movies

1142 – Planet Terror (2007)

timespace coordinates: 2000’s rural Texas / Mexico

extreme violence and gore !

Planet Terror is a 2007 American independent zombie film directed by Robert Rodriguez and starring Rose McGowanFreddy RodriguezJosh BrolinMarley SheltonNaveen AndrewsMichael BiehnJeff FaheyStacy Ferguson, and Bruce Willis. It follows a group of people attempting to survive an onslaught of zombie-like creatures as they feud with a military unit. It was released theatrically in North America as part of a double feature with Quentin Tarantino‘s Death Proof under the title Grindhouse, to emulate the experience of viewing exploitation films in a “grindhouse” theater. In addition to directing the film, Rodriguez wrote the script, directed the cinematography, wrote the musical score, co-edited, and produced it. (wiki)

imdb

music, Uncategorized

1136 – yesterday evening [trans-surfing (friday_2nd* DECEMBER 2007 unofficial_youtube party) – sample]

You made me realise

The Beach Boys – Kokomo [Official Music Video]

VAST – Pretty When You Cry

Surfaris – Waikiki Run – 45 rpm

music, Uncategorized

1129 – Jacaszek

Michał Jacaszek (born 1972) is a Polish electroacoustic musician, often credited on albums simply as Jacaszek.

663-november-2017


“Penteal (2009) is an attempt to describe a gothic church interior by means of sounds. A temple owes its special atmosphere not only to visual elements but also to characteristic acoustics – reverb, enhancing and prolonging a slightest whisper into infinity. i spent several days in three Gdańsk historic churches (Oliwa Cathedral, St. Nicolas’ church, St. Mary’s Basilica) recording chanting, organs, and also a broad spectrum of accidental noises. Source sounds were used only as a stimulus which releases the sound of the whole inside, and as such, they were consequently retouched in the post production process. Studio work and also the atmosphere of melody and arrangements were subordinate to the idea of portraying the church as a place filled with distant mysteries, a huge music instrument.”

movies

1126 – Black Hawk Down (2001)

timespace coordinates: 1993  Mogadishu amid the civil war in Somalia

“Only the dead have seen the end of war.”

BlackHawkDown_reduced-1

Black Hawk Down is a 2001 war film produced and directed by Ridley Scott from a screenplay by Ken Nolan. It is based on the 1999 non-fiction book of the same name by journalist Mark Bowden. As an embedded journalist, he covered the 1993 raid in Mogadishu by the U.S. military, aimed at capturing faction leader Mohamed Farrah Aidid. The ensuing firefight became known as the Battle of Mogadishu. The film features a large ensemble cast, including Josh HartnettEwan McGregorEric BanaTom SizemoreWilliam Fichtner, and Sam Shepard. (wiki)

imdb   /   controversies and inaccuracies

books, movies, quotes

1119 – Nineteen Eighty-Four (1984)

timespace coordinates: dystopian 1984. war-torn London ruled by Oceania, a totalitarian superstate

“Under the spreading chestnut tree / I sold you and you sold me”

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Nineteen Eighty-Four, also known as 1984, is a 1984 British dystopian science fiction film written and directed by Michael Radford, based upon George Orwell‘s novel of the same name (published in June 1949). Starring John HurtRichard BurtonSuzanna Hamilton, and Cyril Cusack,

the film follows the life of Winston Smith, a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith (Hurt) struggles to maintain his sanity and his grip on reality as the regime’s overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level. The film, which features Burton’s last screen appearance, is dedicated to him. (wiki)

imdb   /   Newspeak

movies

1117 – Woman Walks Ahead (2017)

timespace coordinates: 1890, the Standing Rock Agency – Dakota Territory

Woman Walks Ahead is a 2017 American biographical drama film directed by Susanna White and written by Steven Knight. The film is the story of Catherine Weldon (Jessica Chastain), a portrait painter who travels from New York to Dakota to paint a portrait of Sitting Bull (Michael Greyeyes) in 1890. Chaske Spencer and Sam Rockwell also star.

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historical inaccuracies   /   imdb   /    Ghost Dance movement

animation, music, Uncategorized

1108

Sepultura – Arise [OFFICIAL VIDEO]



Helloween “-Walls Of Jericho” full album   /   judas   /   guardians


Obituary – The End Complete


Megadeth – Train of Consequences


Paradise Lost – Shades Of God (Full Album)


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Holy War

The Crown and the Ring / Kingdom Come

Mountains

Guyana (Cult Of The Damned)


“Achilles, Agony and Ecstasy in Eight Parts” is the longest (28 minutes and 38 seconds) and most complex Manowar song, and probably an anticipation of a concept album that was never accomplished. Because of its Homeric content, “Achilles, Agony and Ecstasy in Eight Parts” has recently attracted the attention of a group of scholars at Bologna University in Italy. Mrs. Eleonora Cavallini, Professor in Classics, has written about this song:

Joey DeMaio’s lyrics imply a careful and scrupulous reading of the Iliad. The songwriter has focused his attention essentially on the crucial fight between Hector and Achilles, has paraphrased some passages of the poem adapting them to the melodic structure with a certain fluency and partly reinterpreting them, but never altering or upsetting Homer’s storyline. The purpose of the lyrics (and of the music as well) is to evoke some characteristic Homeric sceneries: the raging storm of the battle, the barbaric, ferocious exultance of the winner, the grief and anguish of the warrior who feels death impending over him. The whole action hinges upon Hector and Achilles, who are represented as specular characters, divided by an irreducible hatred and yet destined to share a similar destiny. Both are caught in the moment of the greatest exaltation, as they savagely rejoice for the blood of their killed enemies, but also in the one of the extreme pain, when the daemon of war finally pounces on them. Furthermore, differently than in the irreverent and iconoclastic movie Troy, in “Achilles, Agony and Ecstasy in Eight Parts”, the divine is a constant and ineluctable presence, determining human destinies with inscrutable and steely will, and, despite the generic reference to ‘the gods’, the real master of human lives is Zeus, the only God to whom both Hector and Achilles address their prayers