The Man Who Killed Don Quixote is a 2018 adventure–comedy film starring Adam Driver, directed by Terry Gilliam and written by Gilliam and Tony Grisoni, loosely based on the novel Don Quixote by Miguel de Cervantes. Gilliam unsuccessfully attempted to make the film many times over the span of twenty-nine years, which made it an infamous example of development hell.
The film premiered on 19 May 2018, simultaneously acting as the closing film at the 2018 Cannes Film Festival and being released in French theaters. Gilliam has struggled to release The Man Who Killed Don Quixote worldwide since then, partially due to a lengthy legal dispute with former producer Paulo Branco, and the film was only released in a few other countries. On 17 December 2018, the film was confirmed for a US release in March 2019. (wiki)
“Toby, a disillusioned advertising executive, becomes pulled into a world of time jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.” (imdb)
Tag: hobo
0905 – Under the Silver Lake (2018)
timespace coordinates: 2011 Los Angeles
Under the Silver Lake is a 2018 American neo-noir mystery film written, produced and directed by David Robert Mitchell. Set in Los Angeles, it stars Andrew Garfield as a young man who sets out on a quest to investigate the sudden disappearance of his neighbour (Riley Keough), only to stumble upon an elusive and dangerous large-scale conspiracy.
Joshua Rothkopf of Time Out gave the film a perfect five rating, calling it “Hypnotic, spiraling and deliriously high” and stating “the ambition of Under the Silver Lake is worth cherishing. It will either evaporate into nothingness or cohere into something you’ll want to hug for being so wonderfully weird.” Eric Kohn of IndieWire gave a positive review, calling it “a bizarre and outrageous drama grounded in the consistency of Garfield’s astonishment at every turn. […] Aided by cinematographer Mike Gioloukas’ sunny visuals and a searching Disasterpiece score, the movie becomes a bittersweet ode to wanting answers from an indifferent world overwhelmed by superficial distractions. The homage can be irritating and some of the transitions work better than others across an unwieldy running time — but even the flaws speak to the movie’s beguiling raison d’être. It’s fascinating to watch Mitchell grasp for a bigger picture with the wild ambition of his scruffy protagonist.”
Owen Gleiberman of Variety gave a positive review, calling it “a down-the-rabbit-hole movie, at once gripping and baffling, fueled by erotic passion and dread but also by the code-fixated opacity of conspiracy theory. The movie is impeccably shot and staged, with an insanely lush soundtrack that’s like Bernard Herrmann-meets-Angelo-Badalamenti-on-opioids. When it’s over, though, you feel like you’ve seen a meta-mystery made by someone who spent too much time scrawling notes in the margins of his frayed copy of Infinite Jest. (wiki)
892 – Bodied (2017)
Bodied is a 2017 American battle rap comedy-drama film directed by Joseph Kahn. It was written by Alex Larsen (aka Kid Twist.) and produced by Eminem, his manager Paul Rosenberg, and Adi Shankar. The film stars Calum Worthy as Adam, a graduate student who becomes a competitive battle rapper after becoming immersed in the scene while working on his graduate thesis on the subject. (wiki)
Shoniqua Shandai, Walter Perez, Rory Uphold also star in the film. Well known battle rappers Dizaster, Dumbfoundead, Hollow Da Don and media personality Charlamagne Tha God are among the supporting cast.
868 – William T. Vollmann
The Most Honest Book About Climate Change Yet
“Vollmann’s undertaking is in the vanguard of the coming second wave of climate literature, books written not to diagnose or solve the problem, but to grapple with its moral consequences.”
No Immediate Danger: Volume One of Carbon Ideologies
No Good Alternative: Volume Two of Carbon Ideologies: 2
William_T._Vollmann
William T. Vollmann | Carbon Ideologies
|YouTube
0849 – The Haunting of Hill House (2018 TV series)
timespace coordinates: 1992 – 2018 Massachusetts
The Haunting of Hill House is an American supernatural horror web television series created by Mike Flanagan for Netflix, produced by Amblin Television and Paramount Television. The series is based on the 1959 novel of the same name by Shirley Jackson. The plot alternates between two timelines, following five adult siblings whose paranormal experiences at Hill House continue to haunt them in present day. The series also features flashbacks to 1992, depicting the events in Hill House leading up to the eventful night the family departed. The ensemble cast features Michiel Huisman, Elizabeth Reaser, Oliver Jackson-Cohen, Kate Siegel, Victoria Pedretti, Lulu Wilson, Carla Gugino, Henry Thomas and Timothy Hutton. (wiki)
“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.”
― The Haunting of Hill House
834 – Lola rennt (1998)
timespace coordinates: 1998 Berlin, Germany
(FAST, smart & fun)
Run Lola Run is a 1998 German thriller film written and directed by Tom Tykwer, and starring Franka Potente as Lola and Moritz Bleibtreu as Manni. The story follows a woman who needs to obtain 100,000 Deutsche Mark in twenty minutes to save her boyfriend’s life. (wiki) imdb / rt / THEMES
Wir lassen nie vom Suchen ab, /
und doch, am Ende allen unsren Suchens, /
sind wir am Ausgangspunkt zurück /
und werden diesen Ort zum ersten Mal erfassen. /
(T.S. Eliot)
0825 – The Forgotten Space (2010)
timespace coordinates: 2000’s Netherlands / United States / Belgium / China / Spain
The Forgotten Space (Allan Sekula & Noël Burch, 2010) follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete.
A range of materials is used: descriptive documentary, interviews, archive stills and footage, clips from old movies. The result is an essayistic, visual documentary about one of the most important processes that affects us today. The Forgotten Space is based on Sekula’s Fish Story, seeking to understand and describe the contemporary maritime world in relation to the complex symbolic legacy of the sea.
TimeSpace Warps 