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Coco is a 2017 American 3D computer-animated fantasy film produced by Pixar Animation Studios and released by Walt Disney Pictures. Based on an original idea by Lee Unkrich, it is directed by him and co-directed by Adrian Molina. The concept for Coco is inspired by the Mexican Day of the Dead holiday. (wiki)
timespace coordinates: 2010’s Shibuya (Tokyo, Japan)
The Boy and the Beast (Japanese: バケモノの子 Hepburn: Bakemono no Ko, literally “The bakemono‘s child”) is a 2015 Japanese animated action-adventure fantasy film written and directed by Mamoru Hosoda. It won Animation of the Year at the 37th Japan Academy Prizes. (wiki)
timespace coordinates: 2010’s Dayton, Ohio / Earth
“When I was a child, I spoke as a child, I thought as a child, I understood as a child. When I became an adult, I put away childish things”. Colonel Vosch
The 5th Wave is a 2016 American science fiction action film directed by J Blakeson, with a screenplay by Susannah Grant, Akiva Goldsman, and Jeff Pinkner, based on Rick Yancey’s 2013 novel of the same name. The film stars Chloë Grace Moretz, Nick Robinson, Ron Livingston, Maggie Siff, Alex Roe, Maria Bello, Maika Monroe, and Liev Schreiber. (wiki)
The 5th Wave novel is the first in The 5th Wave trilogy, followed by The Infinite Sea (narration shifts to Ringer’s point of view) and The Last Star.
timespace coordinates: 1980’s LA (Johnie’s Coffee Shop; La Brea Tar Pits; Miracle Mile District; Pan-Pacific Auditorium in the Fairfax District)
Miracle Mile is a 1988 American apocalyptic thriller film written and directed by Steve De Jarnatt, and starring Anthony Edwards and Mare Winningham. The film takes place mostly in real time. It is named after the Miracle Mile neighborhood of Los Angeles, where most of the action takes place. (wiki)
(trivia) The real life Johnie’s Coffee Shop, actually located on the Miracle Mile neighborhood of Los Angeles, ceased functioning as a real restaurant in the late 1990s. However, the building was never demolished, continued to be used from many other films and was designated a historical landmark in 2013. It is now rented primarily for film and television productions as well as for pop-up shops and similar temporary functions. The building again gained notoriety in 2016 as a campaign headquarter for US presidential candiante Bernie Sanders.
timespace coordinates: New Year’s Eve, 1999 New YorkCity
End of Days is a 1999 American supernatural action horror film directed by Peter Hyams and starring Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak, Rod Steiger, CCH Pounder, and Udo Kier. The film follows former New York Police Department detective Jericho Cane (Schwarzenegger) after he saves a banker (Byrne) from an assassin, finds himself embroiled in a religious conflict, and must protect an innocent young woman (Tunney) who is chosen by evil forces to conceive the Antichrist with Satan. (wiki)
imdb / End Of Days Smoothie Breakfast with Arnold Schwarzenegger
timespace coordinates: 2000’s Los Angeles
Hancock is a 2008 American superhero comedy film directed by Peter Berg and starring Will Smith, Charlize Theron, and Jason Bateman. It tells the story of a vigilante superhero, John Hancock (Smith) from Los Angeles whose reckless actions routinely cost the city millions of dollars. Eventually one person he saves, Ray Embrey (Bateman), makes it his mission to change Hancock’s public image for the better. (wiki)
Baraka is a 1992 non-narrative documentary film directed by Ron Fricke. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as the cinematographer. It is also the most recent film to be photographed in the 70mm Todd-AO format, and the first film ever to be restored and scanned at 8K resolution. (wiki)
Named after a Sufi word that translates roughly as “breath of life” or “blessing,” Baraka is Ron Fricke‘s impressive follow-up to Godfrey Reggio‘s non-verbal documentary film Koyaanisqatsi. Fricke was cinematographer and collaborator on Reggio’s film, and for Baraka he struck out on his own to polish and expand the photographic techniques used on Koyaanisqatsi. The result is a tour-de-force in 70mm: a cinematic “guided meditation” (Fricke’s own description) shot in 24 countries on six continents over a 14-month period that unites religious ritual, the phenomena of nature, and man’s own destructive powers into a web of moving images. Fricke’s camera ranges, in meditative slow motion or bewildering time-lapse, over the Church of the Holy Sepulcher in Jerusalem, the Ryoan-Ji temple in Kyoto, Lake Natron in Tanzania, burning oil fields in Kuwait, the smoldering precipice of an active volcano, a busy subway terminal, tribal celebrations of the Maasai in Kenya, chanting monks in the Dip Tse Chok Ling monastery…and on and on, through locales across the globe. To execute the film’s time-lapse sequences, Fricke had a special camera built that combined time-lapse photography with perfectly controlled movements of the camera. In one evening sequence a desert sky turns black, and the stars roll by, as the camera moves slowly forward under the trees. The feeling is like that of viewing the universe through a powerful telescope: that we are indeed on a tiny orb hurtling through a star-filled void. The film is complemented by the hybrid world-music of Michael Stearns. ~ Anthony Reed, Rovi (rottentomatoes)
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