film contains numerous references to Jeremiah 11:11, which reads: “Therefore this is what the Lord says: ‘I will bring on them a disaster they cannot escape. Although they cry out to me, I will not listen to them'” (NIV). Critic Rosie Fletcher commented on the context, with Jeremiah warning Jerusalem was facing destruction due to false idols, and expressed the opinion that the film’s characters also “worshiped the wrong things”…  (wiki)

imdb   /   rottentomatoes

LUNIZ — I GOT 5 ON IT

movies, music, quotes

1132 – Upstream Color (2013)

pnea

“I love to be alone. / The sun is but a morning star. / The wildest sound ever
heard makes the woods ring far / and wide. / Faint tinkling sounds borne to my ear. / Their roots reaching quite under the house. / Fearing that they
would be light-headed. / For want of food and also sleep. / Prevailing blue mixed with yellow of the sand. / Sunshine is the color of the water. / I used to wonder at the halo /
of light around my shadow / And fancied myself one of the elect.”

Upstream Color is a 2013 American experimental science fiction film written, directed, produced, edited, composed, designed, cast by and starring Shane Carruth. The film is the second feature directed by Carruth, best known for his 2004 debut Primer. Upstream Color stars Amy Seimetz, Carruth, Andrew Sensenig, and Thiago Martins.

Upstream Color is about two people whose behaviors are affected by a complex parasite—without knowing it—that has a three-stage life cycle in which it passes from humans to pigs to orchids. (wiki)

themes   /   Walden   /   imdb

original soundtrack