animation, documentary, movies, Uncategorized

677 – My Winnipeg (2007)

timespace coordinates: 20th century SnowySleep-Walking Winnipeg

My Winnipeg is a 2007 film directed and written by Guy Maddin with dialogue by George Toles. Described by Maddin as a “docu-fantasia,” that melds “personal history, civic tragedy, and mystical hypothesizing,” the film is a surrealist mockumentary about Winnipeg, Maddin’s home town. A New York Times article described the film’s unconventional take on the documentary style by noting that it “skates along an icy edge between dreams and lucidity, fact and fiction, cinema and psychotherapy.”

Maddin also released a book titled My Winnipeg (Coach House Books, 2009). Maddin’s book contains the film’s narration as a main text surrounded by annotations, including outtakes, marginal notes and digressions, production stills, family photos, and miscellaneous material. The book contains a “Winnipeg Map” by artist Marcel Dzama featuring such fictional attractions as “The Giant Squid of the Red [River],” various poster designs for the film, and short articles about working with Maddin by Andy Smetanka, Darcy Fehr, and Caelum Vatnsdal. Maddin also includes an angry e-mail from an ex-girlfriend, collages and notebooks pages, and an X-ray of the dog Spanky from the film. The book also includes an interview with Maddin’s mother Herdis, conducted by Ann Savage, and an interview with Maddin conducted by Michael Ondaatje. Maddin’s publisher offers the book with or without a DVD of the film, distributed by Seville Pictures.

imdb

books, documentary

665 – The Botany of Desire (2009 documentary )

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The Botany of Desire is a two-hour program broadcast by PBS based on The Botany of Desire: A Plant’s-Eye View of the World is a 2001 nonfiction book by journalist Michael Pollan. Pollan presents case studies that mirror four types of human desires that are reflected in the way that we selectively grow, breed, and genetically engineer our plants. The tulip, beauty; marijuana, intoxication; the apple, sweetness; and the potato, control.

The stories range from the true story of Johnny Appleseed to Pollan’s first-hand research with sophisticated marijuana hybrids in Amsterdam to the paradigm-shifting possibilities of genetically engineered potatoes. Pollan also discusses the limitations of monoculture agriculture: specifically, the adoption in Ireland of a single breed of potato (the Lumper) made the Irish vulnerable to a fungus to which it had no resistance, resulting in the Irish Potato Famine. The Peruvians from whom the Irish had gotten the potato grew hundreds of varieties, so their exposure to any given pest was slight.

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Michael Pollan on twitter 

music

654

Directed by Marcus Soderlund

Yung LeanYoshi City

Yung Lean – Miami Ultras

Lorentz – Där dit vinden kommer ft. Jaqe, Duvchi, jj, Joy

Yung Lean & Thaiboy Digital – Diamonds


movies, Uncategorized

651 – Manifesto (2015)

Manifesto is a 2015 Australian-German multi-screen film installation written, produced and directed by Julian Rosefeldt. It features Cate Blanchett in 13 different roles performing various manifestos. A 90-minute feature version premiered at the Sundance Film Festival in January 2017.

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The film integrates various types of artist manifestos from different time periods with contemporary scenarios.

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Manifestos: 
Karl Marx / Friedrich Engels, Manifesto of the Communist Party (1848)
Philippe Soupault, Literature and the Rest (1920)

Situationism
Lucio Fontana, White Manifesto (1946)
John Reed Club of New York, Draft Manifesto (1932)
Constant Nieuwenhuys, Manifesto (1948)
Alexander Rodchenko, Manifesto of Suprematists and Non-Objective Painters (1919)
Guy Debord, Situationist Manifesto (1960)

Futurism
Filippo Tommaso Marinetti, The Foundation and Manifesto of Futurism (1909)
Giacomo Balla / Umberto Boccioni / Carlo Carrà / Luigi Russolo / Gino Severini, Manifesto of the Futurist Painters (1910)
Guillaume Apollinaire, The Futurist Antitradition (1913)
Dziga Vertov, WE: Variant of a Manifesto (1922)

Architecture
Bruno Taut, Down with Seriousism! (1920)
Bruno Taut, Daybreak (1921)
Antonio Sant’Elia, Manifesto of Futurist Architecture (1914)
Coop Himmelb(l)au, Architecture Must Blaze (1980)
Robert Venturi, Non-Straightforward Architecture: A Gentle Manifesto (1966)

Vorticism / Blue Rider / Abstract Expressionism
Wassily Kandinsky / Franz Marc, “Preface to the Blue Rider Almanac” (1912)
Barnett Newman, The Sublime is Now (1948)
Wyndham Lewis, Manifesto (1914)

Stridentism / Creationism
Manuel Maples Arce, A Strident Prescription (1921)
Vicente Huidobro, We Must Create (1922)
Naum Gabo / Antoine Pevsner, The Realist Manifesto (1920)

Suprematism / Constructivism
Kazimir Malevich, Suprematist Manifesto (1916)
Olga Rozanova, Cubism, Futurism, Suprematism (1917)

Dadaism
Tristan Tzara, Dada Manifesto 1918 (1918)
Tristan Tzara, Manifesto of Monsieur Aa the Antiphilosopher (1920)
Francis Picabia, Dada Cannibalistic Manifesto (1920)
Georges Ribemont-Dessaignes, The Pleasures of Dada (1920)
Georges Ribemont-Dessaignes, To the Public (1920)
Paul Éluard, Five Ways to Dada Shortage or two Words of Explanation (1920)
Louis Aragon, Dada Manifesto (1920)
Richard Huelsenbeck, First German Dada Manifesto (1918)

Surrealism / Spatialism
André Breton, Manifesto of Surrealism (1924)

Pop Art
Claes Oldenburg, I am for an Art… (1961)

FluxusMerz 
Yvonne Rainer, No Manifesto (1965)
Emmett Williams, Philip Corner, John Cage, Dick Higgins, Allen Bukoff, Larry Miller, Eric Andersen, Tomas Schmit, Ben Vautier, George Maciunas, Fluxus Manifesto (1963)
Mierle Laderman Ukeles, Maintenance Art Manifesto (1969)
Kurt Schwitters, The Merz Stage (1919)

Conceptual Art / Minimalism
Sol LeWitt, Paragraphs on Conceptual Art (1967)
Sol LeWitt, Sentences on Conceptual Art (1969)
Sturtevant, Shifting Mental Structures (1999)
Sturtevant, Man is Double Man is Copy Man is Clone (2004)
Adrian Piper, Idea, Form, Context (1969)

Film
Stan Brakhage, Metaphors on Vision (1963)
Jim Jarmusch, Golden Rules of Filmmaking (2002)
Lars von Trier / Thomas Vinterberg, Dogme 95 (1995)
Werner Herzog, Minnesota Declaration (1999)
Lebbeus Woods, Manifesto (1993)

animation, Uncategorized

640 – Rabbit (2005)

A modern mystery film of lost innocence, greed and nature. A dreamlike but dark story of lost innocence and the random justice of nature, told with curious images from a distant childhood. A selection of 1950s educational stickers, discovered in a provincial junkshop 20 years ago, provide the ingredients for this adult fairytale.  Once they were new, delivering a simple message to those also young. Like us, however, they have grown older and now present a more complex meaning. Rabbit tells a tale of lost innocence, greed and the random justice of nature. When a boy and girl find an idol in the stomach of a rabbit, its magical abilities lead to riches. But for how long?

BACKGROUND INFO

Run Wrake found an envelope in a secondhand shop in the 1980s that contained sheets of educational stickers illustrated by Geoffrey Higham and published by Philip & Tacey Limited in the 1950s. The image of the idol was the primary inspiration for Rabbit’s storyline.

https://runwrake.com/       imdb

movies

623 – Contagion (2011)

Contagion is a 2011 U.S. medical thriller-disaster film directed by Steven Soderbergh. The film features an ensemble cast that includes Marion CotillardBryan CranstonMatt DamonLaurence FishburneJude LawGwyneth PaltrowKate Winslet, and Jennifer Ehle. The plot of Contagion documents the spread of a virus transmitted by fomites, attempts by medical researchers and public health officials to identify and contain the disease, the loss of social order in a pandemic, and finally the introduction of a vaccine to halt its spread. To follow several interacting plot lines, the film makes use of the multi-narrative “hyperlink cinema” style, popularized in several of Soderbergh’s films.

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H1N1

Steven Soderbergh was motivated to make an “ultra-realistic” film about the public health and scientific response to a pandemic. The movie touches on a variety of themes, including the factors which drive mass panic and collapse of social order, the scientific process for characterizing and containing a novel pathogen, balancing personal motives against professional responsibilities and rules in the face of an existential threat, the limitations and consequences of public health responses, and the pervasiveness of interpersonal connections which can serve as vectors to spread disease. Soderbergh acknowledged the salience of these post-apocalyptic themes is heightened by reactions to the September 11 attacks and Hurricane Katrina. The movie was intended to realistically convey the “intense” and “unnerving” social and scientific reactions to a pandemic. The recent real-life epidemics such as the 2003 SARS epidemic and the 2009 flu pandemic (H1N1) have been inspirations and influences in the film. The chain of contagion involving bats and pigs is reminiscent of the trail of the Nipah virus (which infects cells in the respiratory and nervous systems, the same cells as the virus in the movie) that originated in Malaysia in 1997, which similarly involved the disturbance of a bat colony by deforestation. (read more – themes wiki)

imdb

Macau

books, quotes, Uncategorized

612 – Davi Kopenawa, Bruce Albert, Alison Dundy – The falling sky – words of a Yanomami shaman

The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest–a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.

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In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.

Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa’s intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest. (amazon)

“When I come back from a trip among the white people, the dizziness leaves my eyes after a while and my thought be-comes clear again. I no longer hear cars, machines, or airplanes. I only lend an ear to the tooro toads and krouma frogs that call the rain in the forest. I only hear the rustling of the leaves in the wind and the rumbling of the thunders in the sky. The ignorant words of the city politicians gradually vanish in the quiet of my sleep. I become calm again by going to hunt and making my spirits dance.

The forest is very beautiful to see. It is cool and aromatic. When you move through it to hunt or travel, you feel joyful and your mind is slow-paced. You listen to the chirping of the cicadas in the distance, or the cries of the curassows and the agami herons, and the clamor of the spider monkeys in the trees. Your worries are eased. Your thoughts can then follow one another without getting obscured.”