books, theory

1759 – Out of Their Minds by Clifford D Simak (book 1970)

I read Clifford D. Simak’s 1970 Out of their Minds in its Heyne Verlag German 1971 edition (translated by Birgit Ress-Bohusch). A trashy sleeve with properly garish art by C. A. M Thole: a small blurry red convertible (a Matchbox-sized vehicle) is being threatened or burped by huge fiery looking winged dragon and a ludicrously huge demonic creature with a red fluttering cape. The demon almost looks surprise about what is about to happen in front on him. The German title “Verteufelte Welt” (more like Bedeviled World or Infernal, Devilish World) does not really help to attract more attention from its readers. The appeal to Christian demonology or Satanist plots, sects etc falls short. The following is an attempt to see how and why Out of Their Minds takes further all the recent discussions about tulpomancy, meme magic, ‘thought-forms’, egregores etc As to why all this perilous policing about various intrusions(escapes?) from the imaginary worlds into our own. Minds – locates the human mind as the major culprit and by extension only the human central nervous system (head) as a laboratory of the mind. I think here we have our difficulty dealing with something else than the imagination of certain portion of a certain species (even mindfulness apps are still not full because they are very selective in how they locate minds and place them only into overworked westerner skulls). We live in a lively (and deadly) exciting time where minds (and imagination by extension), reason (as Moynihan puts in his X-Risk “To realize that reason was at risk was also to realize that reason just is the ability to risk new ways of seeing the world”) jeopardize various other settled opinions about what minds are and how mind came to be. The evolution of all sorts of minds seem only partially settled inside the cranial case spacewhen we consider that there is all these minds that are not encased, that developed inside non-skeletal, non-vertebrate, ‘soft’ underwater bodies (especially thinking about certain convergent trends within Metazoa multicellular evolution – multicellular minds that would ecompass both vertebrate and non-vertebrates – Peter-Godfrey Smith is a good place to start).


Clifford D Simak’s book has a much wider scope imho beside the most obvious one: the dangers of wishing or calling imaginary things (not excluding various very helpful abstractions) into reality and overcoming the ill-effects of such releases into the world, effects that have a tendency to get externalized on others (*least protected). More importantly there is an ambiental, environmental sense of these intrusions – where nobody seems to be immune to these intrusions). Nowadays it is almost impossible to ignore this simple fact. There are many good takes on why so many of these self-fulfilling hypermediated prophecies are at work all around us. At the same time the most obvious (so as to be ignored) is maybe that such intrusions have stopped being the obscure realm of mere specialists (philosophers, futurologists, cultural critics, cognitivists, media gurus, technoshamans etc). Almost everyone is part and parcel of it, at we can agree that we are all the time being exposed to various disruptive fictions and for-profit imagineering/innovation.

So this becomes a common task – to see why and how this hardcore ontological oscillation plays out and where does it lead us. The spillover has not only been the fact that a lot of imageeneering has always been employed and involved (thinking how Scifi writers in Japan have been involved in World Exhibtions in the 1070s), but since Sept 11 at least, different imagineering efforts (I use this both in it’s devious Disney sense as well as a general term for cognitive labour) from professionals (be it the movie industry Ridley Scott – Pentagon Pentagon interactions etc or known postcyberpunkers such as Neal Stephenson consultancy for Blue Origin/Bezos sub-orbital spaceflight company) etc have been directly employed by governments and the private sector to lot out future catastrophist scenarios. The miltiary-entertainment continuum would go so far as to even endow a certain cinematic aspect to all preemptive action against various so-called ‘rogue states’ or even allow for institutionalizing our current 6th Extinction via X-risk imagining and management. Imagination does not create or speculate in a vacuum, it is a way to bridge the gulfs btw the stars. It allows flights-of-imagination where there is no data available or even a sort of feed forward that can call upon elements of sensibility that lie beyond perceptual consciousnesses, and even allow for things that can estrange us, delight, entrance or heighten our lives or express what has become unthinkable or unreachable nowadays.

Why is this book on top on my obligatory ‘imaginary ecosystems’ reading list?
I will not do a regular review of the book or try to bring it into the orbit of Simak’s larger oeuvre. The one other book I explored on Goodreads is Way Station. Out of their Minds – his 1970 book maps out impossible border-crossings, btw what is considered the imaginary proper and the real, btw fictional and the hard facts, an illegal border crossing that has become very casual, increasingly acquiring agential character, operativity and universality.
What is most endearing about it – is that this book does not make any grandiose theoretical claims. Also, it is not the first piece of fiction to incorporate a theory about fiction in its fictional story mesh, even if it still is a first person POW witnessing weave. Above all, such alarmist blurring of real/weird/strange is incredibly exciting and disturbing. Today we hear it everywhere – ‘meme magic’ is omnipresent, and it is almost immediately related to some trauma linked to toxic meme wars or the rise of the most unsavory NRx neoreactionary doctrines.
From payed troll factories, Reddits to 4chan dunk memes, everybody is thrilled to be playing a speculative sorcerer’s apprentice – while reality keeps unwinding, with everybody either profiting or decrying the banned and orphaned creations taking over their creators (with a caveat – that almost all pop imaginary characters are now owned by a few humongous IP franchises).
Even before all that, for Simak’s very human heroes and heroines, it is a dangerous and mortal time. They are almost accidental suffering the effects of this unhuman encounters. They are mostly agnostics, convinced materialists and what one might call practical people. Outer dimensions (in both Lovecraft’s or Simak’s) in keep naturally endangering very down to earth non-fictional human creatures.

While clearly being a non-believer is not an option, then not being one of those creatives of franchised worlds, or crackpot speculators or a purveyors of incensed theories about the world becomes life-threatening as well. Trying to keep factual, grounded, mechanistic-materialistic is risky as hell and seem to be part of a certain post-truth naivete. One does not have to strive for a poor imagination today, since for many it is still a question of a collective incapacity to imagine the effects of inequalities. Imagination is always under “crisis”, there is always a threat to imagination – a threat of both “not imagining” the horrendous effects of climate change as well as the “lack of imagining” a better, less damaging future.

Maybe the difference btw getting burned by dragon fire or squashed by a Godzilla, blown by a tornado or suffering a radioactive meltdown was never so clearly drawn. Since the stakes become so large, the scale is so spread-out, the situation already hyperobjectual, the choice of being a superheroine, a Pokemon monster and/or a supervillain is almost a requirement. Being mere mortals means being dis-empowered, exposed, unemployable, red-lined, or uninsured against the most obnoxious threats that do not figure on any insurance policy. Outside the incredibly remote (and quite horrifying) existence bubble of Norman Rockwell’s 1950s whitewashed suburbia, an increasingly less and less idealized Western contemporary reality abounds, blocking out all those unthinkable truths, where very real ‘only imagined’ (imaginary just for the privileged few) lives and dystopian neverlands abound. Imagination in fact is very important not in its selective capacity or (like consciousnesses) but like reason able to unsettle – the old opinions. It is actually the only possibility to experience (even relate to) what is beyond the experiential horizon. It can offer you a relatively safe passage trough a Black Hole, or ascertain what might happen when jumping btw Star-Gates. It can even allow to metamorphose into a bug, an impossible insectoid other. It is also not just an easy reversal phantasy – permitting someone privileged to easily exchange places and face the terrors felt by those whose very lives are a constant struggle to make by and support their livelihood however they can. Mind you – these expunged ‘outer’ is only ‘other’ for the minds of Western Euro-American gated mental worlds. It is not just a matter of exchangeable perspective and of consciousness, that one cannot approach easily such scifi Nigerian reality as the one aptly described by Tade Thompson in Rosewater (Wormwood Trilogy). This one will stay as unreal, safely tucked away ONLY if fortified and encased withing the ever more selective – transmedia bubble. Imagination is infused by very real realities that one dares not think of, not only with ‘fabulous beasts’, and all these movements and border crossings, larger realities insist on everybody with a life of their own and even with a politics of their own.

While action-packed – Out of Their Minds speaks powerfully and cogently about how all existing (no just simply mind- based) creations past, present or future were never our own. The lack of control over our lives is mirrored by such inner mental permeability that was always there. We only know dare talk or allow for a wider, much more unstable (panpsychist?!) world. And this does not singularize human reason – it just brings the same wider response-abilities into cosmic play. In a way for Simak it is exactly the opposite of being locked-in, quarantined imaginary creations can never stay locked for long. They swap genes & mutate almost at the expense of every other living beings. Simak opens up the question of how we might bear response-ability for animating such slippery imaginary surfaces. Out of Their Minds – makes clear that there is no brain-barrier to keep things out or permanently in. Yes, minds are just a station, busy hosting a wider world, not just passive replicators of memes, since they do physically suffer the effects of these imaginary fevers good or bad. Minds are not boxes where mere ‘ideology’ takes place, where superstition or for that matter artistic or poetic creation abounds. What Out of Their Minds offers us is a pervasiveness of such imaginary proclivity, a tropism of what was never confined to minds (or human minds). We get this by following the mis-behaviour the misadventures of non-containable non-self-contained or impermeable processes that allow impossible combination, that shout each other out (like Godzilla monster during nuptial season), carrying with them sense-surround of unhuman-mindfulness or what does not get carried into minds.

This maybe extends to various historical constructions, the invention of tradition, official accounts of the way it played out in various periods of human history. Not to slip in cultural relativism, realities escape minds even faster than they escape history book, taking a life of their own – becoming extremist revival paradises (or hells depending). The abuse of historical middle ages is such a case in study. A reality stocked up by national feelings, money & grandiose monuments of a fabulous past, ethno- glorious fantasies enlivened by movies, fiery speeches and historical novels – do cut, burn and slash.

Historical reenactments (what is normally not regarded as mere cosplay) recruit volunteers, perform and do search for extras to engage them in imagining various battles (such as the American Civil War in Simak’s novel). People do dress up willingly for various historical occasions playing their favored version (enemy or friend), giving their own ethno-political spin to local medieval history. What was disregarded as poorly researched Christian Neo-Templar knighthood gameplay (as in Breivink’s manifesto’s) or puritanical Moslem Wahhabite return to Islam’s origins has a life of its own, it feed-fwd into the present. A new book (which i have no read) – The Devil’s Historians: How Modern Extremists Abuse the Medieval Past (2020) by Amy S. Kaufman and Paul B. Sturtevant practically takes the preferred versions of today’s nationalistic Middle Ages at their face value, although, as mentioned above, I would not put the blame just on experts or just the Devil’s historian masterminds.

Firstly Clifford D Simak does not separate older from newer imaginary (past and present fabulations) creations (in a sense I would not even call them creations since this always presupposed a creator or a clock-maker) and this I find intensely attractive. These past fictional productions are never past, they do not just peter out. Following the book’s trail, one might say they just have difficulty intermingling, niche-sharing and coexisting with the new imaginary. There is definitely a social life of imaginary beings (what one might call today call tulpas, egregore or thought-forms), busy vying for attention and energy input. Simak in fact takes good old Devils – in a sense key trickster players of Christian demonology (Satan, Baphomet) and searches for their feelings and thoughts about revolutions of the mind, older worldviews being upended. What are the hegemonic imaginary battles that we ignore? Simak makes their position heard about, it makes them whine and be reproachful (to humans), complaining like border patrols or populist politicians about the unregulated flux of new imaginary migrants/aliens (the initial complaint is about UFOs).

Why does ‘ancien regime’ fabulation resent the new UFO or extraterrestrial beings, that steal the limelight? One has to speculate on that.

If there are rules in the out-of-the-mind realms, and if somebody refuses to play along with the old rules then there is a revolution that keeps on fomenting and spilling over. One might even say we see just the smoke trail of the imaginary happenings with very real stakes already going on (with new speculative fiction by non-European, trans, non-binary writers leading the way) fronted by Thade Thompson, Rivers Solomon, Sofia Samatar, Nndi Okarafor, Benjanun Sriduangkaew, Arkady Martine and many others. One can say this is just one of very few places where the good and the new seems to prevail.
In a sense the conspiracy of “out of the minds” is not of mindful of things (altough that maybe also it) but the fact that nothing stays long in the mind, and it seems to speak about the all-out influx that feels partially motivated by the same belief in (big ‘T’) Tradition. The Devil of Simak is the deviltry of “perennialism” and of harkening back at the top and repackaging any new as same old same old same old.

It feels as if only certain imaginary worlds got right of passage and they want to make it exclusive. There is this desecrated and maybe redolent imaginary realm that cannot keep up with itself. The artificial mock-outrage of Devils that are fighting for order and respect holds such ironic justice is very close to home. What cosmic joke!
The continuous production of new and more outlandish imaginary denizens has swamped the old segregation fiction/non-fiction apartheid. Clifford D Simak’s has this imaginary ecosystemic cross-over and Great Faunal Floral Imaginary Exchange spill over from the ‘outer’ into something else, here ‘outer’ and ‘else’ can both mean the unthinkable and post-probabilistic. Instead of the Copyrighter’s Inquisition and controlled usage, we have a place where Pluto Disney dogs, Tasmanian devils or Ren’s and Stimpy’s might run amok and disturb the golden sleep of dragons, no matter how much IP and fines are unleashed by the IP owners.

We could also say that the worst of the current toxic imaginary climate stocked up by online hate, let’s say the most horrific creations of racism and antisemitism can end up swamping minds (jumping epochs). The worst of Middle Ages, child sacrifices, etc vampirism, etc ends up possessing not only minds, but circulating outside of skulls. We see how they are literally taking over the most placid and seemingly naive Internet cartoon creatures, weaponizing the blandest and most dunk elements out there.
Low-brow vs elite culture wars are no more ‘outer’ than say the most ludicrous and sadistic bot-edited Peppa the Pig entering your child’s YT search. They are as vivid and offer the same proclivity as the so called- fixed theologically verified hierarchies of archangels and heruvims of old. That is why, at this particular turn of events, the forgotten gnostic proclivity of rearranging worlds rings familiar. The gnostics are an early (almost since the beginning branded as ‘dangerous’ by the crystallizing proto-orthodoxy) expression of such counter-expertize, of such unseeming reversals, unsettling temporarily all the hierarchies of heavens (call the unreal or what lies outside of immediate experience). This is why in Simak’s story, the Devil seeks some sort of truce, some sort of economical exchange of the imagination with their mindless host humans that should be made response-able as potential allies in damming and dampening this all-out disruptive imaginary.
The main character cannot but accept and diplomatically deal with the unruly material imaginary beings or events of the outer-realm when he is exposed to their action, to their overflow. He is listening only when he is swamped by the invading imaginary hordes that make havoc waking world, bending his reality from the outside in.
‘A crisis of imagination’ in this restricted sense might mean exactly this – the fact that only certain visions and imaginative futures gain upper hand at certain historical turning points or get right of transit from one side to another. As reality became stranger than fiction, none of the damaging fictions retreated peacefully, letting themselves exiled or mercifully euthanized. On the other hand, clearly, since at least 1989, certain forms of utopian thinking have been slowly petering out, while other forms of repressive imagineering have been gaining currency and even financial support, crowding and blotting out any alternative. Things are hopefully changing with a new generation of freshly unreal ideas, with pessimism of the mind and optimism of the deed cooperating for a less oppressive world building.

Out of their Minds also makes clear that the rules of the imaginary world do not stick to just the flat-eartherish variants, or the anti-Newtonian or even anti-Einstein kinds. They mutate and release their consequences onto the creatures that inhabit such worlds. There is a chance for the endangered humans (and many other more-than humans) critters that enter in and out of the imaginary realm that they must obey its rules. Both real and imaginary beings must make sure they survive their own sometimes arbitrary and aberrant rules. Always good to feel the G pulling even when leaving earthly gravitation. If in fairy tale world you can ONLY make three wishes, then 3 wishes it is. If Superman is vulnerable to Kryptonite, then so be it.

Fictionalization and hyperstition under capitalism (aren’t financial abstractions a painful and very effective way to see terrible capitalist imagineering or meta-fictions at work?) have channeled libidinal forces, extracted value and secured an increasingly powerful role by actively devaluing all other value forms (call them virtualities, utopian flights of fancy, reveries etc as u want), basically pushing to extinction (or at least in very restricted reservations) all other ways of imagining otherwise.
On the surface at least this is nothing particularly new, one can say that in the past, imaginary beings, spirits, sprites, various entities have always had to play it out against newer or former brethren although some form of symbiosis was always present (sic how Buddhism integrated older Bon nature spirits or Christianity the pagan deities and calendrical annual celebrations). The history of religions calls it syncretism and it is none other than (also) a symbiosis of the imagination. At the same time in late capitalism there has been always a more monopolistic, corporative and insidious way to incorporate and centralize older more heterogenous local animisms. A pluralism of spirits and multitude of demons gives way to prefab imperial personality cults. One such XX c transformation is the ominous Emperor cult of Japan – its construction specifically linked with the destruction of local shrines and their efficiency-trimmed reformatting, remolding the old chaosmos into a nationalistic weaponized matrix able to accomplish inhuman feats of violence and suffering.

Well, in the view of Out of Their Mind and Well and its fictional theory of an animated imaginary worlds – weird, shape-shifting realism is here to stay. Even being exposed to such theories accomplishes the unspeakable (here he joins Lovecraft and the Yellow King). Once thinking and playing with the idea that there might be intrusions and that imaginary friends (Slender men creepypasta) you’re done. The imaginal theories empower imaginary intrusions.
Far from the Stanford – Rand Corporation – Arpanet early stirrings of Internet and networking, this book does not make an appeal to any notion of virtual reality or a simulated universe. In fact, Simak’s version of the imaginary – barely escapes the ruthless Selfish-Gene evolution, a sort of stripped neo-Spencerian Social-Darwinism of the unreal. Luckily, imaginary creatures do tend to cooperate and even socialize with us and even strike a truce, even while exchanging pieces of themselves at the moment mostly seems in our disadvantage, they are not really trying hard to make us memetically -replaceable.

As an addition to “OUt of THeir Minds” I find excellent a recent book by Jimena Canales. Enlarging the scope of imaginary beings to including the scientific imaginary – she includes daimons that have been plaguing and animating thought experiments since the Greeks, non-superstitious imaginary beings that enliven the works of Descartes and Maxwell. Here we have something else indeed it seems, demonic creatures that have been lured by science and that can teach us something about physics and cosmology no matter how inhuman and more-than-human they might appear. Beguiling guiding spirits that can even fool our sense of consensual reality, reshape philosophical questions and change statistical odds in ways that never seemed possible before. They threaten the energetic and informational conservation laws of the universe and by so doing teach us something of great survival value. I have not read Bedeviled: A Shadow History of Demons in Science (2020) but it seems such an important addition to this ongoing discussion. Let us take a cue from such imaginary – but thoroughly- scientific beings, adept at making their devilish predecessors permanently retire.

Uncategorized

1737 – Found 757 posts tagged ‘grim reaper’ from Restoring the Lost Sense by Craig Conley aka Prof. Oddfellow (2011-2020)

I discovered these incredible “grim reaper” images collected on the magical https://www.oneletterwords.com/weblog/?tag=grim+reaper section of https://www.oneletterwords.com/weblog/?id=6679 Aladdin’s Data Cave which I urge you to explore at length. Below is just a small selection.

Please read this quote first describing an initial exchange btw Craig Conley and Gary Barwin in “Restoring the Lost Sense” from May 31 2011:

It’s the searching for something clearly unreachable, with hopes of finding small significance along the way. It’s the attempt to understand what’s really going on by observing, neither by telescope nor microscope, but by naked eye, the intimate details in the most mundane of life’s happenings. It’s the need to describe the gist of the feeling of the tiniest modicum of The Great Universal Unutterable Joke we are all always not laughing at—except when we are. —Yoni Wolf (of the band WHY?)

I have the dubious honor of Google being convinced I’m a machine. Apparently, I use Google’s various search tools with inhuman speed and voracity. My unflagging diligence has flagged me as “suspicious” (Google’s word, not mine; I was so labeled in one of their warning messages). Indeed, the obsessiveness/compulsiveness of my research has convinced the Google robots that I’m one of them, so they must challenge my humanity each time I try to use their service. Paradoxically, because I’m apparently one of those newfangled “smart” robots (my word, not Google’s), no single humanity test is sufficient, since I might be learning as I go. So I’m barraged with test after test, each more irrational than the last. (The tests are irrational, of course, because anything rational—like a math problem or a logic puzzle—is a piece of cake for suspect machines.) Indeed, Google’s tests have become so Kafkaesque that I’ve developed what’s known as “irrational test anxiety,” with symptoms including rapid heartbeat, muscle tension, and negative internal dialogue. And no wonder, really (though self-justification is another symptom), given what Google is throwing at me. Forget those simple CAPTCHA tests of identifying distorted letters on the screen. Child’s play! Google doesn’t even allow me to type my answers—I must use a graphics tablet with cordless pen and enter my answers in calligraphy. Just today, for the privilege of downloading a public domain journal from the year 1898, Google demanded a handwritten 350-word essay in defense of the radical pro-feminist slogan “Men are rapists.” (That did nothing to abate my negative internal dialogue; I’ve never felt so chauvinistic, selfish, coercive, dominating, and sadistic in my life. But, of course, no man with an ounce of humanity would offer a knee-jerk “no” to such a slogan. And that’s how Google gets you by the balls.) I never knew a search engine could be so protective of its data or so begrudging of its service. With each acceptance of my humanity, Google essentially says, “You may have won this round, my pretty, but the battle is far from over. Here’s a tiny wooden spoon with a sample of our gelato, but you’ll never, ever know what flavors we’re storing in the vat in the back. Now get out of line and take another number.” I’m left with an even greater challenge than certifying my humanness: to conduct my life’s work, I must strive to be less inquisitive, less passionate, less productive, and less insightful. Therein lies the irony, for I must dehumanize myself to prove to a search engine that I’m “real.” And now I’m off, once more, to Google myself.



Gary Barwin responds in his inimitable way:

I think this is some kind of metaphysical, cybergnostic quest of a Jungian-Kafka-Borgesian nature and you must search for the answer within Google itself. The Google robots are reaching out to you, wanting you to realize their spidery hopes and dreams. They are silicon Pinocchios, and want to be real.

You are their cultural hero. They can search, but they cannot truly find, not in any spiritual, psychological way. Only by risking ‘captcha’ in the belly of the beast, by becoming the Hero with a Thousand Searches, by taking on their aspirations, can you help these seekers move beyond dualism help them find the 1s within their 0s, the 0s within their 1s, the dark in the light. You can help them move beyond binary, beyond machine code, and help them become fully integrated integral beings.

You are given little to prepare you for this quest. Search string. Your courage. An internet connection. A belief that somewhere in the digital kingdom, you will be able to find your Fissure King, a rent in the fabric of search-space, that you will get your digits on the grail-like, hidden Easter Egg which exists at a higher level of the search.

You must go into the Wide World Wide Web for these baleful spiders, these everybots. They are calling you.
An illustration from a 1913 issue of Cosmopolitan magazine, which I burgled from Google very much against Google’s wishes.  The caption reads, “For two years, Alex had longed to burgle the library.  The moment had arrived at last!”
books, series, Uncategorized

1733 – MURDERBOT Diaries by Martha Wells (2017 – 2020 series of novels)

timespace coordinates: distant future where corporate cyborgs, AI spaceships and enhanced humans are the norm.

All Systems Red (2017)

Artificial Condition (2018)

Rogue Protocol (2018)

Exit Strategy (2018)

Network Effect (2020)

Compulsory (2018) short story from the Murderbot published in Wired (The Future of Work)

Martha Wells website

Martha Wells on Goodreads

Murderbot Diaries – takes an intimate look into the inner life, hesitations, thoughts, emotions, desires, protocols and delights of being rogue cyborg security agent that calls itself “Murderbot” in the 1st person. Diaries have this almost voyeuristic quality of allowing one to pry from behind the shoulder of someone else. They offer some sort of schematic view of what is inaccessible and probably will always remain so about the inner workings of what we normally call “a mind”. There is countless historical examples that come to mind from The Confessions of Saint Augustine of Hippo (written btw AD 397 and 400) to the The Confessions of Jean-Jacques Rousseau (completed in 1769) and Confessions of an English Opium-Eater by  Thomas De Quincey (1821). The pre-modern novel rises as an intimate account of daily happenings being pioneered by two early Japanese woman writers Murasaki Shikibu and Sei Shonagon (at around year 1000) – keeping a close eye on the Heian court in their celebrated “pillow books”. If these examples easily come to mind, the challenge for such writers as Martha Wells would be to offer us glimpses into non-human minds, to translate their complicated circuitry and allow us to inhabit smoothly these minds via the science fiction idiome. The ways that AI process information at the current stage of development or evaluate existing data or even manage to hallucinate or what wr could call – ‘see’ are notoriously opaque. The merit of Murderbot Diaries is maybe to throw back at us, its readers, with unsettling, darkly funny and minute (even repetitive) detail – the farcical and even murderously unknown ways in which machines see themselves, of how they end up perceiving or scanning their environments, or how they might disparage their human counterparts or even enjoy the friendship of other sentient spaceships while outwitting hostile combat robots. Even more so – it allows us to see why a cyborg might enjoy having what we might consider an imagination. There is no such thing – or a thing lacking imagination. Imagination itself seems to be the prerequisite of enjoying media feeds, and these are feeds are themselves figments of an imagination that subtends the pleasure of the viewer, reader, fan, author. The Murderbot series does a great job at offering us a varied and exciting new way into what could be called (to paraphrase Martha Wells) an “artificial condition” of such a mind that has been able to hack its own governor module, to explore its autonomy, to challenge and change its own mission and safeguard (even without their knowledge) its human acquaintances while evading corporate vested interests and dangerous situations that include being perceived (or registered as it is) as what it is: a rogue saboteur, a cyborg element gone haywire.

It is clear that Murderbot is not just a diary but something that transforms the diary into a mental log – speculating about the trail of important events, turning points and decisions, calculations, risk-assessments as well as visible actions and effects of its ping backs and evasions altough they are do not make a sum-total of a mind, all of these allude to its composition. These are the invisible attractions, preferences and emotions that tug at the heart-strings of an “it”, of something that is never supposed to be bored or even passionate. This is what I enjoyed very much (not clear to me exactly why – because it grounds my or another’s own enjoyments of such science fiction and materials, series, comics, animations, movies, or our own guilty pleasure of binging hooked on netflix & chill?!) of what otherwise might be dismissed as ill-spent hours. Binging was there always, especially in the former East, and especially as a kid hooked on both Saturday evening documentary shows or Sunday afternoon anime/animation shows. Yet, nowadays binging is the rule – the one condition of Corona- quarantine that seems to not affect just the privileged (paying members of Netlifx and Apple TV) section and media omnivore classes of this world. Murderbot Diaries makes some interesting suggestions regarding pure enjoyment and even what artificial intelligence might consider enjoyable or even likeable or fictional as opposed to the ‘mere’ mimetic or realist. Not only Do Androids Dream but Androids Do enjoy fictions of various sorts.

Might it be, that being a robot or cyborg might pre-dispose one towards certain types of fiction, certain types of realism and not others? Binging comes to the rescue maybe in this case. Binging “Sanctuary Moon” cyborgs and Murderbots might offer us some unsuspected glimpses into this. Because binging might not only be universal affliction of the media bulimia syndrome but germane to artificial intelligence’s everywhere (maybe a sign of such delighted wasteful intelligence to start with) and so a thing to be enjoyed in itself even when one is on the run, a fugitive or when in hiding, when damaged or recharging or not having to do something, achieve something, or even NOT having access to the dreamed about hi-tech hi-end home entertainment system. During these weeks of quarantine lockdown in Berlin I have seen various people of various age groups, from my social housing unit sitting just in front of the house outside, or immigrant youth in the Nettelbeckplatz square in the Wedding hood watching stuff online their smartphones on benches, be it music videos or football or series. We are always keen on labeling this activity – as a loss, or as being exploitative, addictive, as damaging and keeping people from more relevant political self-realization and away from more socially valuable experiences or of just transforming us all into subservient slaves of the transmedia system. Yes, even if this may be so more nowadays than ever, even with Disneyification and media gigantism at every blink of an eye, at the same time we should never ignore the role of being hooked up on something, of wasting time, or of being open to carefree enjoyment at the most difficult moments. Although probably one never dares call them life-changing, such feeds can actually be enriching and even contribute to some measure of well-being in dire times.

Well, this series speaks volumes in this regard, and Martha Wells makes clear that this SecUnit enjoys media feeds as much as we do, or even more so, being able to download its favorite bulk space opera seasons during a transit loop or even to comment on why a certain soap opera is more appealing to itself as an artificial being. Martha Wells keeps us privy to the whole of the unseen, even impossible to follow blackbox AI chats and chittering between machines that never quite follow orders. There is a new vivacity and unpredictability to these recent machine- renderings that is highly attractive to me and others I guess. This is the actual crux I think, and this is why I think Murderbot makes strides across a wholly corporate universe (akin to ours), where you can feel completely subjugated, completely under equipped to dodge all the trappings, all the trackings and all the constant surveillance. This SecUnit invites us to inhabit it, to be on board this whole time, able to enjoy its camouflage, its ability to ‘fake’ the human, to ‘fake’ the enhancement, to cheat stronger and much more relentless machinery, and also to make mistakes, to err and catch itself during its ‘weak’ diary moments. We can literally sit back or run at incredible, impossible to achieve (more than human) decisional speeds or be involved in complicated strategic planning, while also see how such ‘fictional’ entertainment media content breaks bounce back, fill in the pauses, feedback on reality, multiply the enjoyments and even keep boredom at bay when hopelessness and depressive states abound. Murderbot rides on the rhythmically undulated inner lives of some things that are supposed to be coldly calculating, compulsory, wired, branded, labeled, governed and controlled by its corporate makers.

books

1672 – Islam, Science Fiction and Extraterrestrial Life: The Culture of Astrobiology in the Muslim World by Jörg Matthias Determann (2020 book)

The Muslim world is not commonly associated with science fiction. Religion and repression have often been blamed for a perceived lack of creativity, imagination and future-oriented thought. However, even the most authoritarian Muslim-majority countries have produced highly imaginative accounts on one of the frontiers of knowledge: astrobiology, or the study of life in the universe.

This book argues that the Islamic tradition has been generally supportive of conceptions of extra-terrestrial life, and in this engaging account, Jörg Matthias Determann provides a survey of Arabic, Bengali, Malay, Persian, Turkish, and Urdu texts and films, to show how scientists and artists in and from Muslim-majority countries have been at the forefront of the exciting search. Determann takes us to little-known dimensions of Muslim culture and religion, such as wildly popular adaptations of Star Wars and mysterious movements centred on UFOs. Repression is shown to have helped science fiction more than hurt it, with censorship encouraging authors to disguise criticism of contemporary politics by setting plots in future times and on distant planets. The book will be insightful for anyone looking to explore the science, culture and politics of the Muslim world and asks what the discovery of extra-terrestrial life would mean for one of the greatest faiths.

goodreads

Jörg Matthias Determann TW / academia.edu

series

1559 – Now Apocalypse (TV Series 2019)

spacetime coordinates: 2010’s Los Angeles

MV5BMGMzNWRlZGQtMzIwYi00Y2ViLTg3ZTItYThlOGFiNDk5YmFhXkEyXkFqcGdeQXVyMjYwNDA2MDE@._V1_SY1000_CR0,0,666,1000_AL_

Now Apocalypse is an American comedy television series that aired for one season of ten episodes from March 10 to May 12, 2019, on Starz. The series was written by Gregg Araki and Karley Sciortino. Araki also was director and executive producer alongside Steven Soderbergh and Gregory Jacobs. Starz canceled the series on July 26, 2019. Araki later stated that he was shopping the series to other networks.

Ulysses, his friends Carly and Ford, and Ford’s girlfriend Severine navigate love, sex, and fame in Los Angeles. Troubled by sinister, premonitory dreams, Ulysses wonders if the end of the world as we know it is coming, or if he is simply suffering some kind of marijuana-fueled delusions. (wiki)

This is all perfectly well-made, candy-coloured fun as well as being a bang up-to-date exploration of 21st-century sexual identities (co-written by Araki with sex columnist Karley Sciortino), albeit one in which everyone looks amazing all the time. Boyd Hilton / Empire Magazine / rottentomatoes

MV5BNDJjZTVmMGMtMWZlZi00ZjM1LTllM2EtYzYxZGYzNDgzM2FlXkEyXkFqcGdeQXVyNzkyMTc3MjY@._V1_SY1000_CR0,0,666,1000_AL_

imdb

books

1501- more books on Plague Studies, Quarantines, Paleopatholgy, Pandemic Imaginary, Biopolitics, Socialist Medicine, Epidemic Villains

Title: Justinian’s Flea: The First Great Plague and the End of the Roman Empire

Year: 2008

Author: William Rosen

Goodreads

A richly told story of the collision between nature’s smallest organism and history’s mightiest empire

The Emperor Justinian reunified Rome’s fractured empire by defeating the Goths and Vandals who had separated Italy, Spain, and North Africa from imperial rule. In his capital at Constantinople he built the world’s most beautiful building, married its most powerful empress, and wrote its most enduring legal code, seemingly restoring Rome’s fortunes for the next five hundred years. Then, in the summer of 542, he encountered a flea. The ensuing outbreak of bubonic plague killed five thousand people a day in Constantinople and nearly killed Justinian himself.

In Justinian’s Flea, William Rosen tells the story of history’s first pandemic—a plague seven centuries before the Black Death that killed tens of millions, devastated the empires of Persia and Rome, left a path of victims from Ireland to Iraq, and opened the way for the armies of Islam. Weaving together evolutionary microbiology, economics, military strategy, ecology, and ancient and modern medicine, Rosen offers a sweeping narrative of one of the great hinge moments in history, one that will appeal to readers of John Kelly’s The Great Mortality, John Barry’s The Great Influenza, and Jared Diamond’s Collapse.

Title: Cultures of Plague: Medical thinking at the end of the Renaissance

Year: 2009

Author: Samuel K. Cohn, Jr.

Goodreads

Cultures of Plague discloses a new chapter in the history of medicine. Neither the plague nor the ideas it stimulated were static, fixed in a timeless Galenic vacuum over five centuries, as historians and scientists commonly assume. As plague evolved in its pathology, modes of transmission, and the social characteristics of its victims, so did medical thinking about it.

With over 600 plague imprints of the sixteenth century this study highlights the century’s most feared and devastating epidemic that threatened Italy top to toe from 1575 to 1578, unleashing an avalanche of plague writing. From erudite definitions, remote causes, cures and recipes, physicians now directed their plague writings to the prince and discovered their most ‘valiant remedies’ in public health: strict segregation of the healthy and ill, cleaning streets, latrines, and addressing the long‐term causes of plague—poverty. Those outside the medical profession joined the chorus. Relying on health board statistics and dramatized with eyewitness descriptions of bizarre happenings, human misery, and suffering, they created the structure for the plague classics of the eighteenth century and by tracking the contagion’s complex and crooked paths anticipated trends of nineteenth‐century epidemiology.

In the heartland of Counter‐Reformation Italy, physicians, along with those outside the profession, questioned the foundations of Galenic and Renaissance medicine, even the role of God. Such developments did not need to await the Protestant‐Paracelsian alliance of seventeenth‐century northern Europe. Instead, creative forces planted by the pandemic of 1575–8 sowed seeds of doubt and unveiled new concerns and ideas within that supposedly most conservative form of medical writing, the plague tract.


Title: Plague and the Athenian Imagination: Drama, History, and the Cult of Asclepius

Year: 2007

Author: Robin Mitchell-Boyask

Goodreads

The great plague of Athens that began in 430 BCE had an enormous effect on the imagination of its literary artists & on the social imagination of the city as a whole. In this 2007 book, Prof. Mitchell-Boyask studies the impact of the plague on Athenian tragedy early in the 420s & argues for a significant relationship between drama & the development of the cult of the healing god Asclepius in the next decade, during a period of war & increasing civic strife. The Athenian decision to locate their temple for Asclepius adjacent to the Theater of Dionysus arose from deeper associations between drama, healing & the polis that were engaged actively by the crisis of the plague. The book also considers the representation of the plague in Thucydides’ History as well as the metaphors generated by that representation which recur later in the same work. 

Title: The Great Plague: The Story of London’s Most Deadly Year

Year: 2006

Author: A. Lloyd Moote and Dorothy C. Moote

Goodreads

In the winter of 1664-65, a bitter cold descended on London in the days before Christmas. Above the city, an unusually bright comet traced an arc in the sky, exciting much comment and portending “horrible windes and tempests.” And in the remote, squalid precinct of St. Giles-in-the-Fields outside the city wall, Goodwoman Phillips was pronounced dead of the plague. Her house was locked up and the phrase “Lord Have Mercy On Us” was painted on the door in red. By the following Christmas, the pathogen that had felled Goodwoman Phillips would go on to kill nearly 100,000 people living in and around London—almost a third of those who did not flee. This epidemic had a devastating effect on the city’s economy and social fabric, as well as on those who lived through it. Yet somehow the city continued to function and the activities of daily life went on.

In The Great Plague, historian A. Lloyd Moote and microbiologist Dorothy C. Moote provide an engrossing and deeply informed account of this cataclysmic plague year. At once sweeping and intimate, their narrative takes readers from the palaces of the city’s wealthiest citizens to the slums that housed the vast majority of London’s inhabitants to the surrounding countryside with those who fled. The Mootes reveal that, even at the height of the plague, the city did not descend into chaos. Doctors, apothecaries, surgeons, and clergy remained in the city to care for the sick; parish and city officials confronted the crisis with all the legal tools at their disposal; and commerce continued even as businesses shut down.

To portray life and death in and around London, the authors focus on the experiences of nine individuals—among them an apothecary serving a poor suburb, the rector of the city’s wealthiest parish, a successful silk merchant who was also a city alderman, a country gentleman, and famous diarist Samuel Pepys. Through letters and diaries, the Mootes offer fresh interpretations of key issues in the history of the Great Plague: how different communities understood and experienced the disease; how medical, religious, and government bodies reacted; how well the social order held together; the economic and moral dilemmas people faced when debating whether to flee the city; and the nature of the material, social, and spiritual resources sustaining those who remained.

Underscoring the human dimensions of the epidemic, Lloyd and Dorothy Moote dramatically recast the history of the Great Plague and offer a masterful portrait of a city and its inhabitants besieged by—and defiantly resisting—unimaginable horror.


Title: Plague and the End of Antiquity : The Pandemic of 541-750

Year: 2007

Author: Lester K. Little (Editor)

Free book

Plague was a key factor in the waning of Antiquity and the beginning of the Middle Ages. Eight centuries before the Black Death, a pandemic of plague engulfed the lands surrounding the Mediterranean Sea and eventually extended as far east as Persia and as far north as the British Isles. Its persisted sporadically from 541 to 750, the same period that witnessed the distinctive shaping of the Byzantine Empire, a new prominence of the Roman papacy and of monasticism, the beginnings of Islam and the meteoric expansion of the Arabic Empire, the ascent of the Carolingian dynasty in Frankish Gaul and, not coincidentally, the beginnings of a positive work ethic in the Latin West.

In this volume, the first on the subject, twelve scholars from a variety of disciplines history, archaeology, epidemiology, and molecular biology have produced a comprehensive account of the pandemics origins, spread, and mortality, as well as its economic, social, political, and religious effects.

The historians examine written sources in a range of languages, including Arabic, Syriac, Greek, Latin, and Old Irish. Archaeologists analyze burial pits, abandoned villages, and aborted building projects. The epidemiologists use the written sources to track the disease s means and speed of transmission, the mix of vulnerability and resistance it encountered, and the patterns of reappearence over time. Finally, molecular biologists, newcomers to this kind of investigation, have become pioneers of paleopathology, seeking ways to identity pathogens in human remains from the remote past.”

Title: Bring Out Your Dead: The Great Plague of Yellow Fever in Philadelphia in 1793

Year: 1993

Author: J H Powell

Goodreads

n 1793 a disastrous plague of yellow fever paralyzed Philadelphia, killing thousands of residents and bringing the nation’s capital city to a standstill. In this psychological portrait of a city in terror, J. H. Powell presents a penetrating study of human nature revealing itself. Bring Out Your Dead is an absorbing account, form the original sources, of an infamous tragedy that left its mark on all it touched.

Title: Bubonic Plague in Early Modern Russia: Public Health and Urban Disaster

Year: 2002

Author: John T. Alexander

Goodreads

John T. Alexander’s study dramatically highlights how the Russian people reacted to the Plague, and shows how the tools of modern epidemiology can illuminate the causes of the plague’s tragic course through Russia. Bubonic Plauge in Early Modern Russia makes contributions to many aspects of Russian and European history: social, economic, medical, urban, demographic, and meterological. It is particularly enlightening in its discussion of eighteenth-century Russia’s emergent medical profession and public health institutions and, overall, should interest scholars in its use of abundant new primary source material from Soviet, German, and British archives.

Title: A Time to Dance, a Time to Die: The Extraordinary Story of the Dancing Plague of 1518

Year: 2009

Author: John Waller

Goodreads

n the searing July heat of 1518, Frau Troffea stepped into the streets of Strasbourg and began to dance. Bathed in sweat, she continued to dance. Overcome with exhaustion, she stopped, and then resumed her solitary jig a few hours later. Over the next two months, roughly four hundred people succumbed to the same agonizing compulsion. At its peak, the epidemic claimed the lives of fifteen men, women, and children a day. Possibly 100 people danced to their deaths in one of the most bizarre and terrifying plagues in history.

John Waller compellingly evokes the sights, sounds, and aromas; the diseases and hardships; the fervent supernaturalism and the desperate hedonism of the late medieval world. Based on new evidence, he explains why the plague occurred and how it came to an end. In doing so, he sheds light on the strangest capabilities of the human mind and on our own susceptibility to mass hysteria.

Title: Farewell to the God of Plague: Chairman Mao’s Campaign to Deworm China

Year: 2016

Author: Miriam Gross

Farewell to the God of Plague reassesses the celebrated Maoist health care model through the lens of Mao’s famous campaign against snail fever. Using newly available archives, Miriam Gross documents how economic, political, and cultural realities led to grassroots resistance.

Nonetheless, the campaign triumphed, but not because of its touted mass-prevention campaign. Instead, success came from its unacknowledged treatment arm, carried out jointly by banished urban doctors and rural educated youth. More broadly, the author reconsiders the relationship between science and political control during the ostensibly antiscientific Maoist era, discovering the important role of “grassroots science” in regime legitimation and Party control in rural areas.

Title: THE UNTOLD STORY OF YELLOW FEVER, THE EPIDEMIC THAT SHAPED OUR HISTORY

Year: 2006

Author: Molly Caldwell Crosby

Goodreads

Slave ships brought it to America as far back as 1648-and over the centuries, yellow fever epidemics plagued the United States. Carried along the mighty Mississippi River, it ravaged towns from New Orleans to St. Louis. New York City lost 2,000 lives in one year alone. It even forced the nation’s capital to relocate from Philadelphia to Washington, DC.
“The American Plague” reveals the true story of yellow fever, recounting Memphis, Tennessee’s near-destruction and resurrection from the epidemic-and the four men who changed medical history with their battle against an invisible foe that remains a threat to this very day.

Title: Ethnographic Plague: Configuring Disease on the Chinese-Russian Frontier

Year: 2016

Author: Christos Lynteris

Goodreads

Challenging the concept that since the discovery of the plague bacillus in 1894 the study of the disease was dominated by bacteriology, Ethnographic Plague argues for the role of ethnography as a vital contributor to the configuration of plague at the turn of the nineteenth century. With a focus on research on the Chinese-Russian frontier, where a series of pneumonic plague epidemics shook the Chinese, Russian and Japanese Empires, this book examines how native Mongols and Buryats came to be understood as holding a traditional knowledge of the disease.

Exploring the forging and consequences of this alluring theory, this book seeks to understand medical fascination with culture, so as to underline the limitations of the employment of the latter as an explanatory category in the context of infectious disease epidemics, such as the recent SARS and Ebola outbreaks.

Title: Legacies of Plague in Literature, Theory and Film

Year: 2009

Author: Jennifer Cooke

Goodreads

This book is an account of the history and continuation of plague as a potent metaphor since the disease ceased to be an epidemic threat in Western Europe, engaging with twentieth-century critiques of fascism, anti-Semitic rhetoric, the Oedipal legacy of psychoanalysis and its reception, and film spectatorship and the zombie genre.

Title: Framing Animals as Epidemic Villains: Histories of Non-Human Disease Vectors

Year: 2019

Christos Lynteris (Editor)

Goodreads

This book takes a historical and anthropological approach to understanding how non-human hosts and vectors of diseases are understood, at a time when emerging infectious diseases are one of the central concerns of global health. The volume critically examines the ways in which animals have come to be framed as ‘epidemic villains’ since the turn of the nineteenth century.

Providing epistemological and social histories of non-human epidemic blame, as well as ethnographic perspectives on its recent manifestations, the essays explore this cornerstone of modern epidemiology and public health alongside its continuing importance in today’s world. Covering diverse regions, the book argues that framing animals as spreaders and reservoirs of infectious diseases – from plague to rabies to Ebola – is an integral aspect not only to scientific breakthroughs but also to the ideological and biopolitical apparatus of modern medicine. As the first book to consider the impact of the image of non-human disease hosts and vectors on medicine and public health, it offers a major contribution to our understanding of human-animal interaction under the shadow of global epidemic threat.

Title: Human Extinction and the Pandemic Imaginary

Year: 2019

Author: Christos Lynteris

Goodreads

This book develops an examination and critique of human extinction as a result of the ‘next pandemic’ and turns attention towards the role of pandemic catastrophe in the renegotiation of what it means to be human. Nested in debates in anthropology, philosophy, social theory and global health, the book argues that fear of and fascination with the ‘next pandemic’ stem not so much from an anticipation of a biological extinction of the human species, as from an expectation of the loss of mastery over human/non-human relations.

Christos Lynteris employs the notion of the ‘pandemic imaginary’ in order to understand the way in which pandemic-borne human extinction refashions our understanding of humanity and its place in the world. The book challenges us to think how cosmological, aesthetic, ontological and political aspects of pandemic catastrophe are intertwined. The chapters examine the vital entanglement of epidemiological studies, popular culture, modes of scientific visualisation, and pandemic preparedness campaigns. This volume will be relevant for scholars and advanced students of anthropology as well as global health, and for many others interested in catastrophe, the ‘end of the world’ and the (post)apocalyptic. 

Title: The Spirit of Selflessness in Maoist China: Socialist Medicine and the New Man

Year: 2013

Author: Christos Lynteris

Goodreads

Assuming power in 1949, the Chinese Communist Party was faced with a crucial problem: how to construct the socialist ‘New Man’? On the one hand, led by Liu Shaoqi, the proponents of the technocracy advocated self-cultivation. Led by Mao Zedong, their opponents advocated the exact opposite technique: the abolition of the self and the institution of a mass subjectivity.

Examining this conflict through the analytical lens of Foucault’s ‘technologies of the self’ and in relation to biopolitics, the book explores how the battle for the self in Maoist China revolved around the interpretation of the ‘spirit of selflessness’ as embodied by the heroic Canadian doctor, Norman Bethune, who lost his life as a volunteer doctor of the Red Army. The book narrates how, called to embody this selfless spirit, medical doctors were trapped in a spiral between cultivation and abolition, leading to the explosion of ideology during the Cultural Revolution.

Title: Plague, Quarantine and Geopolitcs in the Ottoman Empire

Year: 2012

Author: Birsen Bulmus

Goodreads

A sweeping examination of Ottoman plague treatise writers from the Black Death until 1923

Did you know that many of the greatest and most colourful Ottoman statesmen and literary figures from the 15th to the early 20th century considered plague as a grave threat to their empire? And did you know that many Ottomans applauded the establishment of a quarantine against the disease in 1838 as a tool to resist British and French political and commercial penetration? Or that later Ottoman sanitation effort to prevent urban outbreaks would help engender the Arab revolt against the empire in 1916?

Birsen Bulmus explores these facts in an engaging study of Ottoman plague treatise writers throughout their almost 600-year struggle with this epidemic disease. Along the way, she addresses the political, economic and social consequences of the methods they used to combat it.

Key Features

  • Studies the premodern ways in which plague was viewed by Ottoman Islamic thinkers
  • Traces the eventual Ottoman acceptance of quarantines and other modern medical reforms
  • Analyses international debates over plagues and quarantines as a struggle about colonialism
music, quotes

1492 – Always Coming Home: A sonic journey from Kesh (2020)

Some of the Places and Peoples Known to the Kesh, 1985 © Ursula K. Le Guin. Courtesy of Curtis Brown, Ltd

I finally realized that if I was ever going to find any words in which I could tell stories about my world, if I was ever going to approach the center of the world in my writing, I was going to have to take lessons from the people who lived there, who had always lived there, the people who were the land—the old ones, the first ones, trees, rocks, animals, human people. I was going to have to be very quiet, and learn to listen to them. (Le Guin, 1988/2019: 751)

Music and poetry of the Kesh by Ursula K. Le Guin & Todd Barton was released on bandcamp in 2018

Music and Poetry of the Kesh is the documentation of an invented Pacific Coast peoples from a far distant time, and the soundtrack of famed science fiction author, Ursula K. Le Guin’s Always Coming Home. In the novel, the story of Stone Telling, a young woman of the Ksh, is woven within a larger anthropological folklore and fantasy. (from bandcamp)

The ways of the Kesh were originally presented in 1985 as a five hundred plus page book accompanied with illustrations of instruments and tools, maps, a glossary of terms, recipes, poems, an alphabet (Le Guin’s conlang, so she could write non-English lyrics), and with early editions, a cassette of “field recordings” and indigenous song. Le Guin wanted to hear the people she’d imagined; she embarked on an elaborate process with her friend Todd Barton to invoke their spirit and tradition.

Always coming home is a musical feature by NTS radio with words words by Andrea Zarza Canova, various field recordings and a tracklist based on the above and the book by Ursula K LeGuin Always coming home. Original is here

Upon reading Always Coming Home by Ursula K. Le Guin, one feels as though entering an anthropological museum filled with artefacts from a past civilization; we can discover maps charting where the Kesh lived, drawings and descriptions of the plants, trees and rivers that surrounded them; collections of recipes and descriptions of how they dressed; detailed notes explaining their society, kinship, sexuality, medicine and funerary rites; folk tales, plays, poems, stories and descriptions of rites and rituals, with detailed descriptions of what their instruments looked and sounded like.

Pandora is the archaeologist, historian and anthropologist who describes the Kesh in this ethnographic account of a non-existent civilization. For both us readers and Pandora, also referred to as the Editor, the Kesh exist in the future, in a post-apocalyptic California. A note at the beginning of the book makes us aware of this with a complex use of verbal tenses—“The people in this book might be going to have lived a long, long time from now in Northern California”. This note is one of the few occasions where we hear Le Guin’s voice, for Always Coming Home is instead a patchwork of Kesh voices that come to life through poems, songs, storytelling, oral histories and a novel, collected or recounted by the narrator Pandora. (fragment from text by Andrea Zarza Canova)