616 – Django Unchained (2012)

spacetime coordinates: 1858 – 1859 Texas – Tennessee – Mississippi (Candyland plantation)

Django Unchained is a 2012 American revisionist Western film written and directed by Quentin Tarantino, starring Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, and Samuel L. Jackson, with Walton Goggins, Dennis Christopher, James Remar, and Don Johnson in supporting roles. Set in the Old West and Antebellum South, it is a highly stylized tribute to Spaghetti Westerns, in particular the 1966 Italian film Django by Sergio Corbucci, whose star Franco Nero has a cameo appearance.

comic book adaptation

controversies   imdb

612 – Davi Kopenawa, Bruce Albert, Alison Dundy – The falling sky – words of a Yanomami shaman

The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest–a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.

In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.

Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa’s intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest. (amazon)

“When I come back from a trip among the white people, the dizziness leaves my eyes after a while and my thought be-comes clear again. I no longer hear cars, machines, or airplanes. I only lend an ear to the tooro toads and krouma frogs that call the rain in the forest. I only hear the rustling of the leaves in the wind and the rumbling of the thunders in the sky. The ignorant words of the city politicians gradually vanish in the quiet of my sleep. I become calm again by going to hunt and making my spirits dance.

The forest is very beautiful to see. It is cool and aromatic. When you move through it to hunt or travel, you feel joyful and your mind is slow-paced. You listen to the chirping of the cicadas in the distance, or the cries of the curassows and the agami herons, and the clamor of the spider monkeys in the trees. Your worries are eased. Your thoughts can then follow one another without getting obscured.”

0611 – Danton (1983)

spacetime coordinates: 1793 – 1794 Paris

Danton (French pronunciation: ​[dɑ̃tɔ̃]) is a 1983 French language film depicting the last weeks of Georges Danton, one of the leaders of the French Revolution. It is an adaptation of the Polish play The Danton Case by Stanisława Przybyszewska.

The film stars Gérard Depardieu in the title role, with Wojciech Pszoniak as Maximilien Robespierre, and Patrice Chéreau as Camille Desmoulins. It was directed by the Polish director Andrzej Wajda and was an international co-production between companies in France, Poland and West Germany. All supporters of Danton (with the exception of Bourdon, who would later betray him) are played by French actors, while Robespierre’s allies are played by Poles.

Not always rigidly historical, the film draws continual parallels between the Reign of Terror during the French Revolution and the situation in contemporary Poland, in which the Solidarity movement was struggling against the oppression of the Soviet-backed Polish government.

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606

605 – The Black Panthers: Vanguard of the Revolution (2015)

The Black Panthers: Vanguard of the Revolution is a 2015 American documentary film directed and written by Stanley Nelson Jr. The film combines archival footage and interviews with surviving Panthers and FBI agents to tell the story of the revolutionary black organization Black Panther Party. It is Nelson Jr.’s eighth film to premiere at Sundance. The film is the first of a three-part series of documentary films about African-American history America Revisited. It will be followed by Tell Them We Are Rising: The Story of Historically Black Colleges and Universities and The Slave Trade: Creating a New World.

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0583 – Äideistä parhain / Mother of Mine (2005)

spacetime coordinates: 1940s Sweden

During World War II, more than 70,000 Finnish children were evacuated to neutral Sweden to avoid the conflict.

Mother of Mine (Finnish: Äideistä parhain, Swedish: Den bästa av mödrar) is a 2005 Finnish film directed by Klaus Härö. The film is based on a novel by Heikki Hietamies.

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0582 – Agora (2009)

spacetime coordinates: Alexandria, Egypt. 391 – 415 A.D.

Agora (Spanish: Ágora) is a 2009 Spanish English-language historical drama film directed by Alejandro Amenábar and written by Amenábar and Mateo Gil. The biopic stars Rachel Weisz as Hypatia, a female mathematician, philosopher and astronomer in late 4th-century Roman Egypt, The story uses historical fiction to highlight the relationship between religion and science at the time amidst the decline of Greco-Roman polytheism and the Christianization of the Roman Empire.

The set used in the film is meticulously historically authentic, showing a blend of Greek, Roman, and Egyptian architectural styles that would have been fitting to the time period,  but the costumes are anachronistic. Hypatia’s age in the film is also inaccurate; most scholars believe she would have been in her 50s or 60s at the time of her death, but the film portrays her as a young woman. Irene A. Artemi, a doctor of theology at Athens University, states that “The movie—albeit seemingly not turning against the Christian religion—is in fact portraying the Christians as fundamentalist, obscurantist, ignorant and fanatic”. Similarly, the atheist historian Tim O’Neil remarks: “Over and over again, elements are added to the story that are not in the source material: the destruction of the library, the stoning of the Jews in the theatre, Cyril condemning Hypatia’s teaching because she is a woman, the heliocentric “breakthrough” and Hypatia’s supposed irreligiosity.” (read more: Historical accuracy)

Cyril of Alexandria

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