1063 – The Pianist (2002)

timespace coordinates: 1939 – 1945 Warsaw  during Nazi Germany‘s invasion of Poland /  Warsaw Ghetto /  the Warsaw Ghetto Uprising /  the Warsaw Uprising

The Pianist is a 2002 biographical drama film produced and directed by Roman Polanski, scripted by Ronald Harwood, and starring Adrien Brody. It is based on the autobiographical book The Pianist, a Holocaust memoir by the Polish-Jewish pianist and composer Władysław Szpilman, a Holocaust survivor. The film was a co-production of France, the United Kingdom, Germany, and Poland.

The story had deep connections with director Roman Polanski because he escaped from the Kraków Ghetto as a child after the death of his mother. He ended up living in a Polish farmer’s barn until the war’s end. His father almost died in the camps, but they reunited after the end of World War II. (wiki)

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1032 – The Last Samurai (2003)

timespace coordinates: 1876 – 1877 California > JapanThe Last Samurai is a 2003 American period action drama film directed and co-produced by Edward Zwick, who also co-wrote the screenplay with John Logan and Marshall Herskovitz. The film stars Tom Cruise, who also co-produced, with Timothy Spall, Ken Watanabe, Billy Connolly, Tony Goldwyn, Hiroyuki Sanada, Koyuki, and Shin Koyamada in supporting roles.

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Tom Cruise portrays a United States Captain of the 7th Cavalry Regiment, whose personal and emotional conflicts bring him into contact with samurai warriors in the wake of the Meiji Restoration in 19th Century Japan.

1877 — In 1877, nine years after the Meiji Restoratin, a major rebellion in Kyushu concentrated the opposition of conservative elements to the westernization of Japan. The traditional forces, including for example samurai infuriated at no longer being allowed to carry swords, were defeated by the new conscript army. Thousands were executed. Here the brave new officers in their western-style uniforms accept the surrender of un-uniformed rebels. — Image by © Asian Art & Archaeology, Inc./CORBIS

The film’s plot was inspired by the 1877 Satsuma Rebellion led by Saigō Takamori, and the westernization of Japan by foreign powers, though in the film the United States is portrayed as the primary force behind the push for westernization. To a lesser extent it is also influenced by the stories of Jules Brunet, a French army captain who fought alongside Enomoto Takeaki in the earlier Boshin War and Frederick Townsend Ward, an American mercenary who helped Westernize the Chinese army by forming the Ever Victorious Army. (wiki)

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0856 – Sorstalanság / Fateless (2005)

timespace coordinates: World War II Hungary / Auschwitz / Buchenwald

Fateless (Hungarian: Sorstalanság) is a Hungarian film directed by Lajos Koltai, released in 2005. It is based on the semi-autobiographical novel Fatelessness by the Nobel Prize-winner Imre Kertész, who also wrote the screenplay. It tells the story of a teenage boy who is sent to Auschwitz and Buchenwald.

The film’s music was composed by Ennio Morricone, and one of its songs was sung by Lisa Gerrard. The film is one of the most expensive movies ever produced in Hungary, with a cost of $12 million. (wiki)

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0738 – 1945 (2017)

timespace coordinates: Hungarian village, 12 August 1945

1945 is a 2017 Hungarian drama film directed by Ferenc Török and co-written by Török and Gábor T. Szántó.

On a sweltering August day in 1945, villagers prepare for the wedding of the town clerk’s son. Meanwhile, two Orthodox Jews arrive at the village train station with mysterious boxes labeled “fragrances.” (rt)

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0728 – HHhH / The Man with the Iron Heart (2017)

timespace coordinates: 1930 Germany – 1942  Prague

The Man with the Iron Heart (released as HHhH in France and Killing Heydrich in Canada) is an English-language French-Belgian biographical war drama-thriller film directed by Cédric Jimenez and written by David Farr, Audrey Diwan, and Jimenez. It is based on French writer Laurent Binet‘s novel HHhH, and focuses on Operation Anthropoid, the assassination of Nazi leader Reinhard Heydrich in Prague during World War II. The film stars Jason Clarke, Rosamund Pike, Jack O’Connell, Jack Reynor, and Mia Wasikowska.  (wiki)

The original working title of this film, “HHhH”, is a war-time Gestapo acronym for Himmlers Hirn heißt Heydrich (“Himmler’s brain is called Heydrich”),

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“When I was a little girl, I would imagine that each of these trees was a sentry watching
over me as I passed by. I wish you could have seen it in those days. We had a party every weekend. There were vast buffets, flowers everywhere. There would be an orchestra
who would play all night. And when it was time to go to bed I would hide under the piano so my mother couldn’t find me. I wish you could have seen it in those times…”

609 – The Book Thief (2013)

spacetime coordinates: 1938 – 1945 Germany

The Book Thief is a 2013 World War II war drama film directed by Brian Percival and starring Geoffrey Rush, Emily Watson, and Sophie Nélisse. The film is based on the 2005 novel The Book Thief by Markus Zusak and adapted by Michael Petroni. The film is about a young girl living with her adoptive German family during the Nazi era. Taught to read by her kind-hearted foster father, the girl begins “borrowing” books and sharing them with the Jewish refugee being sheltered by her foster parents in their home. The film features a musical score by Oscar-winning composer John Williams. (wiki)

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0506 – Saul fia / Son of Saul (2015)

spacetime coordinates:  Auschwitz-Birkenau extermination camp, Poland  6 – 7 October 1944

Son of Saul (Hungarian: Saul fia) is a 2015 Hungarian drama film directed by László Nemes and co-written by Nemes and Clara Royer. It is set in the Auschwitz concentration camp during World War II, and follows a day-and-a-half in the life of Saul Ausländer (played by Géza Röhrig), a Hungarian member of the Sonderkommando. The film’s many historical sources included the personal accounts of Schlomo Venezia and Filip Müller, the records of Miklos Nyiszli, a Romanian-Jewish doctor who was forced to work in the crematoria, and Claude Lanzmann‘s Shoah (1985).

During the preparation, director László Nemes, cinematographer Mátyás Erdély and production designer László Rajk made a pledge to stick to certain rules, or a “dogma”, which included: The film cannot look beautiful. // The film cannot look appealing. // We cannot make a horror film. // Staying with Saul means not going beyond his own field of vision, hearing, or presence. // The camera is his companion, it stays with him throughout this hell.

The film took five months of sound design, where human voices in eight languages were recorded and attached to the original recording of the production. Sound designer Tamás Zányi described the sound in the film “as a sort of acoustic counterpoint to the intentionally narrowed imagery”. The music score by László Melis is intentionally kept so subtle that viewers won’t even notice it. (read more: imdb, wiki)

The film follows the same stylistic approach as László Nemes’ first and most successful short film Türelem (2007). In the short, the camera follows a woman proceed with her daily work routine with a very narrow focus and vision, until she walks up to a window and sees a group of Jewish prisoners stripped down by Sonderkommando prisoners and SS officers. The short is available online HERE.